When an adventure seeking widower comes to his wit’s end trying to care for his motherless children he does something unexpected and crazy, he quits his job and buys a zoo. Now it was not his intention to buy a zoo. He fell in love with a house and it just happened to have a zoo attached to it. And since, after seeing the animals, it was the first time he heard his daughter laugh in over six months he did what any good dad would do. He wrapped himself around her little finger.
Matt Damon stars as Benjamin Mee and he has an earnest, just trying to hang on vibe that makes him quite adorable. Equally adorable is Maggie Elizabeth Jones who plays his precious daughter. Colin Ford portrays Dylan Mee and he is troubled, hurt and has gone over to the dark side. His poor behavior has gotten him kicked out of school and his latest episode is what prompted their move.
With the zoo came a support staff who was charged with keeping the animals healthy until a new owner was found. Scarlett Johansson plays the head zoo keeper and in this film she has a natural, earthy look. I have to say I prefer her this way. Also part of the staff is her niece played by the lovely Elle Fanning. Angus Macfadyen portrays a quirky, eccentric zoological designer and John Michael Higgins plays the government inspector who is this film serves as the villain. Also playing is Thomas Haden Church as Benjamin Mee’s no-nonsense brother.
We Bought A Zoo is a sweet movie with lovable animals and likable humans. Matt Damon spends a lot of time mourning his wife, while his kids are obviously affected by her death. This is a chance for them all to start over, for the Mees and the Rosemoor Animal Park. Both are in need of a little rehabilitation and a lot of love. With this zoo comes a new start and a new family. The Mees and Rosemoor are made for each other.
Rating: First Run A warm family film
About Me
- Melanie Wilson
- My Reviewer's Philosophy: I believe that every film has its audience. One man’s Citizen Kane is another man’s Texas Chain Saw Massacre. My purpose is to help you spend your entertainment dollars wisely. A bad review never kept me from going to a film I wanted to see, but a good review will sometimes get me to a film I never considered. As a movie lover I want you to go to the movies. When more people go to the movies, the more movies get made. But, I also believe that if you enjoy the films you see, you naturally will be inclined to go more often. So join me in supporting our film industry by going to a movie today. Hopefully I can steer you towards a good one. See you at the movies. Melanie Wilson
Saturday, December 31, 2011
Shame
Shame is a story about a man who is addicted to sex and pornography. So far he has been able to hide his proclivities, but as his past begins to catch up with him, he starts to feel shame and a sense of manic tension. When his sister shows up unexpectedly, she cramps his lifestyle of one night stands and hookers. Their circumstances become strained as they are both proven to be tortured, tormented souls. We know nothing about their past or their relationship other than it is an unhealthy one.
Michael Fassbender plays Brandon Sullivan in Shame and his performance is a study in deconstruction. We literally watch a man fall apart. His sister, portrayed by Carey Mulligan, is a fragile wounded bird. Everything she does is a cry for help. This is a story of two very damaged people. Their connection, their similarities are what drives them apart.
Shame is full of nudity, graphic sex and disturbing images. It was interesting as I watched people leave the theatre. Two ladies left during a menage a trois scene and another man left when Brandon Sullivan enters a gay bar. But my reaction to the film was very clinical. There was nothing sexy or titillating about these scenes. All I felt was a detached sadness. Sexual addiction is a real disorder and it can really mess up your life.
Shame is a brave film about a very distasteful subject. Michael Fassbender’s performance is extraordinary and he demonstrates the ravages of his psychosis. This film is not for everybody, but if you do choose to view it you will be rewarded with two memorable performances and an insight into a terrible affliction. These are two people that definitely need help. Sexual addiction is a true disorder.
Rating: First Run A brave performance by Michael Fassbender
Michael Fassbender plays Brandon Sullivan in Shame and his performance is a study in deconstruction. We literally watch a man fall apart. His sister, portrayed by Carey Mulligan, is a fragile wounded bird. Everything she does is a cry for help. This is a story of two very damaged people. Their connection, their similarities are what drives them apart.
Shame is full of nudity, graphic sex and disturbing images. It was interesting as I watched people leave the theatre. Two ladies left during a menage a trois scene and another man left when Brandon Sullivan enters a gay bar. But my reaction to the film was very clinical. There was nothing sexy or titillating about these scenes. All I felt was a detached sadness. Sexual addiction is a real disorder and it can really mess up your life.
Shame is a brave film about a very distasteful subject. Michael Fassbender’s performance is extraordinary and he demonstrates the ravages of his psychosis. This film is not for everybody, but if you do choose to view it you will be rewarded with two memorable performances and an insight into a terrible affliction. These are two people that definitely need help. Sexual addiction is a true disorder.
Rating: First Run A brave performance by Michael Fassbender
Happy 400 Aniversary
Dear Friends, Family and Followers,
This marks my 400th post and I wanted to write this note before midnight. When I started this blog in February of 2009 I had no idea I'd still be going strong 400 posts later. Even though I saw more movies this year than I did last year I wrote less reviews because they are very time consuming and it has been a very busy year. But every time I think about quitting, I will get a cool comment or reaction and that keeps me going forward.
For those of you who visit Cinemovie.tv you know that I am a contributing writer there as well. Cinemovie has given me the opportunity to attend major press junkets and interview stars right along with the best of them. When I sit in a screening with greats like Leonard Maltin I am secretly pleased with myself because no one there knows I am a rookie. As far as they are are concerned, I am a pro just like the rest of them.
I hope you have enjoyed my reviews, but more importantly I hope you have found them useful, whether it's saving you money or finding a good film to see or rent. I'll keep this up as long as I can. It is a labour of love.
Happy New Year!
This marks my 400th post and I wanted to write this note before midnight. When I started this blog in February of 2009 I had no idea I'd still be going strong 400 posts later. Even though I saw more movies this year than I did last year I wrote less reviews because they are very time consuming and it has been a very busy year. But every time I think about quitting, I will get a cool comment or reaction and that keeps me going forward.
For those of you who visit Cinemovie.tv you know that I am a contributing writer there as well. Cinemovie has given me the opportunity to attend major press junkets and interview stars right along with the best of them. When I sit in a screening with greats like Leonard Maltin I am secretly pleased with myself because no one there knows I am a rookie. As far as they are are concerned, I am a pro just like the rest of them.
I hope you have enjoyed my reviews, but more importantly I hope you have found them useful, whether it's saving you money or finding a good film to see or rent. I'll keep this up as long as I can. It is a labour of love.
Happy New Year!
A Separation
It is so easy for us to close our minds to other cultures and religions, but when you see a movie like A Separation it reminds us how much we are alike. A Separation is set in the country of Iran where a husband and wife are sitting in front of a judge asking for a divorce. In this judicial system there are no lawyers or big fancy courtrooms, it is just a man and a women sitting in a small office before a judge. When the judge asks the wife Simin (Leila Hatami) why she wants a divorce, her reply is, “He won’t come with me.”
Simin is a modern day woman and although she wears the head scarf of her culture her other clothes are contemporary. She wants to move outside of Iran and she wants her daughter to have more opportunities. But her husband won’t leave because he is caring for his senile father. He won’t hold his wife, but he won’t let his daughter go. For Simin this is a problem.
The judge is not sympathetic to the woman’s plight. In his opinion she should just go home. And he is offended by her unpatriotic views that Iran is not a place of opportunity. But Simin is resolute. She must leave, she has to leave and her exit visa expires in 40 days. Unable to get the judge to see her side she decides to leave her husband anyway. He is now charged with caring for his father by himself. Since he can’t leave his father alone while he works and his daughter is at school he hires a woman to work in the home. But Razieh (Sareh Bayat) is untrained and unskilled to care for a man with Alzheimer’s disease. Things do not go well and Nader (Peyman Maadi) and Razieh have a big fight.
The next thing we know is that Razieh is in the hospital and Nadar is being charged with murder. Razieh had a miscarriage and Nadar is being given the blame. We are now back in front of the judge where he must sort through all the he said, she saids, looking for the truth. Blame is thrown everywhere and tempers are running high. A Separation is a fascinating family drama.
In addition to the cultural differences A Separation is intriguing due to its portrayal of the justice system. I was engrossed as each individual tried to find a just and fair solution while still seeking out validation and acknowledgment. Yes, both men were being stubborn, the case also involved Razieh’s husband, but both men were also right. Everyone was acting and reacting on the information on hand. But the truth was not always being told. As the court failed to act in a swift manner the people took their problem to the elders, the families. This is an old judicial system going back for millennium. I found the legal aspects of this film as fascinating as the family drama.
Peyman Maadi gives a wonderful performance as a father who goes through all the emotions from gentle tenderness and care to righteous indignation and rage. I especially enjoyed the scenes in which he displayed a fatherly pride in his daughter played by Sarina Farhadi. Sarina Farhadi is also outstanding as the only child trapped between two loving but bickering parents. Her situation will break your heart and Sarina shows a maturity well beyond her years. A Separation has come to our country full of accolades from all over the world. I encourage you to see this film, if only to learn about a culture not our own.
Rating: First Run An outstanding family drama
Simin is a modern day woman and although she wears the head scarf of her culture her other clothes are contemporary. She wants to move outside of Iran and she wants her daughter to have more opportunities. But her husband won’t leave because he is caring for his senile father. He won’t hold his wife, but he won’t let his daughter go. For Simin this is a problem.
The judge is not sympathetic to the woman’s plight. In his opinion she should just go home. And he is offended by her unpatriotic views that Iran is not a place of opportunity. But Simin is resolute. She must leave, she has to leave and her exit visa expires in 40 days. Unable to get the judge to see her side she decides to leave her husband anyway. He is now charged with caring for his father by himself. Since he can’t leave his father alone while he works and his daughter is at school he hires a woman to work in the home. But Razieh (Sareh Bayat) is untrained and unskilled to care for a man with Alzheimer’s disease. Things do not go well and Nader (Peyman Maadi) and Razieh have a big fight.
The next thing we know is that Razieh is in the hospital and Nadar is being charged with murder. Razieh had a miscarriage and Nadar is being given the blame. We are now back in front of the judge where he must sort through all the he said, she saids, looking for the truth. Blame is thrown everywhere and tempers are running high. A Separation is a fascinating family drama.
In addition to the cultural differences A Separation is intriguing due to its portrayal of the justice system. I was engrossed as each individual tried to find a just and fair solution while still seeking out validation and acknowledgment. Yes, both men were being stubborn, the case also involved Razieh’s husband, but both men were also right. Everyone was acting and reacting on the information on hand. But the truth was not always being told. As the court failed to act in a swift manner the people took their problem to the elders, the families. This is an old judicial system going back for millennium. I found the legal aspects of this film as fascinating as the family drama.
Peyman Maadi gives a wonderful performance as a father who goes through all the emotions from gentle tenderness and care to righteous indignation and rage. I especially enjoyed the scenes in which he displayed a fatherly pride in his daughter played by Sarina Farhadi. Sarina Farhadi is also outstanding as the only child trapped between two loving but bickering parents. Her situation will break your heart and Sarina shows a maturity well beyond her years. A Separation has come to our country full of accolades from all over the world. I encourage you to see this film, if only to learn about a culture not our own.
Rating: First Run An outstanding family drama
Friday, December 30, 2011
New Year’s Eve
I’m sorry, but how can a movie so full of talented people be so flat and boring? I don’t get it. I couldn’t wait until New Year’s Eve ended. Michelle Pfeiffer who has been nominated for an Oscar three times was barely recognizable as a mousy office assistant and Hilary Swank, an actually Oscar winner, was equally bland. Robert De Niro, another Oscar winner, spends most of his performance in a hospital bed and even having Oscar winner Halle Berry as his nurse couldn’t make those scenes any more interesting. I found this film completely disappointing.
Last year I went to see Valentine’s Day with a couple of friends and we actually enjoyed it. It was silly and trite, but still entertaining. But this film, with too many actors to name was predictable, sad and lack any real sentiment or joy. When it comes to this New Year’s Eve you’re better off going to bed early.
Rating: Don’t Bother Call it an early night
Last year I went to see Valentine’s Day with a couple of friends and we actually enjoyed it. It was silly and trite, but still entertaining. But this film, with too many actors to name was predictable, sad and lack any real sentiment or joy. When it comes to this New Year’s Eve you’re better off going to bed early.
Rating: Don’t Bother Call it an early night
Mission Impossible - Ghost Protocol
Dear Tom Cruise,
If you expect me to remember all the plot points and characters from your previous Mission Impossible films you need to release them more frequently than every five years or so. My memory is not that good and if I have to take in crib notes that would be too much like homework.
What I do remember from your previous films is impressions. These contain amazing action sequences such as fast motorcycle riding, death defying climbing stunts, massive gun play, explosions and the latest gadgets and technology. All these are present in your current film and I enjoy them very much. I also enjoy the relationships and loyalty of your support team. But when it comes to the plot points of all your movies I’m afraid I’m at a loss. If a villain put a gun to my head and asked me to tell him about your missions from the past you’d be stepping over my body right now because I really couldn’t. But that’s not a bad thing. It would be bad that I’d be dead, but it’s not bad that your scripts are forgettable. This series is about escape and entertainment and that you do deliver.
When it comes to the action you always try to push the envelope. Some of your stunts are so original that they first became iconic and now they are cliche. Your stunts have even recreated in cartoons and that’s just a testament to your lasting impact. But if you want your films to rise beyond featherweight popcorn fare invest more time in your women and your supporting players. Every wound and loss should hurt us deeply if we are to care about the team as a whole.
We have lost a lot of real life villains lately, Bin Laden, Saddam Hussein and Kim Jong-il. Good luck finding a worthy opponent for your next film. For most of us our villains are mortgage lenders, investment bankers and the traffic cops handing out excessive tickets to keep the city in black. Our world view is currently a little stunted as we focus on the concerns in our own backyard. But thank you for showing us that cool hotel in the richest place in the world. It was reassuring that even the rich aren’t immune to a dust storm. Nature is always the great leveler.
You still look great, are in excellent shape and I like you with the longer hair. It pleases me that you are secure enough with your height not to cheat or surround yourself with shorter actors. You always give your best and you are always entertaining. Thank you for the diversion. I’ll be there for the next one. I’m still a fan.
Sincerely,
Melanie Wilson
If you expect me to remember all the plot points and characters from your previous Mission Impossible films you need to release them more frequently than every five years or so. My memory is not that good and if I have to take in crib notes that would be too much like homework.
What I do remember from your previous films is impressions. These contain amazing action sequences such as fast motorcycle riding, death defying climbing stunts, massive gun play, explosions and the latest gadgets and technology. All these are present in your current film and I enjoy them very much. I also enjoy the relationships and loyalty of your support team. But when it comes to the plot points of all your movies I’m afraid I’m at a loss. If a villain put a gun to my head and asked me to tell him about your missions from the past you’d be stepping over my body right now because I really couldn’t. But that’s not a bad thing. It would be bad that I’d be dead, but it’s not bad that your scripts are forgettable. This series is about escape and entertainment and that you do deliver.
When it comes to the action you always try to push the envelope. Some of your stunts are so original that they first became iconic and now they are cliche. Your stunts have even recreated in cartoons and that’s just a testament to your lasting impact. But if you want your films to rise beyond featherweight popcorn fare invest more time in your women and your supporting players. Every wound and loss should hurt us deeply if we are to care about the team as a whole.
We have lost a lot of real life villains lately, Bin Laden, Saddam Hussein and Kim Jong-il. Good luck finding a worthy opponent for your next film. For most of us our villains are mortgage lenders, investment bankers and the traffic cops handing out excessive tickets to keep the city in black. Our world view is currently a little stunted as we focus on the concerns in our own backyard. But thank you for showing us that cool hotel in the richest place in the world. It was reassuring that even the rich aren’t immune to a dust storm. Nature is always the great leveler.
You still look great, are in excellent shape and I like you with the longer hair. It pleases me that you are secure enough with your height not to cheat or surround yourself with shorter actors. You always give your best and you are always entertaining. Thank you for the diversion. I’ll be there for the next one. I’m still a fan.
Sincerely,
Melanie Wilson
The Artist
Motion Pictures are one of the earliest nicknames for the cinema. Like shaking a rattle in a baby’s face the public was fascinated with every moving imagine on the screen. Young, handsome, athletic actors would drive fast, ride horses, and cross swords to entertain the masses. An expressive face was like money in the bank and in the earliest days of cinema it was not uncommon for an actor to write, direct and produce. It was a fledgling industry and there were no rules. It was the time of the artist and talent ruled.
The movie The Artist begins by introducing us to our star George Valentin played by Jean Dujardin. He is handsome, dashing, charming and a total ham. He has just screened his latest film and now he is basking in the glow of accolades. When he leaves the theatre he is met by the press and legions of adoring fans. A young woman (Berenice Bejo), standing behind a velvet rope, is looking on with admiration. In an instant she is pushed by the crowd and finds herself crashing into George Valentin. He is shocked, bemused and then erupts in laughter. Peppy Miller has just had a Hollywood moment and soon she’ll become a media star.
Trading on her brush with fame Peppy lands herself a job as a background actor. That assignment brings Peppy her next and soon she is on her way to a career of her own. Peppy Miller is fresh, animated and full of life. She is determined to make her mark and she has the talent and looks to do it. But what Peppy really has is a wonderful voice and personality. When the silent era ends, this will be her ticket to stardom.
The Artist is an unusual movie in that it was made in black and white and has no spoken dialogue. We have a musical score and a smattering of sound effects, but for the most part it is a silent film. The other unusual thing about this movie is that it is written and directed by a French man (Michel Hazanavicius) stars two French actors (Dujardin and Bejo) but was filmed in Los Angeles and features American favorites such as John Goodman, James Cromwell and Penelope Ann Miller. This film is absolutely a testament to old Hollywood and really captures the joy, glamour and pathos of that time. It is a very special film and a cinematic treat. It can be enjoyed by any age and by people of any language, that was the beauty of silent film. This tribute celebrates that magical era and everyone will find it a delight.
Rating: Must See A tribute to the silent era
The movie The Artist begins by introducing us to our star George Valentin played by Jean Dujardin. He is handsome, dashing, charming and a total ham. He has just screened his latest film and now he is basking in the glow of accolades. When he leaves the theatre he is met by the press and legions of adoring fans. A young woman (Berenice Bejo), standing behind a velvet rope, is looking on with admiration. In an instant she is pushed by the crowd and finds herself crashing into George Valentin. He is shocked, bemused and then erupts in laughter. Peppy Miller has just had a Hollywood moment and soon she’ll become a media star.
Trading on her brush with fame Peppy lands herself a job as a background actor. That assignment brings Peppy her next and soon she is on her way to a career of her own. Peppy Miller is fresh, animated and full of life. She is determined to make her mark and she has the talent and looks to do it. But what Peppy really has is a wonderful voice and personality. When the silent era ends, this will be her ticket to stardom.
The Artist is an unusual movie in that it was made in black and white and has no spoken dialogue. We have a musical score and a smattering of sound effects, but for the most part it is a silent film. The other unusual thing about this movie is that it is written and directed by a French man (Michel Hazanavicius) stars two French actors (Dujardin and Bejo) but was filmed in Los Angeles and features American favorites such as John Goodman, James Cromwell and Penelope Ann Miller. This film is absolutely a testament to old Hollywood and really captures the joy, glamour and pathos of that time. It is a very special film and a cinematic treat. It can be enjoyed by any age and by people of any language, that was the beauty of silent film. This tribute celebrates that magical era and everyone will find it a delight.
Rating: Must See A tribute to the silent era
Wednesday, December 28, 2011
The Girl with the Dragon Tattoo
Let me begin by answering the question foremost on everyone’s mind; yes, the American version of The Girl with the Dragon Tattoo is just as good as the original from Denmark. There are subtle differences in tone and color, but a good story is a good story and will translate in any language. The key to success in the American version is the brilliant casting of Daniel Craig as Mikael Blomkvist and Rooney Mara as Lisbeth Salander. Their chemistry is essential to the film and the two of them work well together.
For those of you who do not know the story, The Girl with the Dragon Tattoo is the first of a trilogy involving an investigative journalist named Mikael Blomkvist and an anti-social researcher and computer hack named Lisbeth Salander. They join forces to solve a mystery and find that they are a pretty good team. They form a bond that will carry them over into the next two films. Hopefully this cast will be reassembled and the next two films will be made.
The mystery of the first film contains a disappearing girl, a serial murderer, Nazi collaborators, and deep family secrets. The other mystery is Lisbeth Salander herself and how she came to be a ward of the state. Her past is a tragic one and her present is not much better. But Lisbeth is a fierce survivor and she is clever too. Blomkvist accepts her as she is and she in turn responds to his honesty. The two are good for each other and that is the beauty of this series.
It is difficult to judge the impact of a film when you are seeing a remake because there are no surprises and you know what is going to happen. But craft wise this film is very well done and I believe that even the sharpest critic will find some merit.
Rating: First Run As good as the original
For those of you who do not know the story, The Girl with the Dragon Tattoo is the first of a trilogy involving an investigative journalist named Mikael Blomkvist and an anti-social researcher and computer hack named Lisbeth Salander. They join forces to solve a mystery and find that they are a pretty good team. They form a bond that will carry them over into the next two films. Hopefully this cast will be reassembled and the next two films will be made.
The mystery of the first film contains a disappearing girl, a serial murderer, Nazi collaborators, and deep family secrets. The other mystery is Lisbeth Salander herself and how she came to be a ward of the state. Her past is a tragic one and her present is not much better. But Lisbeth is a fierce survivor and she is clever too. Blomkvist accepts her as she is and she in turn responds to his honesty. The two are good for each other and that is the beauty of this series.
It is difficult to judge the impact of a film when you are seeing a remake because there are no surprises and you know what is going to happen. But craft wise this film is very well done and I believe that even the sharpest critic will find some merit.
Rating: First Run As good as the original
The Best Films of 2011 That No One Saw
In 2011 I saw over 180 films in the theatre. So, needless to say, I love movies! But some of you may be thinking, how is that possible? There weren’t that many good films? Well, the answer is independent movies and foreign films. If you take the time to look outside of the mainstream there are many wonderful movies that deserve your attention. Below is a list of some of the best movies I saw in 2011. Some you may have heard of and others only received a limited release, but luckily for all most of these films will be available to rent and I urge you to seek them out. Happy renting!
Take Shelter - This film is an exciting psychological thriller starring Michael Shannon as a man who is having apocalyptic visions regarding a catastrophic storm. He has an overwhelming urge to protect his family and becomes compulsive about expanding their backyard shelter. However, there is another element that is causing him equal distress. He fears that he is going crazy. Are these visions a cautionary gift or is he following in the schizophrenic footsteps of his mother. This film will keep you guessing until the end.
Attack the Block – I loved this little film about a bunch a teenage hoods from a South London neighborhood who try to protect their block when it is invaded by aliens from another planet. Using their street smarts they give these invaders a run for their money. The movie is fresh, smart, funny and contains some very original aliens. I guarantee you’ll be quoting this movie when it’s over. “Allow it!”
Bellflower – If you’ve ever gone through a really bad break-up then Bellflower may give your experience some new perspective. Two flame-throwing best friends have their world turned upside down when a fun-loving girl enters their life. The results are explosive.
Beginners - Christopher Plummer gives an award worthy performance as a gay man who doesn’t come out of the closet until he reaches his eighties. His son (Ewan McGregor) grew up believing that his father was straight and was bewildered by his parent’s unconventional relationship. Now he must reevaluate everything he thought he knew.
Exporting Raymond – Comedy is subjective and funny doesn’t always translate. This is the dilemma of Phil Rosenthal as he is sent to Russia to do a Russian version of his hit sitcom Everybody Loves Raymond. I found this documentary hysterical and enlightening, too. Apparently, exporting sitcoms is big business.
The Devil’s Double – I’m not sure why Dominic Cooper’s performance has slipped through the cracks of award show consideration, perhaps it’ the violent and unsavory subject matter. The Devil’s Double tells the true story of Latif Yahia who was forced to portray Uday Hussein’s body-double. Imagine having to share the life of a vain, spoiled, out-of-control rich kid who just happens to be Saddam Hussein’s son. Dominic Cooper plays both parts and I believe that his performance is excellent and multifaceted.
The Hedgehog – I loved this quiet little French film about a young girl who becomes fascinated by her lonely widowed building super and the new Japanese tenant who just moved in. It is a story about seeing people for who they really are and looking beyond outside appearances. I was very touched by this lovely film.
Brideflight – This film was up for Academy consideration but was not released for general viewing until 2011. It is the true story of a group of young Dutch people who immigrated to New Zealand after World War II. It is one of those emotional epic sagas full of love, romance and family secrets. It’s a tear-jerker.
The Music Never Stopped – This interesting little film is based on a true story about a father and son who become estranged when their taste in music diverges. The son runs away just short of graduation and eventually turns up roaming the streets. A tumor causing severe brain damage leaves him non-commutative. He only comes out of his trance like state when music is played from a very specific era, music like Dylan, The Beatles and the Grateful Dead. In order to reconnect with his son, Henry Sawyer (played by J.K. Simmons) must put aside his musical snobbery and learn to see the beauty in his son’s chosen music.
Sarah’s Key – This historical drama is about a very shameful episode in French history. In 1942 thousands of French Jews were rounded up and had their property confiscated. When a present day investigative reporter discovers that her family home once belonged to a Vel’ d’Hiv victim she begins a search to find the original owners and discover their fate after World War II.
The Way – Written and directed by Emilio Estevez, The Way tells the story of a father (Martin Sheen) whose son dies while hiking the El Camino de Santiago. After going to Spain to collect his body and his effects, the father decides to finish the journey on his son’s behalf. This spiritual tale will really stick with you after the film is over. Don’t be surprised if you hear of me making the journey, I really want to go.
Mozart’s Sister – History is full of interesting facts and stories. Apparently Mozart had an older sister who was extremely talented and wanted to be a composer too. But because she was born female, her father disapproved and discouraged her. After befriending a royal princess, Nannerl Mozart is required to dress as a man to gain an audience with the Dauphine of France. Once she sees how easy it is to be mistaken for a man, she disguises herself again and attends music school.
The Beaver – A lot of people avoided this film because of the media backlash surrounding Mel Gibson. It is a shame because he delivers a very sensitive portrait of man battling depression. It is a strange film about a man who communicates through a hand puppet. It is sweet, disturbing, inspirational and sad. Only small budget films can afford to be this bold. It is strange and interesting movie.
Take Shelter - This film is an exciting psychological thriller starring Michael Shannon as a man who is having apocalyptic visions regarding a catastrophic storm. He has an overwhelming urge to protect his family and becomes compulsive about expanding their backyard shelter. However, there is another element that is causing him equal distress. He fears that he is going crazy. Are these visions a cautionary gift or is he following in the schizophrenic footsteps of his mother. This film will keep you guessing until the end.
Attack the Block – I loved this little film about a bunch a teenage hoods from a South London neighborhood who try to protect their block when it is invaded by aliens from another planet. Using their street smarts they give these invaders a run for their money. The movie is fresh, smart, funny and contains some very original aliens. I guarantee you’ll be quoting this movie when it’s over. “Allow it!”
Bellflower – If you’ve ever gone through a really bad break-up then Bellflower may give your experience some new perspective. Two flame-throwing best friends have their world turned upside down when a fun-loving girl enters their life. The results are explosive.
Beginners - Christopher Plummer gives an award worthy performance as a gay man who doesn’t come out of the closet until he reaches his eighties. His son (Ewan McGregor) grew up believing that his father was straight and was bewildered by his parent’s unconventional relationship. Now he must reevaluate everything he thought he knew.
Exporting Raymond – Comedy is subjective and funny doesn’t always translate. This is the dilemma of Phil Rosenthal as he is sent to Russia to do a Russian version of his hit sitcom Everybody Loves Raymond. I found this documentary hysterical and enlightening, too. Apparently, exporting sitcoms is big business.
The Devil’s Double – I’m not sure why Dominic Cooper’s performance has slipped through the cracks of award show consideration, perhaps it’ the violent and unsavory subject matter. The Devil’s Double tells the true story of Latif Yahia who was forced to portray Uday Hussein’s body-double. Imagine having to share the life of a vain, spoiled, out-of-control rich kid who just happens to be Saddam Hussein’s son. Dominic Cooper plays both parts and I believe that his performance is excellent and multifaceted.
The Hedgehog – I loved this quiet little French film about a young girl who becomes fascinated by her lonely widowed building super and the new Japanese tenant who just moved in. It is a story about seeing people for who they really are and looking beyond outside appearances. I was very touched by this lovely film.
Brideflight – This film was up for Academy consideration but was not released for general viewing until 2011. It is the true story of a group of young Dutch people who immigrated to New Zealand after World War II. It is one of those emotional epic sagas full of love, romance and family secrets. It’s a tear-jerker.
The Music Never Stopped – This interesting little film is based on a true story about a father and son who become estranged when their taste in music diverges. The son runs away just short of graduation and eventually turns up roaming the streets. A tumor causing severe brain damage leaves him non-commutative. He only comes out of his trance like state when music is played from a very specific era, music like Dylan, The Beatles and the Grateful Dead. In order to reconnect with his son, Henry Sawyer (played by J.K. Simmons) must put aside his musical snobbery and learn to see the beauty in his son’s chosen music.
Sarah’s Key – This historical drama is about a very shameful episode in French history. In 1942 thousands of French Jews were rounded up and had their property confiscated. When a present day investigative reporter discovers that her family home once belonged to a Vel’ d’Hiv victim she begins a search to find the original owners and discover their fate after World War II.
The Way – Written and directed by Emilio Estevez, The Way tells the story of a father (Martin Sheen) whose son dies while hiking the El Camino de Santiago. After going to Spain to collect his body and his effects, the father decides to finish the journey on his son’s behalf. This spiritual tale will really stick with you after the film is over. Don’t be surprised if you hear of me making the journey, I really want to go.
Mozart’s Sister – History is full of interesting facts and stories. Apparently Mozart had an older sister who was extremely talented and wanted to be a composer too. But because she was born female, her father disapproved and discouraged her. After befriending a royal princess, Nannerl Mozart is required to dress as a man to gain an audience with the Dauphine of France. Once she sees how easy it is to be mistaken for a man, she disguises herself again and attends music school.
The Beaver – A lot of people avoided this film because of the media backlash surrounding Mel Gibson. It is a shame because he delivers a very sensitive portrait of man battling depression. It is a strange film about a man who communicates through a hand puppet. It is sweet, disturbing, inspirational and sad. Only small budget films can afford to be this bold. It is strange and interesting movie.
Tuesday, December 27, 2011
A Dangerous Method
After watching A Dangerous Method I hesitate to write a review because it may tell you more about me than the movie. This is the paranoia of the subject matter, our words and what they reveal about us. Sigmund Freud (Viggo Mortensen) considered the father of psychoanalysis, developed a form of therapy he called “the talking cure”. One of his followers, Carl Jung (Michael Fassbender) began practicing this method and soon began formalizing theories of his own. When he contacted Freud to ask further questions about his work the two became friends and developed a father-son type relationship. This film is about that relationship and their subsequent falling out.
The film begins when Carl Jung takes on a hysterical female patient by the name of Sabina Spielrein (Keira Knightly). Her psychosis is tied to her sexuality and Jung is anxious to apply the talking cure developed by Freud. The woman was a medical student and wants to be a doctor herself but her volatile and disturbing behavior landed her in an institution. Once she settles down, Jung takes her on as an assistant and her bright and questioning mind helps him advance his studies.
Once Jung develops a relationship with Freud, Freud sends him a colleague who has also been recently committed. The doctor, Otto Gross (Vincent Cassel) lost his practice because he kept sleeping with his patients and got several of them pregnant. While Jung was inside his mind, Gross was inside Jung’s. The ideas that were exchanged challenged Jung’s moral code and in a moment of weakness he had sex with Sabina. Jung wanted to challenge himself, and he experimented with the modern ideas of personal freedom but he could not escape his Protestant morals and views. This put him at odds with Freud who claimed his Jewish heritage, but did not practice the Jewish religion.
A Dangerous Method is an intellectual film about the exchange of ideas, sexual repression, and the truth of the subconscious. Freud wanted all psychological research to be kept purely scientific and Jung felt that religion, faith and the supernatural should not be ignored. He felt that our spiritual life was as important as our baser instincts and it was here that Freud and Jung diverged.
This film is brilliantly acted. Both Viggo Mortensen and Michael Fassbender are excellent. And Kiera Knightly plays her role fearlessly. But as good as the acting is, if you are not interested in the subject matter I think that the average person would be bored. I, myself, as the daughter of a psychology teacher found the film fascinating, but it is not easy to follow. It is a great conversation starter though and will make for some interesting debates among family and friends. This film is about two great minds who changed the way we see ourselves. If that interests you, you’ll love this film.
Rating: First Run A story about two great minds
The film begins when Carl Jung takes on a hysterical female patient by the name of Sabina Spielrein (Keira Knightly). Her psychosis is tied to her sexuality and Jung is anxious to apply the talking cure developed by Freud. The woman was a medical student and wants to be a doctor herself but her volatile and disturbing behavior landed her in an institution. Once she settles down, Jung takes her on as an assistant and her bright and questioning mind helps him advance his studies.
Once Jung develops a relationship with Freud, Freud sends him a colleague who has also been recently committed. The doctor, Otto Gross (Vincent Cassel) lost his practice because he kept sleeping with his patients and got several of them pregnant. While Jung was inside his mind, Gross was inside Jung’s. The ideas that were exchanged challenged Jung’s moral code and in a moment of weakness he had sex with Sabina. Jung wanted to challenge himself, and he experimented with the modern ideas of personal freedom but he could not escape his Protestant morals and views. This put him at odds with Freud who claimed his Jewish heritage, but did not practice the Jewish religion.
A Dangerous Method is an intellectual film about the exchange of ideas, sexual repression, and the truth of the subconscious. Freud wanted all psychological research to be kept purely scientific and Jung felt that religion, faith and the supernatural should not be ignored. He felt that our spiritual life was as important as our baser instincts and it was here that Freud and Jung diverged.
This film is brilliantly acted. Both Viggo Mortensen and Michael Fassbender are excellent. And Kiera Knightly plays her role fearlessly. But as good as the acting is, if you are not interested in the subject matter I think that the average person would be bored. I, myself, as the daughter of a psychology teacher found the film fascinating, but it is not easy to follow. It is a great conversation starter though and will make for some interesting debates among family and friends. This film is about two great minds who changed the way we see ourselves. If that interests you, you’ll love this film.
Rating: First Run A story about two great minds
Tuesday, December 20, 2011
War Horse
War Horse is a story of love, more specifically a story about the love of horses. It begins when a young English boy witnesses the birth of a handsome, frisky, colt and later, through a miracle of stubborn pride and Irish whiskey, the boy’s father wins him at an auction. Impractical for farming, the father (Peter Mullan) immediately regrets his purchase as soon as he sobers up. But Albert (Jeremy Irvine) pleads for an opportunity to train the horse. With his mother’s support (Emily Watson) he convinces his father to let him try to make it work. And since Ted Narracott would like nothing better than to prove his landlord wrong, he consents to let Albert try.
Albert Narracott loves his new horse and names him affectionately, Joey. The two are inseparable and it is clear that Joey is a remarkable horse. When things on the farm are not doing well and the annual rent is due, Ted Narracott is short because he blew his money on the Thoroughbred. As a horse lover himself he recognized the brilliance of Joey, but more importantly he wanted to outbid his haughty landlord (David Thewlis) who is now loath to give an extension. It is only when Mrs. Narracott humbles herself and begs that the family is given extra time. Now, to pull his weight and give the family a chance of paying the rent, Joey is trained to pull a plow.
World War I is on the horizon and Joey’s heroic efforts behind the plow are not enough. It becomes apparent that desperate measures are called for and Ted sells the beloved horse. The army is in desperate need of mounts and Joey is purchased by a young officer. Albert is distraught, angry and beyond grief, but the young officer, a horse lover himself, promises to care for Joey and bring him back if he can. Albert knows that this is unlikely but he is too young to enlist himself. He vows to join as soon as he is of age, and he and Joey will be reunited again.
The film now diverges on two paths. One thread follows Joey through his series of guardians and the other follows Albert. He becomes a foot soldier and in the trenches of World War I, that is a dangerous occupation to be in. Both boy and horse will face challenges unimaginable as they try to endure and survive the war. It is only through love, friendship and the open hearts of strangers that either of them will survive.
War Horse is not always an easy film to follow as Joey’s fate is ever changing. The one constant is that wherever he goes there is a horse lover there that appreciates his magnificence. Through luck, drive and Albert’s brilliant training, Joey adapts wherever he is sent. But if it wasn’t for the horse lovers of the world who entered Joey’s life Joey would have been lost long ago.
As much as I liked War Horse I found it to be all over the place in terms of style. It was like watching a medley of old Hollywood movies all rolled up into one. Each segment of Joey’s life was like another famous film, we had Lassie Come Home, The Quiet Man, Black Beauty, Gone With the Wind, Heidi, and even Saving Private Ryan. Some parts of the film were very violent while others were almost Disneyesque. I could not recommend this film for young children. I even know some horse-loving adults that won’t be able to handle it.
War Horse is a beautiful film with sweeping settings and a compelling story, but it is also disturbing and tragic in parts. What I loved the most is how a red and white pennant became our beacon to lead us through it all. As Joey passes from one caretaker to another the pennant manages to get passed along too. Our journey is to follow both and learn what heroism really means. Albert is on his own path and he too will learn this lesson. Beautiful, gripping, ugly, heartfelt, brutal, inspiring, this film will take you through the gauntlet of emotions. What you receive in the end are some memorable images and conformation that war is not good for children or any living thing. A lesson we should have learned by now. But we also learn that even in the worst of times an act of kindness has far-reaching effects. Love and tenderness are never wasted acts and War Horse is a perfect reminder.
Rating: First Run A saga about love, war and horse
Albert Narracott loves his new horse and names him affectionately, Joey. The two are inseparable and it is clear that Joey is a remarkable horse. When things on the farm are not doing well and the annual rent is due, Ted Narracott is short because he blew his money on the Thoroughbred. As a horse lover himself he recognized the brilliance of Joey, but more importantly he wanted to outbid his haughty landlord (David Thewlis) who is now loath to give an extension. It is only when Mrs. Narracott humbles herself and begs that the family is given extra time. Now, to pull his weight and give the family a chance of paying the rent, Joey is trained to pull a plow.
World War I is on the horizon and Joey’s heroic efforts behind the plow are not enough. It becomes apparent that desperate measures are called for and Ted sells the beloved horse. The army is in desperate need of mounts and Joey is purchased by a young officer. Albert is distraught, angry and beyond grief, but the young officer, a horse lover himself, promises to care for Joey and bring him back if he can. Albert knows that this is unlikely but he is too young to enlist himself. He vows to join as soon as he is of age, and he and Joey will be reunited again.
The film now diverges on two paths. One thread follows Joey through his series of guardians and the other follows Albert. He becomes a foot soldier and in the trenches of World War I, that is a dangerous occupation to be in. Both boy and horse will face challenges unimaginable as they try to endure and survive the war. It is only through love, friendship and the open hearts of strangers that either of them will survive.
War Horse is not always an easy film to follow as Joey’s fate is ever changing. The one constant is that wherever he goes there is a horse lover there that appreciates his magnificence. Through luck, drive and Albert’s brilliant training, Joey adapts wherever he is sent. But if it wasn’t for the horse lovers of the world who entered Joey’s life Joey would have been lost long ago.
As much as I liked War Horse I found it to be all over the place in terms of style. It was like watching a medley of old Hollywood movies all rolled up into one. Each segment of Joey’s life was like another famous film, we had Lassie Come Home, The Quiet Man, Black Beauty, Gone With the Wind, Heidi, and even Saving Private Ryan. Some parts of the film were very violent while others were almost Disneyesque. I could not recommend this film for young children. I even know some horse-loving adults that won’t be able to handle it.
War Horse is a beautiful film with sweeping settings and a compelling story, but it is also disturbing and tragic in parts. What I loved the most is how a red and white pennant became our beacon to lead us through it all. As Joey passes from one caretaker to another the pennant manages to get passed along too. Our journey is to follow both and learn what heroism really means. Albert is on his own path and he too will learn this lesson. Beautiful, gripping, ugly, heartfelt, brutal, inspiring, this film will take you through the gauntlet of emotions. What you receive in the end are some memorable images and conformation that war is not good for children or any living thing. A lesson we should have learned by now. But we also learn that even in the worst of times an act of kindness has far-reaching effects. Love and tenderness are never wasted acts and War Horse is a perfect reminder.
Rating: First Run A saga about love, war and horse
Young Adult
Normally movies about mean spirited people doing selfish and despicable things are a total turn-off for me and I seldom enjoy them, but Young Adult is a complete exception. This movie is hysterical. Charlize Theron is phenomenal as Mavis Gary a beautiful blonde ex-prom queen who was a cheerleader in high school and dated the handsome football star Buddy Slade (Patrick Wilson). She was the only one in her class that made it out of Mercury, Minnesota and living in the “Mini-apple” of Minneapolis, her classmates who were left behind imagine her life as glamorous. But in reality Mavis is divorced, alcoholic and ghost writing the last book of a declining Young Adult series. Her life is a mess and she has become fixated with her ex-boyfriend and the new baby that he and his wife (Elizabeth Reaser) just had. Mavis wants a do-over and she is determined to get Buddy back. Never mind that he is married and happy. Mavis is clearly delusional.
Young Adult is about a woman who is living in the past and stuck in perpetual adolescence. We never see a flashback or have any insight into her youth other than what people say about her and their reaction when they meet her. Let’s just say that Mavis is controversial. When she arrives in town, the comments are varied. Mavis was envied, admired, but also disliked. Not everyone is happy to see her.
Mercury has grown since Mavis has gone away and her friends have grown up too. Repulsed by all the new chain motels, fast food restaurants and box stores, Mavis heads to a local dive where she runs into her old locker mate. In completely different social circles then they now find that they have a common bond, Bourbon and living in the past. With her new confidant Matt (Patton Oswalt) and a devious plan, Mavis heads out to break up a marriage and steal her old beau away.
The beauty about Young Adult is that the joke is on Mavis. It is like watching a child swat at the knees of a very tall man. None of her barbs or caustic remarks have any sting because the people she lashes out at don’t care. I love the writing in this film and the way the characters are presented. Diablo Cody has written another excellent script and director Jason Reitman has given it the right shade and tone. It seems like the perfect weapon for the mean girls of high school is contentment and personal satisfaction. If you like who you are the barbs will only sting for a moment. I really enjoyed this film.
Rating: First Run Never peak in high school
Young Adult is about a woman who is living in the past and stuck in perpetual adolescence. We never see a flashback or have any insight into her youth other than what people say about her and their reaction when they meet her. Let’s just say that Mavis is controversial. When she arrives in town, the comments are varied. Mavis was envied, admired, but also disliked. Not everyone is happy to see her.
Mercury has grown since Mavis has gone away and her friends have grown up too. Repulsed by all the new chain motels, fast food restaurants and box stores, Mavis heads to a local dive where she runs into her old locker mate. In completely different social circles then they now find that they have a common bond, Bourbon and living in the past. With her new confidant Matt (Patton Oswalt) and a devious plan, Mavis heads out to break up a marriage and steal her old beau away.
The beauty about Young Adult is that the joke is on Mavis. It is like watching a child swat at the knees of a very tall man. None of her barbs or caustic remarks have any sting because the people she lashes out at don’t care. I love the writing in this film and the way the characters are presented. Diablo Cody has written another excellent script and director Jason Reitman has given it the right shade and tone. It seems like the perfect weapon for the mean girls of high school is contentment and personal satisfaction. If you like who you are the barbs will only sting for a moment. I really enjoyed this film.
Rating: First Run Never peak in high school
Sherlock Homes: A Game of Shadows
Today I get to write something I seldom do. When it comes to the Sherlock Holmes sequel Sherlock Homes: A Game of Shadows it is as actually good and as much fun as the original. I loved it! Just like its predecessor, it hit the ground running and never let up. I really love the way that director Guy Ritchie uses his thugs and villains to add flavor and texture to the atmosphere. Every street, every setting has little details sprinkled in to give us the impression of the seedy side of London and its rouge’s gallery of criminals. And what great fun it is to discover that some of the lowliest characters are Sherlock Holmes in disguise.
Dr. Watson (Jude Law) is wrapping up his chronicle of Sherlock Holmes’ latest adventure (Robert Downey Jr.). It will be the last for Dr. Watson for he is settling down and getting married. Being Sherlock Holmes’ partner is a dangerous business and not an appropriate occupation for a married man. He is returning to medicine and Holmes is not taking it well. He is losing his best friend and companion and must now go it alone, but Dr. Moriarty (Jared Harris) has other plans. Even when Holmes begs to leave Watson out of it, Moriarty flatly refuses. Holmes must now protect Watson and his new bride. He also must convince Watson to help him on one last case. Until Moriarty is put away no one is safe. Even Holmes’ brother Mycroft (Stephen Fry) is at risk.
Holmes is obsessed with Dr. Moriarty and thwarting his master plan. But as yet Holmes has no idea what that is. He follows his web of clues which leads him to a Gypsy girl (Noomi Rapace). Somehow her brother is involved in a fiendish plot and Madame Simza and Holmes must find the connection. This journey takes them to the continent where danger and intrigue abound.
Everything that I loved about the first film is present in this worthy sequel. I love the fast driving pace, the wonderful Celtic score, the rapport between two bickering buddies and the insight into Holmes’ complicated mind. In this film we get to know Mycroft, Holmes’ brother, and he is as much of an eccentric as Holmes is. It is his mysterious job with the crown that provides Holmes and Watson access to many prestigious events. It is there that they uncover Dr. Moriarty’s sinister plot. From the underground den of robbers and thieves to the halls of academia and state events, Moriarty has his hand everywhere. It is up to Holmes and Watson to expose this evil opportunist. For Holmes it is a match of intellect and wit.
Sherlock Homes: A Game of Shadows is a delight and I enjoyed it from beginning to end. I especially appreciated all of Holmes’ disguises and his attempts at urban camouflage. I love the chemistry between Downey and Law and seriously hope they do a third film. Jared Harris as Moriarty makes a great foil for Holmes and I look forward to any new opponents that come along. Like others I can get nostalgic for the older interpretations of Sherlock Holmes but I enjoy Robert Downey Jr.’s version as well which is vigorous, energetic and alert. He can’t help himself, his intellect, senses and manic energy are a curse. He couldn’t restrain himself if he tried. I like this version and I like the contrast found in Watson. Watson is a man of science who wants to conform to genteel society but cannot leave his sense of adventure behind. He is fiercely loyal and the perfect partner to Holmes. I hope this “bromance” continues a very long time.
Rating: Must See There is adventure afoot
Dr. Watson (Jude Law) is wrapping up his chronicle of Sherlock Holmes’ latest adventure (Robert Downey Jr.). It will be the last for Dr. Watson for he is settling down and getting married. Being Sherlock Holmes’ partner is a dangerous business and not an appropriate occupation for a married man. He is returning to medicine and Holmes is not taking it well. He is losing his best friend and companion and must now go it alone, but Dr. Moriarty (Jared Harris) has other plans. Even when Holmes begs to leave Watson out of it, Moriarty flatly refuses. Holmes must now protect Watson and his new bride. He also must convince Watson to help him on one last case. Until Moriarty is put away no one is safe. Even Holmes’ brother Mycroft (Stephen Fry) is at risk.
Holmes is obsessed with Dr. Moriarty and thwarting his master plan. But as yet Holmes has no idea what that is. He follows his web of clues which leads him to a Gypsy girl (Noomi Rapace). Somehow her brother is involved in a fiendish plot and Madame Simza and Holmes must find the connection. This journey takes them to the continent where danger and intrigue abound.
Everything that I loved about the first film is present in this worthy sequel. I love the fast driving pace, the wonderful Celtic score, the rapport between two bickering buddies and the insight into Holmes’ complicated mind. In this film we get to know Mycroft, Holmes’ brother, and he is as much of an eccentric as Holmes is. It is his mysterious job with the crown that provides Holmes and Watson access to many prestigious events. It is there that they uncover Dr. Moriarty’s sinister plot. From the underground den of robbers and thieves to the halls of academia and state events, Moriarty has his hand everywhere. It is up to Holmes and Watson to expose this evil opportunist. For Holmes it is a match of intellect and wit.
Sherlock Homes: A Game of Shadows is a delight and I enjoyed it from beginning to end. I especially appreciated all of Holmes’ disguises and his attempts at urban camouflage. I love the chemistry between Downey and Law and seriously hope they do a third film. Jared Harris as Moriarty makes a great foil for Holmes and I look forward to any new opponents that come along. Like others I can get nostalgic for the older interpretations of Sherlock Holmes but I enjoy Robert Downey Jr.’s version as well which is vigorous, energetic and alert. He can’t help himself, his intellect, senses and manic energy are a curse. He couldn’t restrain himself if he tried. I like this version and I like the contrast found in Watson. Watson is a man of science who wants to conform to genteel society but cannot leave his sense of adventure behind. He is fiercely loyal and the perfect partner to Holmes. I hope this “bromance” continues a very long time.
Rating: Must See There is adventure afoot
Thursday, December 15, 2011
The Iron Lady
Meryl Streep as Margaret Thatcher is a triumph. In my egocentric youth, Margaret Thatcher was a name in the background of my life. I knew that she was the Prime Minister of England, a friend to Ronald Reagan, and I remember the Falkland war, but beyond that I never paid much attention. I was too busy finishing high school, going to college and starting my adult life. But after watching The Iron Lady I am embarrassed to say that I missed a very important chapter in women’s history. Margaret Thatcher not only accomplished great things as a woman, she accomplished great things as a leader, period!
Going into The Iron Lady, I knew very little about Margaret Thatcher. I’ve never been a big fan of politics, let alone politics outside of my own country, but I found Margaret Thatcher's story fascinating. You could not find a better actress to portray her than Meryl Streep, and the surprising co-star of this film was the make-up. Meryl Streep’s age make-up is the best I’ve seen in a very long time. Like any good supporting player it makes its point and never distracts from the performance. Throughout the entire film depicting various periods of time the make-up and costumes were flawless and deserve to be mentioned for their excellence.
Another strong supporting element in this film is Jim Broadbent as Denis Thatcher. He showed us a man of humor and wit who was able to accept Margaret on her own terms. He was also secure enough as a man to stand behind his wife as she rose through the ranks to become the first woman Prime Minister. It was clear through this performance how much she depended on him. Without his love and support she would have never been able to reach such heights. Also good are Alexandra Roach and Harry Lloyd as the young Margaret and Denis. In order to appreciate where this couple went you have to understand where they started.
As one who could easily be turned off by politics, let me assure you that this is a very exciting film. It is as much a love story as a historical review. Politically the seventies and the eighties were a very volatile time. Between union strikes, terrorist attacks, and a severe economic recession, Margaret Thatcher was on the front lines most of her life. She grew up a grocer’s daughter who encouraged her to think and pursue an education. When she entered civic life she was known for her strong opinions and shrill voice, but once her foot was in the door, eventually she started to be heard. Through her tenacity and determination, the boy’s club was finally able to get past her grating voice and feminine sex. They were able to see her strength and common sense. She alienated a lot of people, but had the courage to make the tough decisions. Along with her friend, U.S. President Ronald Reagan, she changed the world and led her country back into a position of strength. Hers is an exhilarating a story and Meryl Streep gives a sublime performance. This is a film and performance that should not be missed.
Rating: Must See Great lady, great performance
Going into The Iron Lady, I knew very little about Margaret Thatcher. I’ve never been a big fan of politics, let alone politics outside of my own country, but I found Margaret Thatcher's story fascinating. You could not find a better actress to portray her than Meryl Streep, and the surprising co-star of this film was the make-up. Meryl Streep’s age make-up is the best I’ve seen in a very long time. Like any good supporting player it makes its point and never distracts from the performance. Throughout the entire film depicting various periods of time the make-up and costumes were flawless and deserve to be mentioned for their excellence.
Another strong supporting element in this film is Jim Broadbent as Denis Thatcher. He showed us a man of humor and wit who was able to accept Margaret on her own terms. He was also secure enough as a man to stand behind his wife as she rose through the ranks to become the first woman Prime Minister. It was clear through this performance how much she depended on him. Without his love and support she would have never been able to reach such heights. Also good are Alexandra Roach and Harry Lloyd as the young Margaret and Denis. In order to appreciate where this couple went you have to understand where they started.
As one who could easily be turned off by politics, let me assure you that this is a very exciting film. It is as much a love story as a historical review. Politically the seventies and the eighties were a very volatile time. Between union strikes, terrorist attacks, and a severe economic recession, Margaret Thatcher was on the front lines most of her life. She grew up a grocer’s daughter who encouraged her to think and pursue an education. When she entered civic life she was known for her strong opinions and shrill voice, but once her foot was in the door, eventually she started to be heard. Through her tenacity and determination, the boy’s club was finally able to get past her grating voice and feminine sex. They were able to see her strength and common sense. She alienated a lot of people, but had the courage to make the tough decisions. Along with her friend, U.S. President Ronald Reagan, she changed the world and led her country back into a position of strength. Hers is an exhilarating a story and Meryl Streep gives a sublime performance. This is a film and performance that should not be missed.
Rating: Must See Great lady, great performance
Saturday, December 10, 2011
My Week With Marilyn
Sir Laurence Olivier wanted to be a movie star and Marilyn Monroe wanted to be an actress. One represented the finest in British theatrical tradition and the other, a new kind of actor; raw, emotional and in the moment. Marilyn Monroe, a student of Lee Strassberg, was a Method actor and had none of the discipline and training of a theatrical actor. But when she got it right on film, there was no looking away. Marilyn Monroe on the screen was mesmerizing.
The movie My Week With Marilyn takes place just before Marilyn Monroe (Michelle Williams) had her big break out role in the film Some Like it Hot. Traveling with her new husband, celebrated playwright Arthur Miller, she is summoned to England to star opposite Sir Laurence Olivier (Kenneth Branagh) in The Prince and the Showgirl. The original stage production starred Olivier’s wife Vivien Leigh. But Vivien had grown too old for the role and Olivier wanted someone younger. He saw something in Marilyn while meeting her in the states and wanted very much to work with her. But all his experience, confidence and meticulous training was no match for Marilyn and her entourage.
When Olivier wasn’t being a bully or berating her for her lack of professional discipline, he was wallowing in jealousy over her natural instincts and her command of visual arts. Marilyn knew how to work the camera and she created “Marilyn” as her alter ego and screen persona. But underneath her bombshell image, Marilyn was a woman full of insecurity, fear and doubt. She was mess, but when she got it right she was perfection.
There have been many actresses who have played Marilyn Monroe for after all these years we still find her fascinating. But Michelle Williams’ portrayal is truly illuminating. There have been other women who have looked more like Marilyn, or sounded more like Marilyn, there have even been better mimics of her on-screen persona, but Michelle captures her essence and I don’t recall anyone doing a better job of balancing all the elements. Playing Marilyn is like playing someone with a multiple personality disorder. There are so many sides to the woman and Michelle captures her fear, insecurity and sense of rebellion. She also shows the anguish of a artist who wants to be taken seriously while at the same time being totally incapable of handling her interpersonal relationships. At one moment she can pose, flirt and manipulate the press and then shrink in terror at the enthusiasm of her fans. Watching Michelle Williams makes you wonder, was Marilyn a user or was she the one being used? Was she the most selfish person in the world, or a truly needy person seeking validation. Michelle Williams’ Marilyn is complex, multilayered and charismatic. Miss Williams has dug deep here and given us a memorable performance. I don’t ever recall a Marilyn that has effected me so deeply.
As the title My Week With Marilyn suggests, there is another character in this film. The my in the title refers to Colin Clark portrayed by Eddie Redmayne. This film is a true story based on the diaries of Colin Clark. Colin Clark was a young British film enthusiast who landed his first job in the industry as Sir Laurence Olivier’s third assistant director, which is basically a “go-for”. In his role he showed initiative, drive and tenacity, but he was also a keen observer. It is this quality that attracted Marilyn Monroe. As an assistant he saw all sides and Marilyn was counting on him for his insights and honesty. When Arthur Miller (Dougray Scott) tires of Marilyn’s media circus and returns to the states prematurely, Marilyn latches onto Colin like a life-preserver. Jealousies erupt and Colin’s duties and motives are questioned, but as someone able to see all sides, Colin becomes a real friend, even if it costs him his relationship with a young costumer played by Emma Watson.
Kenneth Branagh plays Olivier as a man trying to regain his youth and achieve the status and recognition that he feels he deserves. Also in the film is Judi Dench as Dame Sybil Thorndike. She is gracious and supportive of Marilyn even when Marilyn’s poor behavior effects her directly.She reminds Olivier that their way is on the wane and that this new breed of actor is the future. She is wise in many ways and Marilyn appreciates her understanding and support.
There have been many movies featuring Marilyn Monroe reflecting different times and parts of her life. But what I liked the most about this film is that it zeros in on that time right before she makes it big. The Prince and the Showgirl was not a huge hit but it set Marilyn up for her next film which made her a big star. At this juncture we see the actress before she comes into her own, while she is still trying to figure things out and Michelle Williams provides us with that glimpse. She shows us a woman on the verge of greatness; both Marilyn’s and her own.
Rating: First Run An actress on the verge of greatness
The movie My Week With Marilyn takes place just before Marilyn Monroe (Michelle Williams) had her big break out role in the film Some Like it Hot. Traveling with her new husband, celebrated playwright Arthur Miller, she is summoned to England to star opposite Sir Laurence Olivier (Kenneth Branagh) in The Prince and the Showgirl. The original stage production starred Olivier’s wife Vivien Leigh. But Vivien had grown too old for the role and Olivier wanted someone younger. He saw something in Marilyn while meeting her in the states and wanted very much to work with her. But all his experience, confidence and meticulous training was no match for Marilyn and her entourage.
When Olivier wasn’t being a bully or berating her for her lack of professional discipline, he was wallowing in jealousy over her natural instincts and her command of visual arts. Marilyn knew how to work the camera and she created “Marilyn” as her alter ego and screen persona. But underneath her bombshell image, Marilyn was a woman full of insecurity, fear and doubt. She was mess, but when she got it right she was perfection.
There have been many actresses who have played Marilyn Monroe for after all these years we still find her fascinating. But Michelle Williams’ portrayal is truly illuminating. There have been other women who have looked more like Marilyn, or sounded more like Marilyn, there have even been better mimics of her on-screen persona, but Michelle captures her essence and I don’t recall anyone doing a better job of balancing all the elements. Playing Marilyn is like playing someone with a multiple personality disorder. There are so many sides to the woman and Michelle captures her fear, insecurity and sense of rebellion. She also shows the anguish of a artist who wants to be taken seriously while at the same time being totally incapable of handling her interpersonal relationships. At one moment she can pose, flirt and manipulate the press and then shrink in terror at the enthusiasm of her fans. Watching Michelle Williams makes you wonder, was Marilyn a user or was she the one being used? Was she the most selfish person in the world, or a truly needy person seeking validation. Michelle Williams’ Marilyn is complex, multilayered and charismatic. Miss Williams has dug deep here and given us a memorable performance. I don’t ever recall a Marilyn that has effected me so deeply.
As the title My Week With Marilyn suggests, there is another character in this film. The my in the title refers to Colin Clark portrayed by Eddie Redmayne. This film is a true story based on the diaries of Colin Clark. Colin Clark was a young British film enthusiast who landed his first job in the industry as Sir Laurence Olivier’s third assistant director, which is basically a “go-for”. In his role he showed initiative, drive and tenacity, but he was also a keen observer. It is this quality that attracted Marilyn Monroe. As an assistant he saw all sides and Marilyn was counting on him for his insights and honesty. When Arthur Miller (Dougray Scott) tires of Marilyn’s media circus and returns to the states prematurely, Marilyn latches onto Colin like a life-preserver. Jealousies erupt and Colin’s duties and motives are questioned, but as someone able to see all sides, Colin becomes a real friend, even if it costs him his relationship with a young costumer played by Emma Watson.
Kenneth Branagh plays Olivier as a man trying to regain his youth and achieve the status and recognition that he feels he deserves. Also in the film is Judi Dench as Dame Sybil Thorndike. She is gracious and supportive of Marilyn even when Marilyn’s poor behavior effects her directly.She reminds Olivier that their way is on the wane and that this new breed of actor is the future. She is wise in many ways and Marilyn appreciates her understanding and support.
There have been many movies featuring Marilyn Monroe reflecting different times and parts of her life. But what I liked the most about this film is that it zeros in on that time right before she makes it big. The Prince and the Showgirl was not a huge hit but it set Marilyn up for her next film which made her a big star. At this juncture we see the actress before she comes into her own, while she is still trying to figure things out and Michelle Williams provides us with that glimpse. She shows us a woman on the verge of greatness; both Marilyn’s and her own.
Rating: First Run An actress on the verge of greatness
Monday, November 28, 2011
Hugo
Hugo is a metamorphosis of a film transforming from a story of a lonely orphan boy into a tribute to one of cinema’s first filmmakers, Georges Melies. From the opening shot you know that you are in a magical place and if you are patient and watch closely, something wonderful and amazing will happen. Hugo, played by Asa Butterfield, is an intelligent boy who lives in the Paris train station. When his father died, he was taken in by his loutish, alcoholic uncle (Ray Winstone) who worked in the station as a technician winding all the intricate clocks. He taught Hugo how to do his job so he could lie around all day and drink. He also furnished him with a long forgotten apartment within the station’s attic. Here Hugo could stay out of sight and management would be none the wiser.
Throughout his day Hugo would navigate the ceilings, walls and tunnels of the railway station watching the regulars and getting to know their routines. In secret he became familiar with all of them especially the station inspector (Sasha Baron Cohen). The inspector has a penchant for rounding up orphans and sending them directly to the workhouse. Hugo avoids the inspector at all costs and only enters the public when necessary. At night, when alone, he works on an automaton that he and his father were restoring before his death. The robot was discovered forgotten in a museum storeroom and Hugo and his father were repairing him.
When Hugo’s uncle suddenly disappears, Hugo must start taking more and more risks by venturing into the station. By winding the clocks, everyone will assume that the technician is still on the job, but in order to survive Hugo starts stealing food and supplies. He also zeros in on a local toy maker and begins to steal parts for his automaton. The meticulous toy maker is on to him though and lays a trap to apprehend him. This is where the film morphs into another kind of story and both are equally fascinating.
Ben Kingsley plays the filmmaker Georges Melies and Chloe Grace Moretz portrays Isabelle, Melies’ young charge. When Hugo becomes upset over the loss of his father’s notebook, Isabelle becomes his ally and the two entreat Melies to give it back. The discovery of who Melies is and what he has done drives the remainder of the film. And as a cinema lover, I for one was enchanted. Not only do we get to share in the ecstasy of watching Isabelle’s face view her first film we also get to see the bittersweet moment when Mamma Jeanne (Helen McCrory) sees herself on the screen after years of believing their films were lost. Both of these moments spoke directly to me. I really love this film.
As a family entertainment some people may say that this movie is too long, complicated or slow, but I disagree. Not that it’s long or slow, but I disagree that that’s a bad thing. This film will defiantly enchant young viewers and it will educate them as well. They may get a little squirmy and lose focus now and then but the film will soon recapture them. As a lover of cinema and to illustrate Melies’ genius Martin Sorcsese incorporates many clips from his films. Adults and children as well will be amazed by the whimsical special effects that he created. Melies was an innovator and a pioneer and this movie is a tribute to his contribution. Let his magic capture your heart. Hugo is very special film.
Rating: Must See A film about love and cinema
Throughout his day Hugo would navigate the ceilings, walls and tunnels of the railway station watching the regulars and getting to know their routines. In secret he became familiar with all of them especially the station inspector (Sasha Baron Cohen). The inspector has a penchant for rounding up orphans and sending them directly to the workhouse. Hugo avoids the inspector at all costs and only enters the public when necessary. At night, when alone, he works on an automaton that he and his father were restoring before his death. The robot was discovered forgotten in a museum storeroom and Hugo and his father were repairing him.
When Hugo’s uncle suddenly disappears, Hugo must start taking more and more risks by venturing into the station. By winding the clocks, everyone will assume that the technician is still on the job, but in order to survive Hugo starts stealing food and supplies. He also zeros in on a local toy maker and begins to steal parts for his automaton. The meticulous toy maker is on to him though and lays a trap to apprehend him. This is where the film morphs into another kind of story and both are equally fascinating.
Ben Kingsley plays the filmmaker Georges Melies and Chloe Grace Moretz portrays Isabelle, Melies’ young charge. When Hugo becomes upset over the loss of his father’s notebook, Isabelle becomes his ally and the two entreat Melies to give it back. The discovery of who Melies is and what he has done drives the remainder of the film. And as a cinema lover, I for one was enchanted. Not only do we get to share in the ecstasy of watching Isabelle’s face view her first film we also get to see the bittersweet moment when Mamma Jeanne (Helen McCrory) sees herself on the screen after years of believing their films were lost. Both of these moments spoke directly to me. I really love this film.
As a family entertainment some people may say that this movie is too long, complicated or slow, but I disagree. Not that it’s long or slow, but I disagree that that’s a bad thing. This film will defiantly enchant young viewers and it will educate them as well. They may get a little squirmy and lose focus now and then but the film will soon recapture them. As a lover of cinema and to illustrate Melies’ genius Martin Sorcsese incorporates many clips from his films. Adults and children as well will be amazed by the whimsical special effects that he created. Melies was an innovator and a pioneer and this movie is a tribute to his contribution. Let his magic capture your heart. Hugo is very special film.
Rating: Must See A film about love and cinema
Arthur Christmas
Do you spend much time thinking about Santa Claus? Like how does he deliver all those presents in one night and why with all our modern technology he seems to fly under the radar? Have you ever wondered why we can’t see him on Google Earth and how does he support all those elves and reindeer? Well it is obvious that the people at Aardman Animation and Sony Pictures have thought about this, a lot! They have created a wonderful film that is so detailed, intricate and full of explanation without destroying any of the fun, myth or joy of the season.
Arthur Christmas is funny, entertaining and full of holiday spirit without being cloying, sentimental or trite. There are no talking animals, no musical numbers out of nowhere and no cheap juvenile humor. What we get is a magical world, fully realized and a three generational Claus family that is as dysfunctional as yours and mine.
Arthur Christmas (James McAvoy) is the youngest son of the reigning Santa (Jim Broadbent). He is a bit of a klutz, and kind of a mess, but he is so full of Christmas spirit and he truly idolizes his father. His older brother, Steve (Hugh Laurie) is the operations commander and he is expert and efficient at his job. On his seventieth mission, Santa has become little more than a figurehead and Steve really runs the show. But he is a good loyal son, protects his father and is waiting patiently to inherit the title. Meanwhile Arthur, his little brother, works away in the letters office.
Due to a technical error and being distracted by a Santa emergency, a little girl’s bicycle falls off the conveyor belt and she becomes the only child in the entire world without a Christmas present to open. Steve is upset for being blamed and having his promotion postponed by his father. Santa is clearly not able to complete the task; he doesn’t even know how to pilot the high-tech sleigh. So they both decide to let it go and rest on their near-perfect record. But, Arthur is appalled. In his mind every child deserves a Christmas, so with the help of his grandfather (Bill Nighy) and a diligent elf (Ashley Jensen) they go “old school”, hitch up Grandsanta’s sleigh and vow to deliver Gwen’s present before sunrise.
This movie is so well thought out and so visually rich that you won’t mind watching it again and again. It is sure to be a perennial favorite and it is the kind of movie that everyone will love. It is clever, adventurous and makes a statement about family and technology. No matter how advanced we get there is nothing like coming together over a good meal or a board game. Sometimes it’s good to go back to the basics. And this film would make an great family night out.
Rating: First Run Santa, all secrets revealed
Arthur Christmas is funny, entertaining and full of holiday spirit without being cloying, sentimental or trite. There are no talking animals, no musical numbers out of nowhere and no cheap juvenile humor. What we get is a magical world, fully realized and a three generational Claus family that is as dysfunctional as yours and mine.
Arthur Christmas (James McAvoy) is the youngest son of the reigning Santa (Jim Broadbent). He is a bit of a klutz, and kind of a mess, but he is so full of Christmas spirit and he truly idolizes his father. His older brother, Steve (Hugh Laurie) is the operations commander and he is expert and efficient at his job. On his seventieth mission, Santa has become little more than a figurehead and Steve really runs the show. But he is a good loyal son, protects his father and is waiting patiently to inherit the title. Meanwhile Arthur, his little brother, works away in the letters office.
Due to a technical error and being distracted by a Santa emergency, a little girl’s bicycle falls off the conveyor belt and she becomes the only child in the entire world without a Christmas present to open. Steve is upset for being blamed and having his promotion postponed by his father. Santa is clearly not able to complete the task; he doesn’t even know how to pilot the high-tech sleigh. So they both decide to let it go and rest on their near-perfect record. But, Arthur is appalled. In his mind every child deserves a Christmas, so with the help of his grandfather (Bill Nighy) and a diligent elf (Ashley Jensen) they go “old school”, hitch up Grandsanta’s sleigh and vow to deliver Gwen’s present before sunrise.
This movie is so well thought out and so visually rich that you won’t mind watching it again and again. It is sure to be a perennial favorite and it is the kind of movie that everyone will love. It is clever, adventurous and makes a statement about family and technology. No matter how advanced we get there is nothing like coming together over a good meal or a board game. Sometimes it’s good to go back to the basics. And this film would make an great family night out.
Rating: First Run Santa, all secrets revealed
Dolphin Tale
There has been a trend recently to make films that feature animals or ecological issues. Most are low budget and have a very short theatrical run. But Dolphin Tale, directed by Charles Martin Smith is better than most and contains an excellent cast consisting of Ashley Judd, Harry Connick Jr., Kris Kristofferson and Morgan Freeman.
Based on an actual event, Dolphin Tale focuses on a boy named Sawyer Nelson (Nathan Gamble) and his relationship with a dolphin (Winter playing herself) who washed up on the beach with severe injuries. Sawyer cuts her loose from a crab trap and they quickly form a bond. But before Sawyer knows it the dolphin is being packed up and transported to a rescue and rehabilitation facility where she loses her tail due to an infection.
Sawyer, wanting to know her fate, begins cutting summer school to spend time with her at the facility. When his mother (Ashley Judd) finds out she is hopping mad. But after visiting the rescue center herself she sees how invested Sawyer is and how much he is learning in the process. She agrees to let him stay knowing that this is a once in a lifetime opportunity.
After Winter recovers and Sawyer becomes best friends with Hazel (Cozi Zuehlsdorff), the doctor’s daughter, the two of them spend their time entertaining Winter and helping her to get stronger. But a new problem occurs. Dolphins are meant to swim with an up and down tail movement and Winter has adapted by propelling herself side to side. This is causing spinal cord issues and endangering her life. When Sawyer goes to a V.A. hospital to visit his wounded cousin, he marvels over all the prosthetics he sees and their wide range of variety. He introduces himself to one of the designers and asks if he’d ever considered designing a prosthetic for a dolphin. The doctor (Morgan Freeman) is intrigued by the challenge and agrees to give it a try. Meanwhile, Dr. Clay (Harry Connick Jr.) is tasked with funding the project while still trying to keep his center from going under.
Dolphin Tale is essentially a movie about overcoming challenges and never giving up. Not a bad subject for a film to take the kiddies. It is not overly-maudlin and it is enjoyable even for adults. And the setting reminds me of my youth watching Flipper. I’ve always had a thing for dolphins and this film only reinforces that. Winter does a great job portraying herself and you can easily see how she has become a media star. The film does get a little sentimental but due to the fine cast and the light touch of the director it is not overdone. Dolphin Tale is an excellent family film and a palatable way to get a message across; don’t give up, find a way, and never let your disability define
you.
Rating: First Run A message film that entertains
Based on an actual event, Dolphin Tale focuses on a boy named Sawyer Nelson (Nathan Gamble) and his relationship with a dolphin (Winter playing herself) who washed up on the beach with severe injuries. Sawyer cuts her loose from a crab trap and they quickly form a bond. But before Sawyer knows it the dolphin is being packed up and transported to a rescue and rehabilitation facility where she loses her tail due to an infection.
Sawyer, wanting to know her fate, begins cutting summer school to spend time with her at the facility. When his mother (Ashley Judd) finds out she is hopping mad. But after visiting the rescue center herself she sees how invested Sawyer is and how much he is learning in the process. She agrees to let him stay knowing that this is a once in a lifetime opportunity.
After Winter recovers and Sawyer becomes best friends with Hazel (Cozi Zuehlsdorff), the doctor’s daughter, the two of them spend their time entertaining Winter and helping her to get stronger. But a new problem occurs. Dolphins are meant to swim with an up and down tail movement and Winter has adapted by propelling herself side to side. This is causing spinal cord issues and endangering her life. When Sawyer goes to a V.A. hospital to visit his wounded cousin, he marvels over all the prosthetics he sees and their wide range of variety. He introduces himself to one of the designers and asks if he’d ever considered designing a prosthetic for a dolphin. The doctor (Morgan Freeman) is intrigued by the challenge and agrees to give it a try. Meanwhile, Dr. Clay (Harry Connick Jr.) is tasked with funding the project while still trying to keep his center from going under.
Dolphin Tale is essentially a movie about overcoming challenges and never giving up. Not a bad subject for a film to take the kiddies. It is not overly-maudlin and it is enjoyable even for adults. And the setting reminds me of my youth watching Flipper. I’ve always had a thing for dolphins and this film only reinforces that. Winter does a great job portraying herself and you can easily see how she has become a media star. The film does get a little sentimental but due to the fine cast and the light touch of the director it is not overdone. Dolphin Tale is an excellent family film and a palatable way to get a message across; don’t give up, find a way, and never let your disability define
you.
Rating: First Run A message film that entertains
Friday, November 25, 2011
Immortals
In order to discuss the film Immortals you must talk about the visuals. In fact it is impossible to talk about this film without mentioning them. As I was sitting there watching, it reminded me of being in a museum gazing at Renaissance art. I’ve had this experience before, sitting on a bench, staring at a religious scene or a setting of Greek mythology and being transfixed by the beauty. The art is so detailed and complex and the colors are vivid and striking. You get lost in the vision and are given a sense that there is more there than meets the eye. There is a magnificence and grandeur to everything you see. That is how I felt watching this film.
As far as the plot goes, it is very simplistic; a classic tale. King Hyperion (Mickey Rourke) is trying to destroy humanity by acquiring the mythic Epirus Bow which is the only means available to release the Titans, warriors enslaved by the gods and entombed in the mountain Tartaros. The gods are forbidden to interfere, but Zeus (Luke Evans) has been secretly tutoring a peasant boy into manhood. He has placed all his hopes in this young man (Henry Cavill) and believes that Theseus will rise to the occasion. Only a mortal with strength and conviction can stand up to the evil King Hyperion. But Theseus is only interested in protecting his shunned and persecuted mother. As a son with no father, he is loyal only to his own.
When King Hyperion attacks their village and murders all the remnants left behind. Theseus must witness the death of his mother and is taken prisoner after a valiant fight. Here is where he meets the oracle Phaedra (Frieda Pinto) and the thief Stravos (Stephen Dorff) his new fighting companion. Together they escape and look for ways to foil the king’s despicable plan. Theseus assumes his leadership role and the gods, defying their father, help them along.
Mickey Rourke is quite intimidating as King Hyperion. He is so menacing that anyone would want to stay out of his way. But I do believe that he overdid it with the eating. In his first scene he is devouring some kind of fruit in a masculine brutal manner with red juice and pulp dripping from his hands and beard. It is quite effective and conjures up imagines of blood or an animal feasting on his prey. But by the time you get to his third or fourth eating scene you say to yourself, okay, this guy is just a pig. When I start wondering what he is eating instead of what is going on in the scene then you know that the device is overdone.
Frieda Pinto is radiant in this film and I felt that her tone was just right. She is supposed to be a virgin and has been protected all her life for her prophetic gifts, but she also has a little fight in her. Esthetically she belongs in these gorgeous settings. She is like a princess with warrior DNA. Henry Cavill is also nice to look at with his strong features and muscular body. I only wish that he had a voice to match. Voices like Charleton Heston’s are rare. You can see why he was so successful in these kinds of films. The voice is a big part of the package.
When it comes to the fight scenes there are a lot of special effects in the mix. Those familiar with 300, Suckerpunch, or other films of that ilk will recognized the distortion of time and how certain characters are separated, featured or highlighted for effect. It is kind of like a pop-up book where the director manipulates your gaze. It is all done for impact and esthetics and somehow it makes violence beautiful. As I said before, this is a very visual film and without the techniques employed by director Tarsem Singh this movie would fall flat. As directed it is a splendid mythic tale of gods and men; brave, beautiful, brutal, and fierce. It is good against evil both in heaven and on earth. Like the tales of old, virtue triumphs and evil must be put down.
Rating: First Run A film that deserves the big screen
As far as the plot goes, it is very simplistic; a classic tale. King Hyperion (Mickey Rourke) is trying to destroy humanity by acquiring the mythic Epirus Bow which is the only means available to release the Titans, warriors enslaved by the gods and entombed in the mountain Tartaros. The gods are forbidden to interfere, but Zeus (Luke Evans) has been secretly tutoring a peasant boy into manhood. He has placed all his hopes in this young man (Henry Cavill) and believes that Theseus will rise to the occasion. Only a mortal with strength and conviction can stand up to the evil King Hyperion. But Theseus is only interested in protecting his shunned and persecuted mother. As a son with no father, he is loyal only to his own.
When King Hyperion attacks their village and murders all the remnants left behind. Theseus must witness the death of his mother and is taken prisoner after a valiant fight. Here is where he meets the oracle Phaedra (Frieda Pinto) and the thief Stravos (Stephen Dorff) his new fighting companion. Together they escape and look for ways to foil the king’s despicable plan. Theseus assumes his leadership role and the gods, defying their father, help them along.
Mickey Rourke is quite intimidating as King Hyperion. He is so menacing that anyone would want to stay out of his way. But I do believe that he overdid it with the eating. In his first scene he is devouring some kind of fruit in a masculine brutal manner with red juice and pulp dripping from his hands and beard. It is quite effective and conjures up imagines of blood or an animal feasting on his prey. But by the time you get to his third or fourth eating scene you say to yourself, okay, this guy is just a pig. When I start wondering what he is eating instead of what is going on in the scene then you know that the device is overdone.
Frieda Pinto is radiant in this film and I felt that her tone was just right. She is supposed to be a virgin and has been protected all her life for her prophetic gifts, but she also has a little fight in her. Esthetically she belongs in these gorgeous settings. She is like a princess with warrior DNA. Henry Cavill is also nice to look at with his strong features and muscular body. I only wish that he had a voice to match. Voices like Charleton Heston’s are rare. You can see why he was so successful in these kinds of films. The voice is a big part of the package.
When it comes to the fight scenes there are a lot of special effects in the mix. Those familiar with 300, Suckerpunch, or other films of that ilk will recognized the distortion of time and how certain characters are separated, featured or highlighted for effect. It is kind of like a pop-up book where the director manipulates your gaze. It is all done for impact and esthetics and somehow it makes violence beautiful. As I said before, this is a very visual film and without the techniques employed by director Tarsem Singh this movie would fall flat. As directed it is a splendid mythic tale of gods and men; brave, beautiful, brutal, and fierce. It is good against evil both in heaven and on earth. Like the tales of old, virtue triumphs and evil must be put down.
Rating: First Run A film that deserves the big screen
Tuesday, November 15, 2011
J. Edgar
No matter how controversial the man was, there is no question that J. Edgar Hoover accomplished a mighty thing. As the founding director of the Federal Bureau of Investigation he was one of the most powerful men in the country and ran the bureau for over 37 years. He created a centralized record keeping system, pioneered forensics, and developed relationships with leading law enforcement agencies across the states. He also made it cool to be a G-Man helping to quash the romantic image of the mobster and placing the most famous of them into prison.
J. Edgar, as directed by Clint Eastwood, depicts Mr. Hoover warts and all. Portrayed by Leonardo DiCaprio he is shown as a man with tremendous skills for organization and leadership, but with a lot of personal issues and insecurities. I’m sure that the intent was to give a full well-rounded portrait, but in my opinion some of these so-called ascertainable facts are unproven. It is difficult or impossible to know what goes on behind closed doors. It may be fun to speculate, but it is also unfair.
As someone who loves history and who is a big fan of bio-pics, I did enjoy the film. But I also noticed that the audience around me thought it was very slow. I don’t mind slow if it’s interesting but I do agree that the film could have been tighter. Leonardo’s performance is very good and Armie Hamer is also excellent as Clyde Tolson, J. Edgar’s right hand man. Naomi Watts is equally good as the faithful Helen Gandy. She knew where all the bodies were buried and still remained loyal until his death. That says something about both of them.
In order to tell the story, the narrative jumps back and forth from the past to the present. The present being the time that J. Edgar Hoover begins his memoirs. When caught up we then move forward to his death and the end of era. Looking back over his life he accomplished many things. But people like to emphasize the more controversial parts. We seem to live in a time of backlash. Our heroes have let us down so often that we now feel it is necessary to grind them under our feet.
J.Edgar kept many secrets in his life and protected many others from public shame. He was hated and feared by the most famous and powerful because he catalogued their sins and wasn’t above using the information. Now the spotlight is on him and it will be interesting to see how he is viewed in a hundred years from now. The facts will remain the same, but how we view them is subjective. I’m sure that J. Edgar would prefer that the facts speak for themselves. He was a man of vision who loved his country and used every tool at his disposal to protect it. It will be up to history to decide if he went too far. In the meantime he’s left us the F.B.I. a crime fighting legacy to be proud of.
Rating: Bargain Matinee J. Edgar warts and all
J. Edgar, as directed by Clint Eastwood, depicts Mr. Hoover warts and all. Portrayed by Leonardo DiCaprio he is shown as a man with tremendous skills for organization and leadership, but with a lot of personal issues and insecurities. I’m sure that the intent was to give a full well-rounded portrait, but in my opinion some of these so-called ascertainable facts are unproven. It is difficult or impossible to know what goes on behind closed doors. It may be fun to speculate, but it is also unfair.
As someone who loves history and who is a big fan of bio-pics, I did enjoy the film. But I also noticed that the audience around me thought it was very slow. I don’t mind slow if it’s interesting but I do agree that the film could have been tighter. Leonardo’s performance is very good and Armie Hamer is also excellent as Clyde Tolson, J. Edgar’s right hand man. Naomi Watts is equally good as the faithful Helen Gandy. She knew where all the bodies were buried and still remained loyal until his death. That says something about both of them.
In order to tell the story, the narrative jumps back and forth from the past to the present. The present being the time that J. Edgar Hoover begins his memoirs. When caught up we then move forward to his death and the end of era. Looking back over his life he accomplished many things. But people like to emphasize the more controversial parts. We seem to live in a time of backlash. Our heroes have let us down so often that we now feel it is necessary to grind them under our feet.
J.Edgar kept many secrets in his life and protected many others from public shame. He was hated and feared by the most famous and powerful because he catalogued their sins and wasn’t above using the information. Now the spotlight is on him and it will be interesting to see how he is viewed in a hundred years from now. The facts will remain the same, but how we view them is subjective. I’m sure that J. Edgar would prefer that the facts speak for themselves. He was a man of vision who loved his country and used every tool at his disposal to protect it. It will be up to history to decide if he went too far. In the meantime he’s left us the F.B.I. a crime fighting legacy to be proud of.
Rating: Bargain Matinee J. Edgar warts and all
Sunday, November 13, 2011
The Descendants
The Descendants is a film about hanging on and letting go. George Clooney plays Matt King, a lawyer who is the sole trustee of the King family estate who inherited a large parcel of virgin Hawaiian land from their Royal Hawaiian ancestor. A direct descendant of King Kamehameha, their great, great grandmother married her white banker and the land she inherited has been handed down for generations. Due to some legal issues the King family will be losing their land rights in seven years, so they have agreed to sell. Matt, as trustee, will make the final decision, but a sale of this magnitude will make his entire family rich. He has a very big decision on his hands.
At home, Matt’s life is falling apart. His wife is in a coma after a boating accident and his two daughters are acting out. He was always the back-up parent but with his wife in the hospital he must now step up. He yanks his oldest daughter out of boarding school (Shailene Woodley) while he goes around town apologizing for his youngest daughter’s behavior (Amara Miller). Scottie is being disruptive at school, breaking things at home, and sending inappropriate texts to her friends. Every phone call sends a shiver up his spine, what has Scotty done next?
As grim as this subject matter sounds, The Descendants is full of humor. As humans we can be quite ridiculous as we try to control things that are completely out of our hands. George Clooney plays a man who is in way over his head. And as life keeps piling it on he displays a classic comic pathos. Like a silent comedian of days gone by we feel for him but can’t help but giggle at his efforts. In a Shakespearean play he would be called a cuckold and he is desperately trying to regain some dignity.
There are a lot of fine performances in this film. Shailene Woodley is outstanding as Alexandra King who journeys from a rebellious teenage daughter to a surrogate mother for her younger sister. She puts her dad through all the paces but through a moment of new-found maturity she finally realizes that he is doing the best he can. For moral support she brings along a friend (Nick Krause) who is dumb looking surfer type. Matt can’t stand the kid and hates having a witness to the worst time in his life but it’s clear that his daughter is in charge. Matt is on the verge of rolling up into a fetal position. Also excellent is Amara Miller as Scottie King, the youngest. She has been protected due to her age but her instincts have been telling her that something is wrong. Unable to express her fears and concerns she has been acting out in violent ways. Poor Matt really has his hands full.
In addition to our leads Robert Forster packs a punch in his small role as Matt’s father-in-law. Beau Bridges makes a poignant appearance as one of the King cousins, and Judy Greer makes an impact as a betrayed wife whose husband (Matthew Lillard) is cheating on her. Every character is integral to the film and reinforces the theme; how do you know when to hang on, or let go? Whether it is property, a marriage, a child, or the image of a loved one, life is constantly evolving. We either hang on for dear life or jump off the surfboard. The trick is not getting hit in the head.
Rating: First Run There's trouble in paradise
At home, Matt’s life is falling apart. His wife is in a coma after a boating accident and his two daughters are acting out. He was always the back-up parent but with his wife in the hospital he must now step up. He yanks his oldest daughter out of boarding school (Shailene Woodley) while he goes around town apologizing for his youngest daughter’s behavior (Amara Miller). Scottie is being disruptive at school, breaking things at home, and sending inappropriate texts to her friends. Every phone call sends a shiver up his spine, what has Scotty done next?
As grim as this subject matter sounds, The Descendants is full of humor. As humans we can be quite ridiculous as we try to control things that are completely out of our hands. George Clooney plays a man who is in way over his head. And as life keeps piling it on he displays a classic comic pathos. Like a silent comedian of days gone by we feel for him but can’t help but giggle at his efforts. In a Shakespearean play he would be called a cuckold and he is desperately trying to regain some dignity.
There are a lot of fine performances in this film. Shailene Woodley is outstanding as Alexandra King who journeys from a rebellious teenage daughter to a surrogate mother for her younger sister. She puts her dad through all the paces but through a moment of new-found maturity she finally realizes that he is doing the best he can. For moral support she brings along a friend (Nick Krause) who is dumb looking surfer type. Matt can’t stand the kid and hates having a witness to the worst time in his life but it’s clear that his daughter is in charge. Matt is on the verge of rolling up into a fetal position. Also excellent is Amara Miller as Scottie King, the youngest. She has been protected due to her age but her instincts have been telling her that something is wrong. Unable to express her fears and concerns she has been acting out in violent ways. Poor Matt really has his hands full.
In addition to our leads Robert Forster packs a punch in his small role as Matt’s father-in-law. Beau Bridges makes a poignant appearance as one of the King cousins, and Judy Greer makes an impact as a betrayed wife whose husband (Matthew Lillard) is cheating on her. Every character is integral to the film and reinforces the theme; how do you know when to hang on, or let go? Whether it is property, a marriage, a child, or the image of a loved one, life is constantly evolving. We either hang on for dear life or jump off the surfboard. The trick is not getting hit in the head.
Rating: First Run There's trouble in paradise
Friday, November 11, 2011
Young Goethe in Love
The arts owe a tremendous debt to unreasonable fathers. Throughout history there are legions of young men forced into to unwanted careers, only to rebel or fail miserably before finding their true calling in literature, art, music, or science. In the case of polymath Johann Goethe his father sent him to Wetzlar to be a law clerk after botching his final exams in school. Here he met Charlotte Buff, became part of a love triangle and the result was The Sorrows of Young Werther, a book that made Johann Goethe instantly famous.
Young Goethe in Love is an absorbing film that reenacts the events leading to Goethe’s famous work. It perfectly captures the angst of a son trying to be obedient, while at the same time being lured away by the things he values most, beauty, music, art and poetry. Alexander Fehling is lovely as the sensitive Goethe. He displays an exuberance that is delightful to watch and he will break your heart when his life turns tragic. His muse, played by Miriam Stein is a fresh faced young lady that exhibits a sense a fun as well as a strong sense of duty. Watching her struggle between her own desires and the love of her family is heart wrenching. These actors together make the film.
In addition to capturing the beginning of the Weimer Classicism movement, Young Goethe in Love presents to us the essence of a young man facing the world away from family ties. It also illustrates the passions and emotional complexity of a budding intellect. The costumes and art direction transport you to that time, yet the performances allow you to make contemporary associations. It is easy to relate to this talented young man who grew up influencing a generation in a variety of disciplines. Goethe was a genius and if it wasn’t for a driving father he may have never reached his full potential.
Rating: First Run Let’s hear it for pushy fathers
Young Goethe in Love is an absorbing film that reenacts the events leading to Goethe’s famous work. It perfectly captures the angst of a son trying to be obedient, while at the same time being lured away by the things he values most, beauty, music, art and poetry. Alexander Fehling is lovely as the sensitive Goethe. He displays an exuberance that is delightful to watch and he will break your heart when his life turns tragic. His muse, played by Miriam Stein is a fresh faced young lady that exhibits a sense a fun as well as a strong sense of duty. Watching her struggle between her own desires and the love of her family is heart wrenching. These actors together make the film.
In addition to capturing the beginning of the Weimer Classicism movement, Young Goethe in Love presents to us the essence of a young man facing the world away from family ties. It also illustrates the passions and emotional complexity of a budding intellect. The costumes and art direction transport you to that time, yet the performances allow you to make contemporary associations. It is easy to relate to this talented young man who grew up influencing a generation in a variety of disciplines. Goethe was a genius and if it wasn’t for a driving father he may have never reached his full potential.
Rating: First Run Let’s hear it for pushy fathers
Wednesday, November 9, 2011
Tower Heist
What I love the most about Ben Stiller is his commitment. No matter how bizarre the concept is, he commits fully and lets the comedy speak for itself. He also favors actors who can do comedy instead of casting comedians who act. For this reason his films are consistently good and Tower Heist is no exception.
Tower Heist is a heist film with brilliant touches of comedy. But for the most part it is a satisfying action film. Alan Alda plays Arthur Shaw, an investment broker who occupies the penthouse in the richest, most luxurious apartment building in Manhattan. When he is arrested for defrauding his investors and placed under house arrest until his trial. The staff and crew must now serve the man who lost them their life savings. When Josh (Ben Stiller) is fired as the building manager for confronting Arthur Shaw on behalf of his employees he seeks out a neighborhood thug (Eddie Murphy) and enlists his help to steal their money back. As manager, Josh knows every detail there is about the tower and everyone’s schedules and secrets. With his knowledge and a little help, they can settle the score and get back everyone’s savings.
To help him with this heist, Josh brings in an ex-tenet, Mr. Fitzhugh (Matthew Boderick) a former Wallstreet investor, his concierge brother-in-law Charlie (Casey Affleck) and Enrique (Michael Pena) a new employee who is especially resourceful. With the tutelage of Slide (Murphy) and a safe-cracking maid Gabourey Sidibe, the team makes a plan to break in to the tower’s penthouse during the Macy’s Thanksgiving Day Parade.
Just like any heist film there has to be a cop with a watchful eye and in this case Tea Leoni fits the bill as F.B.I agent Claire Denham. She becomes impressed with Josh when she views some security footage of him telling Arthur Shaw off and taking a golf club to one of his collectibles. But enamored as she is by Josh, she is the by the book type until you get some drinks in to her. Tea Leoni is especially funny sharing a conciliatory cocktail with Josh after he gets fired. They form a bond and Josh uses the information she leaks to his advantage.
I really enjoyed Tower Heist. I thought that the tone was consistent throughout and the action sequences were thrilling and suspenseful. The acting was top notch and the comedy came from the characters and not from any cheap bits or lines. This is a smart comedy, well executed with some original stunts that you’ll be sure to remember. Eddie Murphy is at his comedic best and Ben Stiller shows us glimpses of a real action star. Tower Heist is fun, exciting and family friendly. Everyone can enjoy this one.
Rating: First Run An action-comedy for the whole family
Tower Heist is a heist film with brilliant touches of comedy. But for the most part it is a satisfying action film. Alan Alda plays Arthur Shaw, an investment broker who occupies the penthouse in the richest, most luxurious apartment building in Manhattan. When he is arrested for defrauding his investors and placed under house arrest until his trial. The staff and crew must now serve the man who lost them their life savings. When Josh (Ben Stiller) is fired as the building manager for confronting Arthur Shaw on behalf of his employees he seeks out a neighborhood thug (Eddie Murphy) and enlists his help to steal their money back. As manager, Josh knows every detail there is about the tower and everyone’s schedules and secrets. With his knowledge and a little help, they can settle the score and get back everyone’s savings.
To help him with this heist, Josh brings in an ex-tenet, Mr. Fitzhugh (Matthew Boderick) a former Wallstreet investor, his concierge brother-in-law Charlie (Casey Affleck) and Enrique (Michael Pena) a new employee who is especially resourceful. With the tutelage of Slide (Murphy) and a safe-cracking maid Gabourey Sidibe, the team makes a plan to break in to the tower’s penthouse during the Macy’s Thanksgiving Day Parade.
Just like any heist film there has to be a cop with a watchful eye and in this case Tea Leoni fits the bill as F.B.I agent Claire Denham. She becomes impressed with Josh when she views some security footage of him telling Arthur Shaw off and taking a golf club to one of his collectibles. But enamored as she is by Josh, she is the by the book type until you get some drinks in to her. Tea Leoni is especially funny sharing a conciliatory cocktail with Josh after he gets fired. They form a bond and Josh uses the information she leaks to his advantage.
I really enjoyed Tower Heist. I thought that the tone was consistent throughout and the action sequences were thrilling and suspenseful. The acting was top notch and the comedy came from the characters and not from any cheap bits or lines. This is a smart comedy, well executed with some original stunts that you’ll be sure to remember. Eddie Murphy is at his comedic best and Ben Stiller shows us glimpses of a real action star. Tower Heist is fun, exciting and family friendly. Everyone can enjoy this one.
Rating: First Run An action-comedy for the whole family
Oranges and Sunshine
In the 1950’s and ‘60’s, 130,000 unescorted children entrusted to the British government were deported to Australia and put in work homes. Told that they were orphans and promised with oranges and sunshine these children grew up in various institutions believing that they were alone in the world and without family. When one such child grew to adulthood she used her savings to fly to Nottingham, England in search of her identity and origin. Shipped out at age four, Nottingham is all she can remember of her former life.
Out of money and flying home the next day she crashes a support group meeting and tells her story to a social worker named Margaret Humphreys (Emily Watson). Margaret finds her story incredulous and the woman is offended that Margaret disbelieves her. She shoves her research into Margaret’s hand and returns home to Australia.Unable to sleep that night Margaret begins to read the file and subsequently does some digging. Not only is the woman’s story true, her mother was still alive. Margaret is shocked and appalled. With the blessing of her husband she flies to Australia and discovers many others with similar stories. Margaret has now become a crusader.
Oranges and Sunshine tells the story of Margaret Humphreys and her tireless effort to give these people closure. Dividing her time between England and Australia, she collected stories, interviewed people and shined unwanted media attention on the institutions involved. Hugo Weaving gives a haunting performance as Jack, a man who could never get past his sense of abandonment. And David Lenham portrays Len, an abrasive, arrogant, unapologetic survivor with a chip on his shoulder. They become Margaret’s allies and help her to help others.
Oranges and Sunshine is a melancholy tale that will touch your emotional core. It is even sadder because it is true. Hopefully this film will continue to bring attention to the plight of the “home children” and the work of The Child Migrant’s Trust. Britain has made a formal apology to these children but there is still a lot of work to do. This is a timely, moving story that needed to be told, and a beautiful film.
Rating: First Run A story that needed told
Out of money and flying home the next day she crashes a support group meeting and tells her story to a social worker named Margaret Humphreys (Emily Watson). Margaret finds her story incredulous and the woman is offended that Margaret disbelieves her. She shoves her research into Margaret’s hand and returns home to Australia.Unable to sleep that night Margaret begins to read the file and subsequently does some digging. Not only is the woman’s story true, her mother was still alive. Margaret is shocked and appalled. With the blessing of her husband she flies to Australia and discovers many others with similar stories. Margaret has now become a crusader.
Oranges and Sunshine tells the story of Margaret Humphreys and her tireless effort to give these people closure. Dividing her time between England and Australia, she collected stories, interviewed people and shined unwanted media attention on the institutions involved. Hugo Weaving gives a haunting performance as Jack, a man who could never get past his sense of abandonment. And David Lenham portrays Len, an abrasive, arrogant, unapologetic survivor with a chip on his shoulder. They become Margaret’s allies and help her to help others.
Oranges and Sunshine is a melancholy tale that will touch your emotional core. It is even sadder because it is true. Hopefully this film will continue to bring attention to the plight of the “home children” and the work of The Child Migrant’s Trust. Britain has made a formal apology to these children but there is still a lot of work to do. This is a timely, moving story that needed to be told, and a beautiful film.
Rating: First Run A story that needed told
Friday, October 28, 2011
Anonymous
There is power in words and Anonymous proves that the pen is as mighty as the sword. For centuries learned men have applied ink to paper to either question, support, or refute the authorship of Shakespeare’s plays. There are many theories on who wrote these celebrated works from Ben Johnson, Christopher Marlowe to Edward de Vere the Earl of Oxford, but instead of a dry academic debate Roland Emmerich has given us an exciting politic intrigue full of machinations, betrayals, and Royal incest.
Anonymous is based on the theory that William Shakespeare was a buffoon and frontman for the true author of his plays Edward de Vere (Rhys Ifans) the Earl of Oxford. Edward de Vere was a Renaissance man who had his talents suppressed when he was obliged to bow to the authority of William Cecil, the Puritan advisor of Queen Elizabeth. He wrote his plays in secret to give voice to his artistic angst, but when public theatre became popular he saw it as a way to influence the masses. In the theatre one voice can reach, influence and impress many minds. He saw an opportunity to sway public opinion and he took it.
Whether you agree or disagree with the theory presented, Anonymous is rich, pleasing, stimulating and thoroughly entertaining. The art direction is fabulous, the sets and costumes are meticulously detailed and lush and Vanessa Redgrave gives an enlightening portrayal of Queen Elizabeth that reminds us of what an exciting actress she has always been. Rhys Ifans proves himself to be completely underrated as an actor. To compare this performance with his role in Notting Hill will blow your mind and showcase the man’s versatility. And David Thewlis, hiding under all that make-up, illustrates a talent that is undeniable. In fact this film is full of young British actors who display that the next generation is in very good hands. Rafe Spall is delightful as William Shakespeare and Edward Hogg is fascinating as Robert Cecil. This film is full of note-worthy performances.
I, like many people, struggled with Shakespeare in school because I couldn’t relate to the language or the time. But please don’t let the subject matter keep you away. This is an exciting film full of humor, action, and deceitful manipulations. It is as juicy as any soap opera, tele nova, or drama today. In fact, Shakespeare was the most popular writer of his time. He wrote for the groundlings as well as the nobles and his plays resonate on many levels. Anonymous is one of those rare films that leave you wanting more and it may even drive you back to the library to read his plays. There is a reason that Shakespeare's works have survived the ages. Everyone loves a good story and this is a good one.
Rating: First Run Drama abounds
Anonymous is based on the theory that William Shakespeare was a buffoon and frontman for the true author of his plays Edward de Vere (Rhys Ifans) the Earl of Oxford. Edward de Vere was a Renaissance man who had his talents suppressed when he was obliged to bow to the authority of William Cecil, the Puritan advisor of Queen Elizabeth. He wrote his plays in secret to give voice to his artistic angst, but when public theatre became popular he saw it as a way to influence the masses. In the theatre one voice can reach, influence and impress many minds. He saw an opportunity to sway public opinion and he took it.
Whether you agree or disagree with the theory presented, Anonymous is rich, pleasing, stimulating and thoroughly entertaining. The art direction is fabulous, the sets and costumes are meticulously detailed and lush and Vanessa Redgrave gives an enlightening portrayal of Queen Elizabeth that reminds us of what an exciting actress she has always been. Rhys Ifans proves himself to be completely underrated as an actor. To compare this performance with his role in Notting Hill will blow your mind and showcase the man’s versatility. And David Thewlis, hiding under all that make-up, illustrates a talent that is undeniable. In fact this film is full of young British actors who display that the next generation is in very good hands. Rafe Spall is delightful as William Shakespeare and Edward Hogg is fascinating as Robert Cecil. This film is full of note-worthy performances.
I, like many people, struggled with Shakespeare in school because I couldn’t relate to the language or the time. But please don’t let the subject matter keep you away. This is an exciting film full of humor, action, and deceitful manipulations. It is as juicy as any soap opera, tele nova, or drama today. In fact, Shakespeare was the most popular writer of his time. He wrote for the groundlings as well as the nobles and his plays resonate on many levels. Anonymous is one of those rare films that leave you wanting more and it may even drive you back to the library to read his plays. There is a reason that Shakespeare's works have survived the ages. Everyone loves a good story and this is a good one.
Rating: First Run Drama abounds
Thursday, October 20, 2011
The Mighty Macs
It is amazing to me when I meet young women athletes who have no idea that a mere 40 years ago their right to play organized sports did not exist. They may also be surprised to learn that the first Women’s College Basketball Tournament did not occur until 1972. The Mighty Macs tells the unlikely story of Coach Cathy Rush who led a dedicated team of girls to three consecutive championships. What is even more surprising is that the team came from a small Catholic College who was competing with larger, better funded universities.
Carla Gugino portrays Cathy Rush who was the lead scorer on her high school basketball team before it was disbanded her senior year for lack of funds. Before 1972’s Title IX law, women’s sports were considered a luxury and easily disposed of. In college Cathy struggled under the leadership of her head coach but never lost the love of the game even going so far as to marry a NBA referee (David Boreanez). Not satisfied being a housewife, especially with her husband on the road all the time, Cathy applied for a coaching position at Immaculata College. Without a gym, locker room or proper equipment she willed her team into shape with an amazing 6 appearances in the final four, 3 wins and an overall record of 149-15 during her six year coaching career.
As a movie, The Mighty Macs is missing some of the highs and lows of other sports films. None of the girls get pregnant, expelled or injured on the way to victory. This story avoids all those clichés. But that doesn’t mean that there weren’t any challenges. The obstacles were social and financial ones. Not only did Coach Rush have to find travel money to support her team through their championship season she also had to convince the faculty and community that women playing sports was worthwhile.
The Mighty Macs is the first film for a small Pennsylvanian production company called Quaker Media. Writer, director and producer Tim Chambers may have chosen the subject for its local resonance but really it is a universal story. Like many films before it The Mighty Macs is about teamwork, vision, breaking barriers and self-worth. The film captures the time when women had few choices and only the strongest were able to break out of their pre-determined roles.
As a piece of entertainment I found the film a little mild and predictable, but as a subject matter it should be required viewing. It is also one of those films that are very family friendly, especially for a mother and daughter. Carla Gugino did a fine job as Coach Rush, but David Boreanez didn’t have much of a part to sink his teeth into; he was mostly in the background pouting because his wife was always busy with her team. Ellen Burstyn was very convincing as Mother Superior, but my favorite character in the film was Sister Sunday played by Marley Shelton. She is a fourth year novice questioning the spiritual value and satisfaction of doing admissions paperwork for the school. It isn’t until the basketball team comes along that she finds her passion again.
There are spiritual elements in this film but this movie is not about religion. It is about faith of a different kind. Coach Rush had some buttons made up for her team that read “We will be #1”. As an act of solidarity the team pinned the badges out of view on their uniforms until they had the right to wear them outside. Soon the nuns was wearing the buttons as well and then eventually the town. Cathy Rush is painted as a motivator, innovator and an inspiration for women everywhere. She was an inductee in the Naismith Memorial Basketball Hall of Fame in 2008 and this film honors her achievements. I have to admit that I was unfamiliar with Cathy Rush and that is why I like these kind of films. Any time we can celebrate, acknowledge and highlight a person of excellence it is worth our while. For that reason I recommend this film.
Rating: Bargain Matinee A great film for mom and daughter
Carla Gugino portrays Cathy Rush who was the lead scorer on her high school basketball team before it was disbanded her senior year for lack of funds. Before 1972’s Title IX law, women’s sports were considered a luxury and easily disposed of. In college Cathy struggled under the leadership of her head coach but never lost the love of the game even going so far as to marry a NBA referee (David Boreanez). Not satisfied being a housewife, especially with her husband on the road all the time, Cathy applied for a coaching position at Immaculata College. Without a gym, locker room or proper equipment she willed her team into shape with an amazing 6 appearances in the final four, 3 wins and an overall record of 149-15 during her six year coaching career.
As a movie, The Mighty Macs is missing some of the highs and lows of other sports films. None of the girls get pregnant, expelled or injured on the way to victory. This story avoids all those clichés. But that doesn’t mean that there weren’t any challenges. The obstacles were social and financial ones. Not only did Coach Rush have to find travel money to support her team through their championship season she also had to convince the faculty and community that women playing sports was worthwhile.
The Mighty Macs is the first film for a small Pennsylvanian production company called Quaker Media. Writer, director and producer Tim Chambers may have chosen the subject for its local resonance but really it is a universal story. Like many films before it The Mighty Macs is about teamwork, vision, breaking barriers and self-worth. The film captures the time when women had few choices and only the strongest were able to break out of their pre-determined roles.
As a piece of entertainment I found the film a little mild and predictable, but as a subject matter it should be required viewing. It is also one of those films that are very family friendly, especially for a mother and daughter. Carla Gugino did a fine job as Coach Rush, but David Boreanez didn’t have much of a part to sink his teeth into; he was mostly in the background pouting because his wife was always busy with her team. Ellen Burstyn was very convincing as Mother Superior, but my favorite character in the film was Sister Sunday played by Marley Shelton. She is a fourth year novice questioning the spiritual value and satisfaction of doing admissions paperwork for the school. It isn’t until the basketball team comes along that she finds her passion again.
There are spiritual elements in this film but this movie is not about religion. It is about faith of a different kind. Coach Rush had some buttons made up for her team that read “We will be #1”. As an act of solidarity the team pinned the badges out of view on their uniforms until they had the right to wear them outside. Soon the nuns was wearing the buttons as well and then eventually the town. Cathy Rush is painted as a motivator, innovator and an inspiration for women everywhere. She was an inductee in the Naismith Memorial Basketball Hall of Fame in 2008 and this film honors her achievements. I have to admit that I was unfamiliar with Cathy Rush and that is why I like these kind of films. Any time we can celebrate, acknowledge and highlight a person of excellence it is worth our while. For that reason I recommend this film.
Rating: Bargain Matinee A great film for mom and daughter
50/50
“Mom, do you remember that movie Terms of Endearment?” These words are directed by Adam to his mother sitting across form him at the dinner table. Next to her is his father, a Alzheimer's victim, who is completely oblivious to what is going on. His girlfriend Rachel, sitting on his left, shoots him a warning glance. “Just tell her”, She pleads, "Just say it!" But there is no easy way. Adam must tell his parents that he has cancer.
Joseph Gordon-Levitt is Adam and the movie 50/50 is based on the true-life experience of his co-star Seth Rogen. Seth Rogen as Kyle is essentially playing a version of himself. He and his best faced a cancer scare together and once in recovery they decided to write about it. Their goal was to take an honest, yet humorous look at managing cancer and how it impacts the people around you.
In 50/50, Bryce Dallas Howard plays Adam’s girlfriend and in the beginning she appears to be the perfect caregiver, but battling cancer is a stressful task and soon Rachel is displaying the chinks in her armor. Anjelica Huston portrays Diane, Adam’s mother and she is offended that Adam has not come to her for help. She lives to care for others and is already adept at caring for her husband. All she wants is to mother her little boy, but Adam is just trying to live a normal life.
As part of his treatment Adam is sent to a therapist (Anna Kendrick) as he undergoes chemotherapy. Katherine is young, inexperienced and full of rookie mistakes. But she genially cares for Adam and allows him to see how others care for him as well. As Adam struggles to hang onto life he learns what matters most and who he can really count on. 50/50 is frank, the antithesis of maudlin and at times very funny. Seth Rogen is in rare form and Joseph Gordon-Levitt delivers an honest, unsentimental portrait. This is no Terms of Endearment, nor is it Brian’s Song. This is a cancer movie written by guys for guys, so leave your hankies at home.
Rating: First Run A cancer movie for the guys
Joseph Gordon-Levitt is Adam and the movie 50/50 is based on the true-life experience of his co-star Seth Rogen. Seth Rogen as Kyle is essentially playing a version of himself. He and his best faced a cancer scare together and once in recovery they decided to write about it. Their goal was to take an honest, yet humorous look at managing cancer and how it impacts the people around you.
In 50/50, Bryce Dallas Howard plays Adam’s girlfriend and in the beginning she appears to be the perfect caregiver, but battling cancer is a stressful task and soon Rachel is displaying the chinks in her armor. Anjelica Huston portrays Diane, Adam’s mother and she is offended that Adam has not come to her for help. She lives to care for others and is already adept at caring for her husband. All she wants is to mother her little boy, but Adam is just trying to live a normal life.
As part of his treatment Adam is sent to a therapist (Anna Kendrick) as he undergoes chemotherapy. Katherine is young, inexperienced and full of rookie mistakes. But she genially cares for Adam and allows him to see how others care for him as well. As Adam struggles to hang onto life he learns what matters most and who he can really count on. 50/50 is frank, the antithesis of maudlin and at times very funny. Seth Rogen is in rare form and Joseph Gordon-Levitt delivers an honest, unsentimental portrait. This is no Terms of Endearment, nor is it Brian’s Song. This is a cancer movie written by guys for guys, so leave your hankies at home.
Rating: First Run A cancer movie for the guys
Monday, October 10, 2011
Take Shelter
Watching Take Shelter I was transfixed to the screen from beginning to the end. Like a storm in the distance I felt the pressure build, the tingling of electricity and the dread of something coming. Something big, oppressive and life changing. Such is the state of Curtis played by Michael Shannon, a loving father, husband and hard working man who has been plagued with nightmares and hallucinations. Having his mother taken from him at age ten and committed for schizophrenia, Curtis fears that he may be following in her footsteps. But what if a storm really is coming and what if he is right? He must protect his family and prepare.
Unsure if what he is seeing is prophetic or the first signs of mental illness Curtis starts expanding their storm shelter at home. Meanwhile as the dreams and visions increase, Curtis begins having trouble concealing his anxiety. Afraid that he is going nuts he hides his motives from his family. But something is clearly bothering him. His friends notice, his wife is concerned and everyone asks, “Are you alright?”
Michael Shannon gives such a fascinating performance that I couldn’t take my eyes off of him. Paired with Jessica Chastain as his wife the two of them give us a loving couple that are not immune to marriage difficulties, but strong enough to stand up against them. Their daughter is deaf and while they struggle with doctors, financial problems and learning how to communicate with their little girl, Samantha is still paying attention and sees that something is going on.
Set in Ohio with a cast of naturalistic actors, this film recreates the experience of small town gossip. Have you heard about Curtis? What’s going on with him? Have you seen what he’s doing? The film is so intimate that you feel like part of the community. The movie has the atmosphere of a horror movie, but keeps you guessing like a mystery. I’ve never looked so forward to the conclusion of a movie while still not wanting it to end. I was loving the mood, shape and color that gave a tactual sense to this story while savoring the superior acting at the same time. Kathy Baker has a wonderful scene as Curtis’ mom unable to reassure her son. She wants to tell him he’ll be alright but she just doesn’t know. And that is the beauty of this film, is he crazy or not?
It has been a while since I have been so captivated by a movie. I believe it is excellent on so many levels. If Michael Shannon and Jessica Chastian are not remembered at awards time I’ll be very disappointed. In addition Jeff Nichols is now on my radar. As the writer and director of this film he shows much skill. I look forward to seeing what this young filmmaker does next.
Rating: Must See An electric experience
Unsure if what he is seeing is prophetic or the first signs of mental illness Curtis starts expanding their storm shelter at home. Meanwhile as the dreams and visions increase, Curtis begins having trouble concealing his anxiety. Afraid that he is going nuts he hides his motives from his family. But something is clearly bothering him. His friends notice, his wife is concerned and everyone asks, “Are you alright?”
Michael Shannon gives such a fascinating performance that I couldn’t take my eyes off of him. Paired with Jessica Chastain as his wife the two of them give us a loving couple that are not immune to marriage difficulties, but strong enough to stand up against them. Their daughter is deaf and while they struggle with doctors, financial problems and learning how to communicate with their little girl, Samantha is still paying attention and sees that something is going on.
Set in Ohio with a cast of naturalistic actors, this film recreates the experience of small town gossip. Have you heard about Curtis? What’s going on with him? Have you seen what he’s doing? The film is so intimate that you feel like part of the community. The movie has the atmosphere of a horror movie, but keeps you guessing like a mystery. I’ve never looked so forward to the conclusion of a movie while still not wanting it to end. I was loving the mood, shape and color that gave a tactual sense to this story while savoring the superior acting at the same time. Kathy Baker has a wonderful scene as Curtis’ mom unable to reassure her son. She wants to tell him he’ll be alright but she just doesn’t know. And that is the beauty of this film, is he crazy or not?
It has been a while since I have been so captivated by a movie. I believe it is excellent on so many levels. If Michael Shannon and Jessica Chastian are not remembered at awards time I’ll be very disappointed. In addition Jeff Nichols is now on my radar. As the writer and director of this film he shows much skill. I look forward to seeing what this young filmmaker does next.
Rating: Must See An electric experience
Thursday, September 22, 2011
Straw Dogs
There are many reasons to do a remake, but when one does it is more satisfying when the film is given a fresh take. In Straw Dogs (2011) the film has been moved to the American South instead of a small remote English village. And in contrast to Dustin Hoffman’s mathematician the main character is now a screen writer played by James Marsden. His wife (Kate Bosworth) grew up in this backwater town and to quote her ex-lover Charlie she’s had the bus schedule memorized since she was fifteen.
David Sumner (Marsden) never questions why his television star wife wasn’t keen to move back to her hometown. All he knows is that her childhood home has been left to them and it would provide a remote, quiet place for him to finish his latest historical film. At first Amy Sumner is a big celebrity returning home. Everyone wishes her well, welcomes her back and offers condolences on the cancelation of her series. But it is only a matter of time before her husband sees who the real town celebrities are, the ex-winning football coach (James Woods) who is now a drunk and his star team who is still reaping the glory of their championship season.
In the south, football rules and Amy was a cheerleader and Charlie (Alexander Skarsgard) was the quarterback. All these years he’s never forgotten about her but she has found a different kind of man to warm her bed. She loves her husband very much, but in this culture he is not considered much of a man. His khaki pants, oxford shirts and shoes without laces are a source of amusement to the men. For them if you don’t drink, hunt, and play football you might as well be wearing a dress.
Without consulting his wife, David hires her ex-boyfriend to fix their roof but he’s so wrapped up in his book research that he’s not aware of the signs. His wife is distressed and there is obviously some history going on other than the book that David is writing. Charlie is clearly lusting after Amy and his crew is equally disrespectful. When Amy asks David to defend her honor he demurely plays it off. Amy is mad because David just doesn’t get it. In this culture you need to protect what is yours.
David’s apparently weak nature and non-confrontational ways lead him into a tragic mistake. When this mistake escalates to disaster, we find what kind of man David truly is. Straw Dogs examines the definition of manliness, and the dynamic between husbands and wives. Things have changed a lot since the first film in 1971 but these are issues still worth examining.
It was really nice to see James Marsden given an opportunity to exercise his dramatic chops. It was also satisfying to see James Woods in an unlikable character role. I was also impressed with Alexander Skarsgard. His performance is multi-layered which keeps him from playing a stereotypical role. I like the change of setting for this film. I think the south was a good choice and added a lot of interesting elements. If you are going to do a remake, make it fresh. I believe that Straw Dogs has met that goal.
Rating: First Run A fresh look on what it means to be a man
David Sumner (Marsden) never questions why his television star wife wasn’t keen to move back to her hometown. All he knows is that her childhood home has been left to them and it would provide a remote, quiet place for him to finish his latest historical film. At first Amy Sumner is a big celebrity returning home. Everyone wishes her well, welcomes her back and offers condolences on the cancelation of her series. But it is only a matter of time before her husband sees who the real town celebrities are, the ex-winning football coach (James Woods) who is now a drunk and his star team who is still reaping the glory of their championship season.
In the south, football rules and Amy was a cheerleader and Charlie (Alexander Skarsgard) was the quarterback. All these years he’s never forgotten about her but she has found a different kind of man to warm her bed. She loves her husband very much, but in this culture he is not considered much of a man. His khaki pants, oxford shirts and shoes without laces are a source of amusement to the men. For them if you don’t drink, hunt, and play football you might as well be wearing a dress.
Without consulting his wife, David hires her ex-boyfriend to fix their roof but he’s so wrapped up in his book research that he’s not aware of the signs. His wife is distressed and there is obviously some history going on other than the book that David is writing. Charlie is clearly lusting after Amy and his crew is equally disrespectful. When Amy asks David to defend her honor he demurely plays it off. Amy is mad because David just doesn’t get it. In this culture you need to protect what is yours.
David’s apparently weak nature and non-confrontational ways lead him into a tragic mistake. When this mistake escalates to disaster, we find what kind of man David truly is. Straw Dogs examines the definition of manliness, and the dynamic between husbands and wives. Things have changed a lot since the first film in 1971 but these are issues still worth examining.
It was really nice to see James Marsden given an opportunity to exercise his dramatic chops. It was also satisfying to see James Woods in an unlikable character role. I was also impressed with Alexander Skarsgard. His performance is multi-layered which keeps him from playing a stereotypical role. I like the change of setting for this film. I think the south was a good choice and added a lot of interesting elements. If you are going to do a remake, make it fresh. I believe that Straw Dogs has met that goal.
Rating: First Run A fresh look on what it means to be a man
Drive
Drive is a visceral treat where lighting, pace and sound combine to place you into the head of a Hollywood stunt driver. We know nothing of this man (Ryan Gosling) except for the fact that he showed up one day at the auto shop of a man named Shannon (Bryan Cranston) and asked for a job. Shannon has been exploiting him ever since. Not only is “Driver” a good mechanic but he’s an excellent driver as well. Shannon has a side business providing cars for motion pictures and his protégé fits right in. He’s game for anything and executes his stunts with precision, skill and fearlessness. Shannon, naturally, takes a cut on all his jobs.
Driver lives a lean existence in a high rise apartment overlooking the city of Los Angeles. Not much of a sleeper he will often roam the city at night with only his music for company. Without explanation we learn that he is sometimes a wheelman for petty criminals and thieves. He has a meticulous process and a code and always calls his own shots. He is very good at what he does and he has no intention of getting caught. The man is unflappable and has nerves of steel.
Down the hall from him lives a pretty woman (Carey Mulligan) who is raising her son alone because her husband is away in prison. They begin a chaste relationship but there is an obvious affection there. He helps her out with a car problem and becomes attached to her son. He soon becomes very protective of them and enjoys their company. It is the first time we ever see him smile or open up.
When Irene’s husband is released from prison the driver steps out of the picture and respects the husbands place. Even the husband, no matter what his suspicions, can see that he is an honorable man. He is happy that someone was looking out for his wife and kid no matter what the attraction. But unfortunately Standard (Oscar Isaac) brings home a lot of baggage with him from prison. He is being pressured to perform a robbery in order to pay off a prison debt. To protect Irene and Benicio from further threats the driver offers to help him pay off his obligation to get keep Benicio and Irene safe. He becomes a wheelman for a robbery one more time.
This film is so stylish and Gosling is the epitome of cool. I could easily see this as a franchise character for him. The movie has that European feel where violence is not only shown, but felt and Carey and Ryan have a nice palatable chemistry. I also enjoyed seeing a different side of Los Angeles. Downtown can be both beautiful and dilapidated. It all depends on where you look; the director, Nicolas Winding Refn shows us both sides.
One surprising performance is when Albert Brooks drops his funny man image and displays his dark side as a brutal ex- Hollywood producer with a very nasty business partner (Ron Perlman). Albert Brooks makes an excellent villain and shows the amoral callousness of a man who only loves money. This film may open up a whole new world for him. I especially was impressed with his final scene with Bryan Cranston. I’ll never forget the emotional notes played in that scene ranging from savageness to compassion. Albert Brooks really stands out in this role.
I liked this film, especially the way it used lighting to convey the driver’s emotions. The directing is to be commended for it’s mastery of timing and tone. Ryan Gosling says little in the film so these clues tell us what we need to know. Whether it’s speeding up or slowing down, the style of the film tells us what Gosling’s blue eyes do not. There is so much more to learn about him. I’d love to see a sequel to this film.
Rating: First Run Style and substance
Driver lives a lean existence in a high rise apartment overlooking the city of Los Angeles. Not much of a sleeper he will often roam the city at night with only his music for company. Without explanation we learn that he is sometimes a wheelman for petty criminals and thieves. He has a meticulous process and a code and always calls his own shots. He is very good at what he does and he has no intention of getting caught. The man is unflappable and has nerves of steel.
Down the hall from him lives a pretty woman (Carey Mulligan) who is raising her son alone because her husband is away in prison. They begin a chaste relationship but there is an obvious affection there. He helps her out with a car problem and becomes attached to her son. He soon becomes very protective of them and enjoys their company. It is the first time we ever see him smile or open up.
When Irene’s husband is released from prison the driver steps out of the picture and respects the husbands place. Even the husband, no matter what his suspicions, can see that he is an honorable man. He is happy that someone was looking out for his wife and kid no matter what the attraction. But unfortunately Standard (Oscar Isaac) brings home a lot of baggage with him from prison. He is being pressured to perform a robbery in order to pay off a prison debt. To protect Irene and Benicio from further threats the driver offers to help him pay off his obligation to get keep Benicio and Irene safe. He becomes a wheelman for a robbery one more time.
This film is so stylish and Gosling is the epitome of cool. I could easily see this as a franchise character for him. The movie has that European feel where violence is not only shown, but felt and Carey and Ryan have a nice palatable chemistry. I also enjoyed seeing a different side of Los Angeles. Downtown can be both beautiful and dilapidated. It all depends on where you look; the director, Nicolas Winding Refn shows us both sides.
One surprising performance is when Albert Brooks drops his funny man image and displays his dark side as a brutal ex- Hollywood producer with a very nasty business partner (Ron Perlman). Albert Brooks makes an excellent villain and shows the amoral callousness of a man who only loves money. This film may open up a whole new world for him. I especially was impressed with his final scene with Bryan Cranston. I’ll never forget the emotional notes played in that scene ranging from savageness to compassion. Albert Brooks really stands out in this role.
I liked this film, especially the way it used lighting to convey the driver’s emotions. The directing is to be commended for it’s mastery of timing and tone. Ryan Gosling says little in the film so these clues tell us what we need to know. Whether it’s speeding up or slowing down, the style of the film tells us what Gosling’s blue eyes do not. There is so much more to learn about him. I’d love to see a sequel to this film.
Rating: First Run Style and substance
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