In 2011 I saw over 180 films in the theatre. So, needless to say, I love movies! But some of you may be thinking, how is that possible? There weren’t that many good films? Well, the answer is independent movies and foreign films. If you take the time to look outside of the mainstream there are many wonderful movies that deserve your attention. Below is a list of some of the best movies I saw in 2011. Some you may have heard of and others only received a limited release, but luckily for all most of these films will be available to rent and I urge you to seek them out. Happy renting!
Take Shelter - This film is an exciting psychological thriller starring Michael Shannon as a man who is having apocalyptic visions regarding a catastrophic storm. He has an overwhelming urge to protect his family and becomes compulsive about expanding their backyard shelter. However, there is another element that is causing him equal distress. He fears that he is going crazy. Are these visions a cautionary gift or is he following in the schizophrenic footsteps of his mother. This film will keep you guessing until the end.
Attack the Block – I loved this little film about a bunch a teenage hoods from a South London neighborhood who try to protect their block when it is invaded by aliens from another planet. Using their street smarts they give these invaders a run for their money. The movie is fresh, smart, funny and contains some very original aliens. I guarantee you’ll be quoting this movie when it’s over. “Allow it!”
Bellflower – If you’ve ever gone through a really bad break-up then Bellflower may give your experience some new perspective. Two flame-throwing best friends have their world turned upside down when a fun-loving girl enters their life. The results are explosive.
Beginners - Christopher Plummer gives an award worthy performance as a gay man who doesn’t come out of the closet until he reaches his eighties. His son (Ewan McGregor) grew up believing that his father was straight and was bewildered by his parent’s unconventional relationship. Now he must reevaluate everything he thought he knew.
Exporting Raymond – Comedy is subjective and funny doesn’t always translate. This is the dilemma of Phil Rosenthal as he is sent to Russia to do a Russian version of his hit sitcom Everybody Loves Raymond. I found this documentary hysterical and enlightening, too. Apparently, exporting sitcoms is big business.
The Devil’s Double – I’m not sure why Dominic Cooper’s performance has slipped through the cracks of award show consideration, perhaps it’ the violent and unsavory subject matter. The Devil’s Double tells the true story of Latif Yahia who was forced to portray Uday Hussein’s body-double. Imagine having to share the life of a vain, spoiled, out-of-control rich kid who just happens to be Saddam Hussein’s son. Dominic Cooper plays both parts and I believe that his performance is excellent and multifaceted.
The Hedgehog – I loved this quiet little French film about a young girl who becomes fascinated by her lonely widowed building super and the new Japanese tenant who just moved in. It is a story about seeing people for who they really are and looking beyond outside appearances. I was very touched by this lovely film.
Brideflight – This film was up for Academy consideration but was not released for general viewing until 2011. It is the true story of a group of young Dutch people who immigrated to New Zealand after World War II. It is one of those emotional epic sagas full of love, romance and family secrets. It’s a tear-jerker.
The Music Never Stopped – This interesting little film is based on a true story about a father and son who become estranged when their taste in music diverges. The son runs away just short of graduation and eventually turns up roaming the streets. A tumor causing severe brain damage leaves him non-commutative. He only comes out of his trance like state when music is played from a very specific era, music like Dylan, The Beatles and the Grateful Dead. In order to reconnect with his son, Henry Sawyer (played by J.K. Simmons) must put aside his musical snobbery and learn to see the beauty in his son’s chosen music.
Sarah’s Key – This historical drama is about a very shameful episode in French history. In 1942 thousands of French Jews were rounded up and had their property confiscated. When a present day investigative reporter discovers that her family home once belonged to a Vel’ d’Hiv victim she begins a search to find the original owners and discover their fate after World War II.
The Way – Written and directed by Emilio Estevez, The Way tells the story of a father (Martin Sheen) whose son dies while hiking the El Camino de Santiago. After going to Spain to collect his body and his effects, the father decides to finish the journey on his son’s behalf. This spiritual tale will really stick with you after the film is over. Don’t be surprised if you hear of me making the journey, I really want to go.
Mozart’s Sister – History is full of interesting facts and stories. Apparently Mozart had an older sister who was extremely talented and wanted to be a composer too. But because she was born female, her father disapproved and discouraged her. After befriending a royal princess, Nannerl Mozart is required to dress as a man to gain an audience with the Dauphine of France. Once she sees how easy it is to be mistaken for a man, she disguises herself again and attends music school.
The Beaver – A lot of people avoided this film because of the media backlash surrounding Mel Gibson. It is a shame because he delivers a very sensitive portrait of man battling depression. It is a strange film about a man who communicates through a hand puppet. It is sweet, disturbing, inspirational and sad. Only small budget films can afford to be this bold. It is strange and interesting movie.
About Me
- Melanie Wilson
- My Reviewer's Philosophy: I believe that every film has its audience. One man’s Citizen Kane is another man’s Texas Chain Saw Massacre. My purpose is to help you spend your entertainment dollars wisely. A bad review never kept me from going to a film I wanted to see, but a good review will sometimes get me to a film I never considered. As a movie lover I want you to go to the movies. When more people go to the movies, the more movies get made. But, I also believe that if you enjoy the films you see, you naturally will be inclined to go more often. So join me in supporting our film industry by going to a movie today. Hopefully I can steer you towards a good one. See you at the movies. Melanie Wilson
Wednesday, December 28, 2011
Tuesday, December 27, 2011
A Dangerous Method
After watching A Dangerous Method I hesitate to write a review because it may tell you more about me than the movie. This is the paranoia of the subject matter, our words and what they reveal about us. Sigmund Freud (Viggo Mortensen) considered the father of psychoanalysis, developed a form of therapy he called “the talking cure”. One of his followers, Carl Jung (Michael Fassbender) began practicing this method and soon began formalizing theories of his own. When he contacted Freud to ask further questions about his work the two became friends and developed a father-son type relationship. This film is about that relationship and their subsequent falling out.
The film begins when Carl Jung takes on a hysterical female patient by the name of Sabina Spielrein (Keira Knightly). Her psychosis is tied to her sexuality and Jung is anxious to apply the talking cure developed by Freud. The woman was a medical student and wants to be a doctor herself but her volatile and disturbing behavior landed her in an institution. Once she settles down, Jung takes her on as an assistant and her bright and questioning mind helps him advance his studies.
Once Jung develops a relationship with Freud, Freud sends him a colleague who has also been recently committed. The doctor, Otto Gross (Vincent Cassel) lost his practice because he kept sleeping with his patients and got several of them pregnant. While Jung was inside his mind, Gross was inside Jung’s. The ideas that were exchanged challenged Jung’s moral code and in a moment of weakness he had sex with Sabina. Jung wanted to challenge himself, and he experimented with the modern ideas of personal freedom but he could not escape his Protestant morals and views. This put him at odds with Freud who claimed his Jewish heritage, but did not practice the Jewish religion.
A Dangerous Method is an intellectual film about the exchange of ideas, sexual repression, and the truth of the subconscious. Freud wanted all psychological research to be kept purely scientific and Jung felt that religion, faith and the supernatural should not be ignored. He felt that our spiritual life was as important as our baser instincts and it was here that Freud and Jung diverged.
This film is brilliantly acted. Both Viggo Mortensen and Michael Fassbender are excellent. And Kiera Knightly plays her role fearlessly. But as good as the acting is, if you are not interested in the subject matter I think that the average person would be bored. I, myself, as the daughter of a psychology teacher found the film fascinating, but it is not easy to follow. It is a great conversation starter though and will make for some interesting debates among family and friends. This film is about two great minds who changed the way we see ourselves. If that interests you, you’ll love this film.
Rating: First Run A story about two great minds
The film begins when Carl Jung takes on a hysterical female patient by the name of Sabina Spielrein (Keira Knightly). Her psychosis is tied to her sexuality and Jung is anxious to apply the talking cure developed by Freud. The woman was a medical student and wants to be a doctor herself but her volatile and disturbing behavior landed her in an institution. Once she settles down, Jung takes her on as an assistant and her bright and questioning mind helps him advance his studies.
Once Jung develops a relationship with Freud, Freud sends him a colleague who has also been recently committed. The doctor, Otto Gross (Vincent Cassel) lost his practice because he kept sleeping with his patients and got several of them pregnant. While Jung was inside his mind, Gross was inside Jung’s. The ideas that were exchanged challenged Jung’s moral code and in a moment of weakness he had sex with Sabina. Jung wanted to challenge himself, and he experimented with the modern ideas of personal freedom but he could not escape his Protestant morals and views. This put him at odds with Freud who claimed his Jewish heritage, but did not practice the Jewish religion.
A Dangerous Method is an intellectual film about the exchange of ideas, sexual repression, and the truth of the subconscious. Freud wanted all psychological research to be kept purely scientific and Jung felt that religion, faith and the supernatural should not be ignored. He felt that our spiritual life was as important as our baser instincts and it was here that Freud and Jung diverged.
This film is brilliantly acted. Both Viggo Mortensen and Michael Fassbender are excellent. And Kiera Knightly plays her role fearlessly. But as good as the acting is, if you are not interested in the subject matter I think that the average person would be bored. I, myself, as the daughter of a psychology teacher found the film fascinating, but it is not easy to follow. It is a great conversation starter though and will make for some interesting debates among family and friends. This film is about two great minds who changed the way we see ourselves. If that interests you, you’ll love this film.
Rating: First Run A story about two great minds
Tuesday, December 20, 2011
War Horse
War Horse is a story of love, more specifically a story about the love of horses. It begins when a young English boy witnesses the birth of a handsome, frisky, colt and later, through a miracle of stubborn pride and Irish whiskey, the boy’s father wins him at an auction. Impractical for farming, the father (Peter Mullan) immediately regrets his purchase as soon as he sobers up. But Albert (Jeremy Irvine) pleads for an opportunity to train the horse. With his mother’s support (Emily Watson) he convinces his father to let him try to make it work. And since Ted Narracott would like nothing better than to prove his landlord wrong, he consents to let Albert try.
Albert Narracott loves his new horse and names him affectionately, Joey. The two are inseparable and it is clear that Joey is a remarkable horse. When things on the farm are not doing well and the annual rent is due, Ted Narracott is short because he blew his money on the Thoroughbred. As a horse lover himself he recognized the brilliance of Joey, but more importantly he wanted to outbid his haughty landlord (David Thewlis) who is now loath to give an extension. It is only when Mrs. Narracott humbles herself and begs that the family is given extra time. Now, to pull his weight and give the family a chance of paying the rent, Joey is trained to pull a plow.
World War I is on the horizon and Joey’s heroic efforts behind the plow are not enough. It becomes apparent that desperate measures are called for and Ted sells the beloved horse. The army is in desperate need of mounts and Joey is purchased by a young officer. Albert is distraught, angry and beyond grief, but the young officer, a horse lover himself, promises to care for Joey and bring him back if he can. Albert knows that this is unlikely but he is too young to enlist himself. He vows to join as soon as he is of age, and he and Joey will be reunited again.
The film now diverges on two paths. One thread follows Joey through his series of guardians and the other follows Albert. He becomes a foot soldier and in the trenches of World War I, that is a dangerous occupation to be in. Both boy and horse will face challenges unimaginable as they try to endure and survive the war. It is only through love, friendship and the open hearts of strangers that either of them will survive.
War Horse is not always an easy film to follow as Joey’s fate is ever changing. The one constant is that wherever he goes there is a horse lover there that appreciates his magnificence. Through luck, drive and Albert’s brilliant training, Joey adapts wherever he is sent. But if it wasn’t for the horse lovers of the world who entered Joey’s life Joey would have been lost long ago.
As much as I liked War Horse I found it to be all over the place in terms of style. It was like watching a medley of old Hollywood movies all rolled up into one. Each segment of Joey’s life was like another famous film, we had Lassie Come Home, The Quiet Man, Black Beauty, Gone With the Wind, Heidi, and even Saving Private Ryan. Some parts of the film were very violent while others were almost Disneyesque. I could not recommend this film for young children. I even know some horse-loving adults that won’t be able to handle it.
War Horse is a beautiful film with sweeping settings and a compelling story, but it is also disturbing and tragic in parts. What I loved the most is how a red and white pennant became our beacon to lead us through it all. As Joey passes from one caretaker to another the pennant manages to get passed along too. Our journey is to follow both and learn what heroism really means. Albert is on his own path and he too will learn this lesson. Beautiful, gripping, ugly, heartfelt, brutal, inspiring, this film will take you through the gauntlet of emotions. What you receive in the end are some memorable images and conformation that war is not good for children or any living thing. A lesson we should have learned by now. But we also learn that even in the worst of times an act of kindness has far-reaching effects. Love and tenderness are never wasted acts and War Horse is a perfect reminder.
Rating: First Run A saga about love, war and horse
Albert Narracott loves his new horse and names him affectionately, Joey. The two are inseparable and it is clear that Joey is a remarkable horse. When things on the farm are not doing well and the annual rent is due, Ted Narracott is short because he blew his money on the Thoroughbred. As a horse lover himself he recognized the brilliance of Joey, but more importantly he wanted to outbid his haughty landlord (David Thewlis) who is now loath to give an extension. It is only when Mrs. Narracott humbles herself and begs that the family is given extra time. Now, to pull his weight and give the family a chance of paying the rent, Joey is trained to pull a plow.
World War I is on the horizon and Joey’s heroic efforts behind the plow are not enough. It becomes apparent that desperate measures are called for and Ted sells the beloved horse. The army is in desperate need of mounts and Joey is purchased by a young officer. Albert is distraught, angry and beyond grief, but the young officer, a horse lover himself, promises to care for Joey and bring him back if he can. Albert knows that this is unlikely but he is too young to enlist himself. He vows to join as soon as he is of age, and he and Joey will be reunited again.
The film now diverges on two paths. One thread follows Joey through his series of guardians and the other follows Albert. He becomes a foot soldier and in the trenches of World War I, that is a dangerous occupation to be in. Both boy and horse will face challenges unimaginable as they try to endure and survive the war. It is only through love, friendship and the open hearts of strangers that either of them will survive.
War Horse is not always an easy film to follow as Joey’s fate is ever changing. The one constant is that wherever he goes there is a horse lover there that appreciates his magnificence. Through luck, drive and Albert’s brilliant training, Joey adapts wherever he is sent. But if it wasn’t for the horse lovers of the world who entered Joey’s life Joey would have been lost long ago.
As much as I liked War Horse I found it to be all over the place in terms of style. It was like watching a medley of old Hollywood movies all rolled up into one. Each segment of Joey’s life was like another famous film, we had Lassie Come Home, The Quiet Man, Black Beauty, Gone With the Wind, Heidi, and even Saving Private Ryan. Some parts of the film were very violent while others were almost Disneyesque. I could not recommend this film for young children. I even know some horse-loving adults that won’t be able to handle it.
War Horse is a beautiful film with sweeping settings and a compelling story, but it is also disturbing and tragic in parts. What I loved the most is how a red and white pennant became our beacon to lead us through it all. As Joey passes from one caretaker to another the pennant manages to get passed along too. Our journey is to follow both and learn what heroism really means. Albert is on his own path and he too will learn this lesson. Beautiful, gripping, ugly, heartfelt, brutal, inspiring, this film will take you through the gauntlet of emotions. What you receive in the end are some memorable images and conformation that war is not good for children or any living thing. A lesson we should have learned by now. But we also learn that even in the worst of times an act of kindness has far-reaching effects. Love and tenderness are never wasted acts and War Horse is a perfect reminder.
Rating: First Run A saga about love, war and horse
Young Adult
Normally movies about mean spirited people doing selfish and despicable things are a total turn-off for me and I seldom enjoy them, but Young Adult is a complete exception. This movie is hysterical. Charlize Theron is phenomenal as Mavis Gary a beautiful blonde ex-prom queen who was a cheerleader in high school and dated the handsome football star Buddy Slade (Patrick Wilson). She was the only one in her class that made it out of Mercury, Minnesota and living in the “Mini-apple” of Minneapolis, her classmates who were left behind imagine her life as glamorous. But in reality Mavis is divorced, alcoholic and ghost writing the last book of a declining Young Adult series. Her life is a mess and she has become fixated with her ex-boyfriend and the new baby that he and his wife (Elizabeth Reaser) just had. Mavis wants a do-over and she is determined to get Buddy back. Never mind that he is married and happy. Mavis is clearly delusional.
Young Adult is about a woman who is living in the past and stuck in perpetual adolescence. We never see a flashback or have any insight into her youth other than what people say about her and their reaction when they meet her. Let’s just say that Mavis is controversial. When she arrives in town, the comments are varied. Mavis was envied, admired, but also disliked. Not everyone is happy to see her.
Mercury has grown since Mavis has gone away and her friends have grown up too. Repulsed by all the new chain motels, fast food restaurants and box stores, Mavis heads to a local dive where she runs into her old locker mate. In completely different social circles then they now find that they have a common bond, Bourbon and living in the past. With her new confidant Matt (Patton Oswalt) and a devious plan, Mavis heads out to break up a marriage and steal her old beau away.
The beauty about Young Adult is that the joke is on Mavis. It is like watching a child swat at the knees of a very tall man. None of her barbs or caustic remarks have any sting because the people she lashes out at don’t care. I love the writing in this film and the way the characters are presented. Diablo Cody has written another excellent script and director Jason Reitman has given it the right shade and tone. It seems like the perfect weapon for the mean girls of high school is contentment and personal satisfaction. If you like who you are the barbs will only sting for a moment. I really enjoyed this film.
Rating: First Run Never peak in high school
Young Adult is about a woman who is living in the past and stuck in perpetual adolescence. We never see a flashback or have any insight into her youth other than what people say about her and their reaction when they meet her. Let’s just say that Mavis is controversial. When she arrives in town, the comments are varied. Mavis was envied, admired, but also disliked. Not everyone is happy to see her.
Mercury has grown since Mavis has gone away and her friends have grown up too. Repulsed by all the new chain motels, fast food restaurants and box stores, Mavis heads to a local dive where she runs into her old locker mate. In completely different social circles then they now find that they have a common bond, Bourbon and living in the past. With her new confidant Matt (Patton Oswalt) and a devious plan, Mavis heads out to break up a marriage and steal her old beau away.
The beauty about Young Adult is that the joke is on Mavis. It is like watching a child swat at the knees of a very tall man. None of her barbs or caustic remarks have any sting because the people she lashes out at don’t care. I love the writing in this film and the way the characters are presented. Diablo Cody has written another excellent script and director Jason Reitman has given it the right shade and tone. It seems like the perfect weapon for the mean girls of high school is contentment and personal satisfaction. If you like who you are the barbs will only sting for a moment. I really enjoyed this film.
Rating: First Run Never peak in high school
Sherlock Homes: A Game of Shadows
Today I get to write something I seldom do. When it comes to the Sherlock Holmes sequel Sherlock Homes: A Game of Shadows it is as actually good and as much fun as the original. I loved it! Just like its predecessor, it hit the ground running and never let up. I really love the way that director Guy Ritchie uses his thugs and villains to add flavor and texture to the atmosphere. Every street, every setting has little details sprinkled in to give us the impression of the seedy side of London and its rouge’s gallery of criminals. And what great fun it is to discover that some of the lowliest characters are Sherlock Holmes in disguise.
Dr. Watson (Jude Law) is wrapping up his chronicle of Sherlock Holmes’ latest adventure (Robert Downey Jr.). It will be the last for Dr. Watson for he is settling down and getting married. Being Sherlock Holmes’ partner is a dangerous business and not an appropriate occupation for a married man. He is returning to medicine and Holmes is not taking it well. He is losing his best friend and companion and must now go it alone, but Dr. Moriarty (Jared Harris) has other plans. Even when Holmes begs to leave Watson out of it, Moriarty flatly refuses. Holmes must now protect Watson and his new bride. He also must convince Watson to help him on one last case. Until Moriarty is put away no one is safe. Even Holmes’ brother Mycroft (Stephen Fry) is at risk.
Holmes is obsessed with Dr. Moriarty and thwarting his master plan. But as yet Holmes has no idea what that is. He follows his web of clues which leads him to a Gypsy girl (Noomi Rapace). Somehow her brother is involved in a fiendish plot and Madame Simza and Holmes must find the connection. This journey takes them to the continent where danger and intrigue abound.
Everything that I loved about the first film is present in this worthy sequel. I love the fast driving pace, the wonderful Celtic score, the rapport between two bickering buddies and the insight into Holmes’ complicated mind. In this film we get to know Mycroft, Holmes’ brother, and he is as much of an eccentric as Holmes is. It is his mysterious job with the crown that provides Holmes and Watson access to many prestigious events. It is there that they uncover Dr. Moriarty’s sinister plot. From the underground den of robbers and thieves to the halls of academia and state events, Moriarty has his hand everywhere. It is up to Holmes and Watson to expose this evil opportunist. For Holmes it is a match of intellect and wit.
Sherlock Homes: A Game of Shadows is a delight and I enjoyed it from beginning to end. I especially appreciated all of Holmes’ disguises and his attempts at urban camouflage. I love the chemistry between Downey and Law and seriously hope they do a third film. Jared Harris as Moriarty makes a great foil for Holmes and I look forward to any new opponents that come along. Like others I can get nostalgic for the older interpretations of Sherlock Holmes but I enjoy Robert Downey Jr.’s version as well which is vigorous, energetic and alert. He can’t help himself, his intellect, senses and manic energy are a curse. He couldn’t restrain himself if he tried. I like this version and I like the contrast found in Watson. Watson is a man of science who wants to conform to genteel society but cannot leave his sense of adventure behind. He is fiercely loyal and the perfect partner to Holmes. I hope this “bromance” continues a very long time.
Rating: Must See There is adventure afoot
Dr. Watson (Jude Law) is wrapping up his chronicle of Sherlock Holmes’ latest adventure (Robert Downey Jr.). It will be the last for Dr. Watson for he is settling down and getting married. Being Sherlock Holmes’ partner is a dangerous business and not an appropriate occupation for a married man. He is returning to medicine and Holmes is not taking it well. He is losing his best friend and companion and must now go it alone, but Dr. Moriarty (Jared Harris) has other plans. Even when Holmes begs to leave Watson out of it, Moriarty flatly refuses. Holmes must now protect Watson and his new bride. He also must convince Watson to help him on one last case. Until Moriarty is put away no one is safe. Even Holmes’ brother Mycroft (Stephen Fry) is at risk.
Holmes is obsessed with Dr. Moriarty and thwarting his master plan. But as yet Holmes has no idea what that is. He follows his web of clues which leads him to a Gypsy girl (Noomi Rapace). Somehow her brother is involved in a fiendish plot and Madame Simza and Holmes must find the connection. This journey takes them to the continent where danger and intrigue abound.
Everything that I loved about the first film is present in this worthy sequel. I love the fast driving pace, the wonderful Celtic score, the rapport between two bickering buddies and the insight into Holmes’ complicated mind. In this film we get to know Mycroft, Holmes’ brother, and he is as much of an eccentric as Holmes is. It is his mysterious job with the crown that provides Holmes and Watson access to many prestigious events. It is there that they uncover Dr. Moriarty’s sinister plot. From the underground den of robbers and thieves to the halls of academia and state events, Moriarty has his hand everywhere. It is up to Holmes and Watson to expose this evil opportunist. For Holmes it is a match of intellect and wit.
Sherlock Homes: A Game of Shadows is a delight and I enjoyed it from beginning to end. I especially appreciated all of Holmes’ disguises and his attempts at urban camouflage. I love the chemistry between Downey and Law and seriously hope they do a third film. Jared Harris as Moriarty makes a great foil for Holmes and I look forward to any new opponents that come along. Like others I can get nostalgic for the older interpretations of Sherlock Holmes but I enjoy Robert Downey Jr.’s version as well which is vigorous, energetic and alert. He can’t help himself, his intellect, senses and manic energy are a curse. He couldn’t restrain himself if he tried. I like this version and I like the contrast found in Watson. Watson is a man of science who wants to conform to genteel society but cannot leave his sense of adventure behind. He is fiercely loyal and the perfect partner to Holmes. I hope this “bromance” continues a very long time.
Rating: Must See There is adventure afoot
Thursday, December 15, 2011
The Iron Lady
Meryl Streep as Margaret Thatcher is a triumph. In my egocentric youth, Margaret Thatcher was a name in the background of my life. I knew that she was the Prime Minister of England, a friend to Ronald Reagan, and I remember the Falkland war, but beyond that I never paid much attention. I was too busy finishing high school, going to college and starting my adult life. But after watching The Iron Lady I am embarrassed to say that I missed a very important chapter in women’s history. Margaret Thatcher not only accomplished great things as a woman, she accomplished great things as a leader, period!
Going into The Iron Lady, I knew very little about Margaret Thatcher. I’ve never been a big fan of politics, let alone politics outside of my own country, but I found Margaret Thatcher's story fascinating. You could not find a better actress to portray her than Meryl Streep, and the surprising co-star of this film was the make-up. Meryl Streep’s age make-up is the best I’ve seen in a very long time. Like any good supporting player it makes its point and never distracts from the performance. Throughout the entire film depicting various periods of time the make-up and costumes were flawless and deserve to be mentioned for their excellence.
Another strong supporting element in this film is Jim Broadbent as Denis Thatcher. He showed us a man of humor and wit who was able to accept Margaret on her own terms. He was also secure enough as a man to stand behind his wife as she rose through the ranks to become the first woman Prime Minister. It was clear through this performance how much she depended on him. Without his love and support she would have never been able to reach such heights. Also good are Alexandra Roach and Harry Lloyd as the young Margaret and Denis. In order to appreciate where this couple went you have to understand where they started.
As one who could easily be turned off by politics, let me assure you that this is a very exciting film. It is as much a love story as a historical review. Politically the seventies and the eighties were a very volatile time. Between union strikes, terrorist attacks, and a severe economic recession, Margaret Thatcher was on the front lines most of her life. She grew up a grocer’s daughter who encouraged her to think and pursue an education. When she entered civic life she was known for her strong opinions and shrill voice, but once her foot was in the door, eventually she started to be heard. Through her tenacity and determination, the boy’s club was finally able to get past her grating voice and feminine sex. They were able to see her strength and common sense. She alienated a lot of people, but had the courage to make the tough decisions. Along with her friend, U.S. President Ronald Reagan, she changed the world and led her country back into a position of strength. Hers is an exhilarating a story and Meryl Streep gives a sublime performance. This is a film and performance that should not be missed.
Rating: Must See Great lady, great performance
Going into The Iron Lady, I knew very little about Margaret Thatcher. I’ve never been a big fan of politics, let alone politics outside of my own country, but I found Margaret Thatcher's story fascinating. You could not find a better actress to portray her than Meryl Streep, and the surprising co-star of this film was the make-up. Meryl Streep’s age make-up is the best I’ve seen in a very long time. Like any good supporting player it makes its point and never distracts from the performance. Throughout the entire film depicting various periods of time the make-up and costumes were flawless and deserve to be mentioned for their excellence.
Another strong supporting element in this film is Jim Broadbent as Denis Thatcher. He showed us a man of humor and wit who was able to accept Margaret on her own terms. He was also secure enough as a man to stand behind his wife as she rose through the ranks to become the first woman Prime Minister. It was clear through this performance how much she depended on him. Without his love and support she would have never been able to reach such heights. Also good are Alexandra Roach and Harry Lloyd as the young Margaret and Denis. In order to appreciate where this couple went you have to understand where they started.
As one who could easily be turned off by politics, let me assure you that this is a very exciting film. It is as much a love story as a historical review. Politically the seventies and the eighties were a very volatile time. Between union strikes, terrorist attacks, and a severe economic recession, Margaret Thatcher was on the front lines most of her life. She grew up a grocer’s daughter who encouraged her to think and pursue an education. When she entered civic life she was known for her strong opinions and shrill voice, but once her foot was in the door, eventually she started to be heard. Through her tenacity and determination, the boy’s club was finally able to get past her grating voice and feminine sex. They were able to see her strength and common sense. She alienated a lot of people, but had the courage to make the tough decisions. Along with her friend, U.S. President Ronald Reagan, she changed the world and led her country back into a position of strength. Hers is an exhilarating a story and Meryl Streep gives a sublime performance. This is a film and performance that should not be missed.
Rating: Must See Great lady, great performance
Saturday, December 10, 2011
My Week With Marilyn
Sir Laurence Olivier wanted to be a movie star and Marilyn Monroe wanted to be an actress. One represented the finest in British theatrical tradition and the other, a new kind of actor; raw, emotional and in the moment. Marilyn Monroe, a student of Lee Strassberg, was a Method actor and had none of the discipline and training of a theatrical actor. But when she got it right on film, there was no looking away. Marilyn Monroe on the screen was mesmerizing.
The movie My Week With Marilyn takes place just before Marilyn Monroe (Michelle Williams) had her big break out role in the film Some Like it Hot. Traveling with her new husband, celebrated playwright Arthur Miller, she is summoned to England to star opposite Sir Laurence Olivier (Kenneth Branagh) in The Prince and the Showgirl. The original stage production starred Olivier’s wife Vivien Leigh. But Vivien had grown too old for the role and Olivier wanted someone younger. He saw something in Marilyn while meeting her in the states and wanted very much to work with her. But all his experience, confidence and meticulous training was no match for Marilyn and her entourage.
When Olivier wasn’t being a bully or berating her for her lack of professional discipline, he was wallowing in jealousy over her natural instincts and her command of visual arts. Marilyn knew how to work the camera and she created “Marilyn” as her alter ego and screen persona. But underneath her bombshell image, Marilyn was a woman full of insecurity, fear and doubt. She was mess, but when she got it right she was perfection.
There have been many actresses who have played Marilyn Monroe for after all these years we still find her fascinating. But Michelle Williams’ portrayal is truly illuminating. There have been other women who have looked more like Marilyn, or sounded more like Marilyn, there have even been better mimics of her on-screen persona, but Michelle captures her essence and I don’t recall anyone doing a better job of balancing all the elements. Playing Marilyn is like playing someone with a multiple personality disorder. There are so many sides to the woman and Michelle captures her fear, insecurity and sense of rebellion. She also shows the anguish of a artist who wants to be taken seriously while at the same time being totally incapable of handling her interpersonal relationships. At one moment she can pose, flirt and manipulate the press and then shrink in terror at the enthusiasm of her fans. Watching Michelle Williams makes you wonder, was Marilyn a user or was she the one being used? Was she the most selfish person in the world, or a truly needy person seeking validation. Michelle Williams’ Marilyn is complex, multilayered and charismatic. Miss Williams has dug deep here and given us a memorable performance. I don’t ever recall a Marilyn that has effected me so deeply.
As the title My Week With Marilyn suggests, there is another character in this film. The my in the title refers to Colin Clark portrayed by Eddie Redmayne. This film is a true story based on the diaries of Colin Clark. Colin Clark was a young British film enthusiast who landed his first job in the industry as Sir Laurence Olivier’s third assistant director, which is basically a “go-for”. In his role he showed initiative, drive and tenacity, but he was also a keen observer. It is this quality that attracted Marilyn Monroe. As an assistant he saw all sides and Marilyn was counting on him for his insights and honesty. When Arthur Miller (Dougray Scott) tires of Marilyn’s media circus and returns to the states prematurely, Marilyn latches onto Colin like a life-preserver. Jealousies erupt and Colin’s duties and motives are questioned, but as someone able to see all sides, Colin becomes a real friend, even if it costs him his relationship with a young costumer played by Emma Watson.
Kenneth Branagh plays Olivier as a man trying to regain his youth and achieve the status and recognition that he feels he deserves. Also in the film is Judi Dench as Dame Sybil Thorndike. She is gracious and supportive of Marilyn even when Marilyn’s poor behavior effects her directly.She reminds Olivier that their way is on the wane and that this new breed of actor is the future. She is wise in many ways and Marilyn appreciates her understanding and support.
There have been many movies featuring Marilyn Monroe reflecting different times and parts of her life. But what I liked the most about this film is that it zeros in on that time right before she makes it big. The Prince and the Showgirl was not a huge hit but it set Marilyn up for her next film which made her a big star. At this juncture we see the actress before she comes into her own, while she is still trying to figure things out and Michelle Williams provides us with that glimpse. She shows us a woman on the verge of greatness; both Marilyn’s and her own.
Rating: First Run An actress on the verge of greatness
The movie My Week With Marilyn takes place just before Marilyn Monroe (Michelle Williams) had her big break out role in the film Some Like it Hot. Traveling with her new husband, celebrated playwright Arthur Miller, she is summoned to England to star opposite Sir Laurence Olivier (Kenneth Branagh) in The Prince and the Showgirl. The original stage production starred Olivier’s wife Vivien Leigh. But Vivien had grown too old for the role and Olivier wanted someone younger. He saw something in Marilyn while meeting her in the states and wanted very much to work with her. But all his experience, confidence and meticulous training was no match for Marilyn and her entourage.
When Olivier wasn’t being a bully or berating her for her lack of professional discipline, he was wallowing in jealousy over her natural instincts and her command of visual arts. Marilyn knew how to work the camera and she created “Marilyn” as her alter ego and screen persona. But underneath her bombshell image, Marilyn was a woman full of insecurity, fear and doubt. She was mess, but when she got it right she was perfection.
There have been many actresses who have played Marilyn Monroe for after all these years we still find her fascinating. But Michelle Williams’ portrayal is truly illuminating. There have been other women who have looked more like Marilyn, or sounded more like Marilyn, there have even been better mimics of her on-screen persona, but Michelle captures her essence and I don’t recall anyone doing a better job of balancing all the elements. Playing Marilyn is like playing someone with a multiple personality disorder. There are so many sides to the woman and Michelle captures her fear, insecurity and sense of rebellion. She also shows the anguish of a artist who wants to be taken seriously while at the same time being totally incapable of handling her interpersonal relationships. At one moment she can pose, flirt and manipulate the press and then shrink in terror at the enthusiasm of her fans. Watching Michelle Williams makes you wonder, was Marilyn a user or was she the one being used? Was she the most selfish person in the world, or a truly needy person seeking validation. Michelle Williams’ Marilyn is complex, multilayered and charismatic. Miss Williams has dug deep here and given us a memorable performance. I don’t ever recall a Marilyn that has effected me so deeply.
As the title My Week With Marilyn suggests, there is another character in this film. The my in the title refers to Colin Clark portrayed by Eddie Redmayne. This film is a true story based on the diaries of Colin Clark. Colin Clark was a young British film enthusiast who landed his first job in the industry as Sir Laurence Olivier’s third assistant director, which is basically a “go-for”. In his role he showed initiative, drive and tenacity, but he was also a keen observer. It is this quality that attracted Marilyn Monroe. As an assistant he saw all sides and Marilyn was counting on him for his insights and honesty. When Arthur Miller (Dougray Scott) tires of Marilyn’s media circus and returns to the states prematurely, Marilyn latches onto Colin like a life-preserver. Jealousies erupt and Colin’s duties and motives are questioned, but as someone able to see all sides, Colin becomes a real friend, even if it costs him his relationship with a young costumer played by Emma Watson.
Kenneth Branagh plays Olivier as a man trying to regain his youth and achieve the status and recognition that he feels he deserves. Also in the film is Judi Dench as Dame Sybil Thorndike. She is gracious and supportive of Marilyn even when Marilyn’s poor behavior effects her directly.She reminds Olivier that their way is on the wane and that this new breed of actor is the future. She is wise in many ways and Marilyn appreciates her understanding and support.
There have been many movies featuring Marilyn Monroe reflecting different times and parts of her life. But what I liked the most about this film is that it zeros in on that time right before she makes it big. The Prince and the Showgirl was not a huge hit but it set Marilyn up for her next film which made her a big star. At this juncture we see the actress before she comes into her own, while she is still trying to figure things out and Michelle Williams provides us with that glimpse. She shows us a woman on the verge of greatness; both Marilyn’s and her own.
Rating: First Run An actress on the verge of greatness
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