While at San Diego’s Comic-Con 2009 and waiting in numerous lines, I heard a lot of grumbling about the prices going up for next year. I would just like to point out, that it’s still a good value. At $100, divided over 4 days, that’s only $25 dollars per day and you get plenty of excellent entertainment.
If you were ambitious enough to get there on Pre-View night, that adds a fifth day, which brings the cost down to $20 a day. This includes, movies, screenings, lectures, panels and entrance to the convention floor with wall to wall booths of merchandise, and free give-aways. If you are industrious enough, you can make enough money on EBay selling your free SWAG to pay for your trip.
Personally, I only spent $300 this year and that included hotel, gas, local transportation, food and any snacks I bought while there. Granted I shared a hotel room and brought along a lot of portable snacks, but I also went to the San Diego Zoo in the morning on Preview Night. So my little 6 day, 5 night vacation only cost me $60 dollars a day. And that’s pretty good.
Another good thing about the price going up is that it may thin the herd. Comic-Con is packed and it’s really hard getting to everything you want to see because there are so many people there. Maybe with the price going up, it will discourage some of the lesser fans and make things more comfortable for the die-hards. This was only my second time going to Comic-Con, I could never afford to go before. But now that I have been, I couldn’t think of missing it. It’s just too much fun.
So all you grumblers out there. Take a break if you want to. That just leaves more for the rest of us. Shorter lines are a good thing. I have my ticket already and I can’t wait to do it again. Comic-Con 2010, here I come!
About Me
- Melanie Wilson
- My Reviewer's Philosophy: I believe that every film has its audience. One man’s Citizen Kane is another man’s Texas Chain Saw Massacre. My purpose is to help you spend your entertainment dollars wisely. A bad review never kept me from going to a film I wanted to see, but a good review will sometimes get me to a film I never considered. As a movie lover I want you to go to the movies. When more people go to the movies, the more movies get made. But, I also believe that if you enjoy the films you see, you naturally will be inclined to go more often. So join me in supporting our film industry by going to a movie today. Hopefully I can steer you towards a good one. See you at the movies. Melanie Wilson
Friday, July 31, 2009
Wednesday, July 29, 2009
The Ugly Truth
A good movie is like a good date, it all comes down to chemistry. You may go out with someone who sounds good, and looks good, but then they do something that completely turns you off, and the date is ruined.
For me, The Ugly Truth was a bad date. I really like Katherine Heigl. I find her fresh, funny, and with the ability to strike the perfect balance between strength and vulnerability. But in this film, her strong female character was reduced to a bouncing pogo of a girl so quickly, it was like they rewrote the part in the middle of the film.
Then there is Gerard Butler, who I also like. He always comes off as very masculine, which is why we ladies like him. Yet, in this film he was so insensitive to other people’s feelings that he had absolutely no qualms of embarrassing them on television, or manhandling them in a public place. Both behaviors were so over the top that it took me completely out of the movie. Kind of like a guy sucking his teeth and picking them with a credit card after a meal. It’s not something that you want to see.
There was some chemistry between these stars, but their roles were so unbelievable, that I couldn’t get into the film. This movie is not worth shaving your legs for.
Rating: Rent Rent Likable actors in unlikeable roles
For me, The Ugly Truth was a bad date. I really like Katherine Heigl. I find her fresh, funny, and with the ability to strike the perfect balance between strength and vulnerability. But in this film, her strong female character was reduced to a bouncing pogo of a girl so quickly, it was like they rewrote the part in the middle of the film.
Then there is Gerard Butler, who I also like. He always comes off as very masculine, which is why we ladies like him. Yet, in this film he was so insensitive to other people’s feelings that he had absolutely no qualms of embarrassing them on television, or manhandling them in a public place. Both behaviors were so over the top that it took me completely out of the movie. Kind of like a guy sucking his teeth and picking them with a credit card after a meal. It’s not something that you want to see.
There was some chemistry between these stars, but their roles were so unbelievable, that I couldn’t get into the film. This movie is not worth shaving your legs for.
Rating: Rent Rent Likable actors in unlikeable roles
Warner Brothers Introduces Upcoming Films At Comic-Con
The Warner Brothers panel early Friday morning was full to capacity at San Diego’s 2009 Comic-Con. The first film to be introduced was Where The Wild Things Are, where new star Max Record enchanted the audience with his warm, natural presence and impromptu speech. Standing there in front of several thousand enthusiastic people must have been overwhelming for the young Max, but he handled himself well and was able to recover as we watched a clip from the movie.
The film’s style was intriguing and the puppet-like characters reminded me of Sid and Marty Kroft’s creations from long ago. They are life-size, yet capable of showing personality and emotion. I wasn’t very excited about this film when originally announced, but now I’m curious enough that I really want to go. Artistically this film is a real challenge and I liked what I saw. I’m really rooting for this film and hope they nailed it.
The next film to be introduced was The Book of Eli starring Denzel Washington and Gary Oldman. This film was presented to us by showing an animated short, which was moving and powerful. The animated clip gives us some back-story on Gary Oldman’s character, Carnegie, and how he may have grown up with an extreme prejudice to anything religious. The filmmakers and the star were very vague about giving us more details, but Gary Oldman let it slip that the book of Eli may be about a super hero with the initials J.C. I’ll be watching for more info. The subsequent live-action clip showed a badass Denzel Washington in a post-apocalyptic world. The Hughes brothers have created a very stylish film.
The Third film to be presented was a re-make of Nightmare On Elm Street with Jackie Earle Haley as Freddy Krueger. I heard a lot of grumbling around me on this one. Although no one had a problem with Jackie Earle Haley taking on the role, some people had a problem with the film being remade at all. Why mess with a classic? The filmmakers justified their decision by stating that they are introducing the franchise to a whole new generation. They also promised that the new Nightmare would be even scarier. I’ll take their word on that one.
The Box was shown to us next. This film is a psychological thriller based on a what-if premise. What if a man showed up on your doorstep and offered you a million dollars to push a button, knowing that if you do, someone you didn’t know would die. This Twilight Zone type of story stars Cameron Diaz and James Marsden as the couple who must face this moral dilemma. Frank Langella plays the mysterious, creepy, man who holds the box and a suitcase full of money. I like my horror films to be more cerebral, so I’ll probably enjoy this one.
Out of all the films that were introduced to us, the one I’m the most excited about is Jonah Hex. I was completely unfamiliar with this comic-book character going in to this panel, but I love the premise. Set in the Civil War era, Jonah Hex is a Western Bounty Hunter who roams the country taking out bad guys. He is a scarred, flawed, anti-hero with many personal demons, and I loved the look that Josh Brolin brings to the character. I really like Westerns so I’m looking forward to this film. The movie looks very cool with a touch of magic and mysticism.
The final film in the Warner Brothers panel was Sherlock Holmes starring Robert Downey Jr. and Jude Law. The filmmakers have promised that they have gone back to the source material and have taken great pains to give us a more authentic Holmes. I’m a little skeptical; the film clips were focused on a lot of action. But, I’ll reserve my judgment until I’ve seen the film. Holmes is a favorite character of mine and I’ve read all of the short stories. Although I like both Robert Downey Jr. and Jude Law, my concern is that they may have gone too modern, or have tried too hard to make Holmes relevant for today’s kids. In my opinion Holmes is a classic character and is as relevant today as he ever was. I’m open to another go, just don’t mess it up. You don’t want to alienate your older fans in trying to serve the younger.
The film’s style was intriguing and the puppet-like characters reminded me of Sid and Marty Kroft’s creations from long ago. They are life-size, yet capable of showing personality and emotion. I wasn’t very excited about this film when originally announced, but now I’m curious enough that I really want to go. Artistically this film is a real challenge and I liked what I saw. I’m really rooting for this film and hope they nailed it.
The next film to be introduced was The Book of Eli starring Denzel Washington and Gary Oldman. This film was presented to us by showing an animated short, which was moving and powerful. The animated clip gives us some back-story on Gary Oldman’s character, Carnegie, and how he may have grown up with an extreme prejudice to anything religious. The filmmakers and the star were very vague about giving us more details, but Gary Oldman let it slip that the book of Eli may be about a super hero with the initials J.C. I’ll be watching for more info. The subsequent live-action clip showed a badass Denzel Washington in a post-apocalyptic world. The Hughes brothers have created a very stylish film.
The Third film to be presented was a re-make of Nightmare On Elm Street with Jackie Earle Haley as Freddy Krueger. I heard a lot of grumbling around me on this one. Although no one had a problem with Jackie Earle Haley taking on the role, some people had a problem with the film being remade at all. Why mess with a classic? The filmmakers justified their decision by stating that they are introducing the franchise to a whole new generation. They also promised that the new Nightmare would be even scarier. I’ll take their word on that one.
The Box was shown to us next. This film is a psychological thriller based on a what-if premise. What if a man showed up on your doorstep and offered you a million dollars to push a button, knowing that if you do, someone you didn’t know would die. This Twilight Zone type of story stars Cameron Diaz and James Marsden as the couple who must face this moral dilemma. Frank Langella plays the mysterious, creepy, man who holds the box and a suitcase full of money. I like my horror films to be more cerebral, so I’ll probably enjoy this one.
Out of all the films that were introduced to us, the one I’m the most excited about is Jonah Hex. I was completely unfamiliar with this comic-book character going in to this panel, but I love the premise. Set in the Civil War era, Jonah Hex is a Western Bounty Hunter who roams the country taking out bad guys. He is a scarred, flawed, anti-hero with many personal demons, and I loved the look that Josh Brolin brings to the character. I really like Westerns so I’m looking forward to this film. The movie looks very cool with a touch of magic and mysticism.
The final film in the Warner Brothers panel was Sherlock Holmes starring Robert Downey Jr. and Jude Law. The filmmakers have promised that they have gone back to the source material and have taken great pains to give us a more authentic Holmes. I’m a little skeptical; the film clips were focused on a lot of action. But, I’ll reserve my judgment until I’ve seen the film. Holmes is a favorite character of mine and I’ve read all of the short stories. Although I like both Robert Downey Jr. and Jude Law, my concern is that they may have gone too modern, or have tried too hard to make Holmes relevant for today’s kids. In my opinion Holmes is a classic character and is as relevant today as he ever was. I’m open to another go, just don’t mess it up. You don’t want to alienate your older fans in trying to serve the younger.
Tuesday, July 28, 2009
Green Lantern: First Flight
As an attendee of San Diego’s 2009 Comic-Con I was privileged to see the premiere of Bruce Timm’s animated Green Lantern: First Flight directed by Lauren Montgomery. A co-production between Warner Brother’s and DC Comics, this is the fifth DC Universe original movie which will be released in Blu-Ray, DVD and On Demand Video.
As an uninitiated viewer I was able to follow the origin story of the Green Lantern and how he came to acquire his powers. Keeping his abilities a secret as he learns how to use them, he is contacted by the Green Lantern Corps and is mentored by the respected Lantern Sinestro.
After a few adventures, The Green Lantern, voiced by Christopher Meloni, assumes a leadership role and leads the Green Lantern Corps in a new, invigorated direction. Probably with many new adventures to follow.
I enjoyed the film and there was enough humor there to keep the adults engaged as well. I predict that this film will do well for the franchise.
Rating: Rent It Developed for the Home Video market
As an uninitiated viewer I was able to follow the origin story of the Green Lantern and how he came to acquire his powers. Keeping his abilities a secret as he learns how to use them, he is contacted by the Green Lantern Corps and is mentored by the respected Lantern Sinestro.
After a few adventures, The Green Lantern, voiced by Christopher Meloni, assumes a leadership role and leads the Green Lantern Corps in a new, invigorated direction. Probably with many new adventures to follow.
I enjoyed the film and there was enough humor there to keep the adults engaged as well. I predict that this film will do well for the franchise.
Rating: Rent It Developed for the Home Video market
Tuesday, July 21, 2009
Harry Potter and the Half-Blood Prince
I’ve read none of the Harry Potter books, so you won’t be hearing me complain or getting upset over what they did or did not leave out of the film. My opinion is based solely on what I see on the screen.
What I liked about the first Harry Potter film was the sense of wonder and amazement. When Harry Potter enters Hogwarts Academy there are moving staircases and talking pictures and chandeliers that float in the air, I was just as mesmerized as Harry Potter as he explores his brand-new school.
Then as the series progressed I got caught up in the magic of the relationship between Ron, Hermione and Harry. Their love and friendship for each other allowed them to stand together, which empowered them against their enemies. Each one contributing their own strengths and skills, together becoming a force to reckon with.
Next, there was Harry Potter and his fight with Lord Voldemort. An epic battle that nearly cost him his life. This match up was exciting and suspenseful and necessitated that Harry use all his wizardly skills. It was a classic fight between good and evil.
Now were at the current film, Harry Potter and the Half Blood Prince, and everything I loved about the previous films is missing. The wondrous special effects that I loved from the first film, no longer captivate. The friends are split up and divided by the misunderstandings that come with young love. Wanting to be together, but unwilling to speak from their hearts, they are separated by longing and jealousy, their friendship tested, and pushed to the limit.
And then there’s the peril of being Harry Potter, the chosen one. Yet, in this film it was more dangerous to be Dumbledore. Harry was only in trouble when he tried to help him. This time the focus was on someone else.
When all is said and done, I found Harry Potter and the Half Blood Prince to be a little bland. It’s like when I was a little girl. When I first went to a magic show and saw the disappearing cabinet trick, I was in awe. It was wondrous, magical, and a little frightening. But now as an adult, I’ve seen the trick so many times that I’m only impressed by the most polished and theatrical of presentations. It really takes a lot to get me to say, wow!
I still enjoy the Harry Potter films, but now I’m no longer saying, wow! All I have to say is, step it up Harry Potter. Impress me! I’m no longer satisfied with the status quo.
Rating: Second Run "Half" as exciting as the previous film.
What I liked about the first Harry Potter film was the sense of wonder and amazement. When Harry Potter enters Hogwarts Academy there are moving staircases and talking pictures and chandeliers that float in the air, I was just as mesmerized as Harry Potter as he explores his brand-new school.
Then as the series progressed I got caught up in the magic of the relationship between Ron, Hermione and Harry. Their love and friendship for each other allowed them to stand together, which empowered them against their enemies. Each one contributing their own strengths and skills, together becoming a force to reckon with.
Next, there was Harry Potter and his fight with Lord Voldemort. An epic battle that nearly cost him his life. This match up was exciting and suspenseful and necessitated that Harry use all his wizardly skills. It was a classic fight between good and evil.
Now were at the current film, Harry Potter and the Half Blood Prince, and everything I loved about the previous films is missing. The wondrous special effects that I loved from the first film, no longer captivate. The friends are split up and divided by the misunderstandings that come with young love. Wanting to be together, but unwilling to speak from their hearts, they are separated by longing and jealousy, their friendship tested, and pushed to the limit.
And then there’s the peril of being Harry Potter, the chosen one. Yet, in this film it was more dangerous to be Dumbledore. Harry was only in trouble when he tried to help him. This time the focus was on someone else.
When all is said and done, I found Harry Potter and the Half Blood Prince to be a little bland. It’s like when I was a little girl. When I first went to a magic show and saw the disappearing cabinet trick, I was in awe. It was wondrous, magical, and a little frightening. But now as an adult, I’ve seen the trick so many times that I’m only impressed by the most polished and theatrical of presentations. It really takes a lot to get me to say, wow!
I still enjoy the Harry Potter films, but now I’m no longer saying, wow! All I have to say is, step it up Harry Potter. Impress me! I’m no longer satisfied with the status quo.
Rating: Second Run "Half" as exciting as the previous film.
Thursday, July 16, 2009
The Hurt Locker
A tense psychological study, The Hurt Locker tells the story of an Army Bomb Squad Unit stationed in Iraq. Take the ordinary stress of being a bomb team and then add in the component that everyone is hostile and trying to shoot you, and you end up with a tightly wound crew of men that are just as dangerous as the bombs that they are diffusing.
This suspenseful tale is full of authentic detail and tension. It focuses on the job and says little about the political situation that puts them there. It’s about the men and what the jobs does to them. It also says a lot about what kind of men could do the job in the first place.
The director, Kathryn Bigelow, is no strangler to action. As director of fan favorite, Point Break, she knows how to open up this world of men and give us a peak inside. Jeremy Renner is excellent as the lead bomb technician. His recklessness causes the rest of the team to both despise and admire him.
The details in this film reveal a world that we’ve only known through the news and other media. Imagine the men and women that have to work there everyday, never knowing who is friendly, or hostile. I think this film is important because it brings a little understanding, understanding of what our men and women must go through, and an understanding of a country that has become too accustomed to war. I believe this film is well worth your time.
Rating: First Run A tightly wound psychological drama.
This suspenseful tale is full of authentic detail and tension. It focuses on the job and says little about the political situation that puts them there. It’s about the men and what the jobs does to them. It also says a lot about what kind of men could do the job in the first place.
The director, Kathryn Bigelow, is no strangler to action. As director of fan favorite, Point Break, she knows how to open up this world of men and give us a peak inside. Jeremy Renner is excellent as the lead bomb technician. His recklessness causes the rest of the team to both despise and admire him.
The details in this film reveal a world that we’ve only known through the news and other media. Imagine the men and women that have to work there everyday, never knowing who is friendly, or hostile. I think this film is important because it brings a little understanding, understanding of what our men and women must go through, and an understanding of a country that has become too accustomed to war. I believe this film is well worth your time.
Rating: First Run A tightly wound psychological drama.
Wednesday, July 15, 2009
Public Enemies
There are many story threads running through Michael Mann’s Public Enemies. One thread involves J. Edgar Hoover and his vision to modernize the police force. Another thread centers on Melvin Purvis and the corruption of his integrity. There was the organized crime angle, where flashy, opportunist criminals were being replaced by ruthless, unfeeling, syndicates. Then there was the Depression, the media, star-power, political manipulation, and the glorified criminals themselves, Dillinger, Floyd and Baby Face Nelson. Add in a love story to all that, and you have Michael Mann’s film.
The problem for me is that when you weave all these threads together and hold the cloth up to the light, the weave is just too shabby. If one thread didn’t look right and you start to pull it out, the rest of the fabric suffered. This film is a cinematic equivalent to a cheap suit.
The story that I found the most interesting was the J. Edgar Hoover one. Here is this man, smart, educated, feared, and reviled; yet he knew how to manipulate the system and get things done. His vision modernized crime fighting and ushered in a whole new era. I also found it interesting that the very act of destroying Dillinger, and his like, only made it easier for the mafia to step in and fill the gap.
I found Johnny Depp’s portrayal of John Dillinger to be very good. I liked what he was trying to do with the role, but I don’t believe he was able to complete the task. What made Dillinger stand out from the rest? All three men were gunned down in their prime, yet Dillinger, in history, stands out. I’d like to explore the reasons why.
There have been other Dillinger films in the past, so I was looking forward to something new. Unfortunately, in this film, I didn’t find it. There were parts of the movie that I liked, but overall, I was disappointed. Maybe the next guy will get it right.
Rating: Rent It Too many angles, not enough answers
The problem for me is that when you weave all these threads together and hold the cloth up to the light, the weave is just too shabby. If one thread didn’t look right and you start to pull it out, the rest of the fabric suffered. This film is a cinematic equivalent to a cheap suit.
The story that I found the most interesting was the J. Edgar Hoover one. Here is this man, smart, educated, feared, and reviled; yet he knew how to manipulate the system and get things done. His vision modernized crime fighting and ushered in a whole new era. I also found it interesting that the very act of destroying Dillinger, and his like, only made it easier for the mafia to step in and fill the gap.
I found Johnny Depp’s portrayal of John Dillinger to be very good. I liked what he was trying to do with the role, but I don’t believe he was able to complete the task. What made Dillinger stand out from the rest? All three men were gunned down in their prime, yet Dillinger, in history, stands out. I’d like to explore the reasons why.
There have been other Dillinger films in the past, so I was looking forward to something new. Unfortunately, in this film, I didn’t find it. There were parts of the movie that I liked, but overall, I was disappointed. Maybe the next guy will get it right.
Rating: Rent It Too many angles, not enough answers
Monday, July 13, 2009
Weather Girl
My most favorite thing about going to independent films is discovering a little gem before all my friends do. It’s like being the first kid on the block to get some really cool shoes. I loved Weather Girl. It was fun, well-written, well-acted, had snappy dialogue, and overall, it was “sassy”.
Written and directed by Blayne Weaver, I had a feeling that Blayne came from a television background. Not by the quality of the film, but my the stable of talent that he commanded. Many of television’s best character actors were in this film including Mark Harmon, Jon Cryer, Blair Underwood, Jane Lynch, and many, many more.
The Weather Girl centers around Tricia O’Kelley as Sylvia, who has a live television meltdown when she discovers that her news anchor boyfriend is cheating on her. Mark Harmon plays the jerk of a boy friend and I have to say I kind of liked him as a sleezeball. After committing career suicide, Sylvia must move in with her little brother Walt, who still lives like a college student, with an open door policy to his best friend across the hall, nicely played by Patrick J. Adams.
I really enjoyed the sibling banter between Ryan Devlin and Tricia. I found myself smiling all throughout the film. And there are some very funny supporting performances as well. Kaitlin Olson, in particular, is hysterical as the news anchor who is horrified as her illicit affair is exposed on live television.
If you are tired of the usual summer, block buster fare, and would like to try something new, I highly recommend Weather Girl. It’s like sorbet on a summer day. Cool, refreshing and perfect for the season.
Rating: First Run Television’s best in an amusing, sassy film.
Written and directed by Blayne Weaver, I had a feeling that Blayne came from a television background. Not by the quality of the film, but my the stable of talent that he commanded. Many of television’s best character actors were in this film including Mark Harmon, Jon Cryer, Blair Underwood, Jane Lynch, and many, many more.
The Weather Girl centers around Tricia O’Kelley as Sylvia, who has a live television meltdown when she discovers that her news anchor boyfriend is cheating on her. Mark Harmon plays the jerk of a boy friend and I have to say I kind of liked him as a sleezeball. After committing career suicide, Sylvia must move in with her little brother Walt, who still lives like a college student, with an open door policy to his best friend across the hall, nicely played by Patrick J. Adams.
I really enjoyed the sibling banter between Ryan Devlin and Tricia. I found myself smiling all throughout the film. And there are some very funny supporting performances as well. Kaitlin Olson, in particular, is hysterical as the news anchor who is horrified as her illicit affair is exposed on live television.
If you are tired of the usual summer, block buster fare, and would like to try something new, I highly recommend Weather Girl. It’s like sorbet on a summer day. Cool, refreshing and perfect for the season.
Rating: First Run Television’s best in an amusing, sassy film.
Sunday, July 12, 2009
I Love You, Beth Cooper
It was 4:00 in the afternoon, I was just getting off from work and it was still 95 degrees outside. I had no desire to go home to my oven of an apartment, so I did what I always do when I want to escape, I went to the movies.
After checking the show times, I saw that I Love You, Beth Cooper was coming up next. Perfect, I thought to myself. A mindless teen romp. I bought my ticket and a bag of popcorn and escaped the heat for the next couple of hours.
I Love You, Beth Cooper, was amusing throughout and it was really a nice way to get out of the heat. But the part of the film that really stood out for me was Hayden Panettiere as Beth Cooper. Beth Cooper is the head cheerleader at school and for the last four years has ridden a wave of popularity. When a geeky valedictorian, played by Paul Rust, confesses his love for her at graduation, she is thrust into the spotlight once again, maybe for the last time.
What I liked about Hayden’s performance was her self-awareness. She knew that her glory days were coming to an end and she was desperately trying to squeeze every last ounce of fun out of High School before her life moved on and she stopped being remarkable. She was a realist and knew that her options after High School were few. Her best days were soon to be behind her. She responds to the young man who professes his love by showing up at his graduation party. She soon discovers, however, that he doesn’t really know her at all, that he’s just in love with some image that he created and this she finds very disappointing.
There is always a thread of sentimentality in a Chris Colombus film and this film is no exception. But what kept it from getting maudlin was the radiant Hayden Panettiere and the depth she gave to her role. Charismatic in her bridge-burning recklessness, but vulnerable as her reign as teen queen came to an end. I found her performance genuine and it really elevated this film.
Rating: Second Run Hayden Panettiere is radiant as Beth Cooper
After checking the show times, I saw that I Love You, Beth Cooper was coming up next. Perfect, I thought to myself. A mindless teen romp. I bought my ticket and a bag of popcorn and escaped the heat for the next couple of hours.
I Love You, Beth Cooper, was amusing throughout and it was really a nice way to get out of the heat. But the part of the film that really stood out for me was Hayden Panettiere as Beth Cooper. Beth Cooper is the head cheerleader at school and for the last four years has ridden a wave of popularity. When a geeky valedictorian, played by Paul Rust, confesses his love for her at graduation, she is thrust into the spotlight once again, maybe for the last time.
What I liked about Hayden’s performance was her self-awareness. She knew that her glory days were coming to an end and she was desperately trying to squeeze every last ounce of fun out of High School before her life moved on and she stopped being remarkable. She was a realist and knew that her options after High School were few. Her best days were soon to be behind her. She responds to the young man who professes his love by showing up at his graduation party. She soon discovers, however, that he doesn’t really know her at all, that he’s just in love with some image that he created and this she finds very disappointing.
There is always a thread of sentimentality in a Chris Colombus film and this film is no exception. But what kept it from getting maudlin was the radiant Hayden Panettiere and the depth she gave to her role. Charismatic in her bridge-burning recklessness, but vulnerable as her reign as teen queen came to an end. I found her performance genuine and it really elevated this film.
Rating: Second Run Hayden Panettiere is radiant as Beth Cooper
Friday, July 10, 2009
Movies I Love Because I'm A Chick, or Movies That Influenced Me As A Woman
In my bedroom I have a poster of a cow painted by Stewart Moskowitz from 1977. The cow’s body is colored like a patchwork quilt. For the past 32 years I’ve had that cow displayed proudly on my wall. To me, it represents my personality. Each patch has a drawing within the drawing, and each patch is entirely different. In my mind, it’s like each square represents an experience, event, or person that has made me what I am to today.
Film is a very influential medium. If I looked back on all of the films I’ve seen in my life, there are certain ones that have made an impact on me. Whether they have influenced my character development, or they have resonated with me in some very personal way, there are some movies that have become very important to me. One remarkable teacher in my life once said to me that the things we find the most personal, are the things we have the most in common with others. In that spirit, I’m going to share my most favorite, personal films. Most of these have impacted me because I am a woman, that is why I entitling this Movies I Love Because I’m A Chick.
Gone With The Wind (1939)
I’m going to start with the film Gone With the Wind. Everyone is familiar with the character Scarlet O’Hara. Tough, determined, resilient, Scarlett is one of the great heroines of American Literature. But this film is on my list for another reason, Melanie Wilkes.
I was actually named after Melanie, in Gone With The Wind. My parents saw this film together and loved the qualities she represents. Unlike Scarlet, Melanie was selfless. Her character also displayed generosity, loyalty, bravery, steadfastness, as well as Christian charity. These are all qualities that my parents hoped their daughter would possess. It’s been a lot to live up to, but as a movie lover I think it’s kind of cool to be named after a movie character, and such a noble one as Melanie.
Snow White (1937)
Snow White is the first movie that I consciously remember going to. Snow White made an impression on me because she was a glass half-full kind of girl. No matter what tragedy befell her, she was stalwart, resourceful, cheerful and never full of self-pity. Never once did she sit down with Grumpy and complain about her stepmother. After all that housework, she never said a word to Doc about sore muscles, or being tired. She was always patient with Bashful, never teased Dopey, restrained herself from chiding Sleepy, and she was considerate of Sneezy, by keeping the house tidy. As far as Happy was concerned, they were kindred souls. She took a very bad situation and made the best of it. And even after all the abuse she took at the hands of the evil Queen, she was still kind, generous and trusting. Although I’m getting real tired waiting for my prince to come, I do recall the love and fidelity that the dwarfs had for Snow White. If I could just acquire and demonstrate some her qualities, perhaps I could command that level of loyalty too.
Mary Poppins (1964)
In 1964 my mother left my brother and me for the very first time to attend a weeklong retreat in the mountains. She felt so guilty about leaving us behind that every day in the mail we received a little gift. I got a Mary Poppins book, a Mary Poppins coloring book, a Mary Poppins Paper Doll, and I even received a Mary Poppins umbrella, which I subsequently ruined by jumping off a fence with it. Needless to say, I was in love with Mary Poppins.
I had no idea how strongly this movie impacted me until years later when I saw it again on DVD. This movie was so visually stunning that it influenced my whole sense of color and design. I was able to trace back my favorite color combinations to this very film and there are still fashion elements from it that I find very appealing. I had the entire soundtrack memorized and I wanted nothing more than to be “Practically Perfect In Every Way.”
When it came to Mary Poppins I was attracted to her self-assurance. She was able to stand up to the most dominant of males and hold her own, yet she was loved and appreciated by the working-glass guys. She was all for rules and order, but knew when it was time to cut loose and have fun. It was all about moderation.
Although I didn’t understand the concept at the time, Mary Poppins was a master manipulator. She knew just the right thing to say or do to get you on board and get with the program. As an adult, there have been many times I wished I could be a little more like her. Whenever I feel myself getting a little frustrated with life and want to catch the next updraft with my umbrella and float away, I remember that a spoon full of sugar helps the medicine go down. When you add a little bit of fun to any task in life it makes it more bearable. And for that piece of advice I must thank Mary Poppins.
Cat Ballou (1965)
I grew up with boys. Although I’ve had a few girlfriends in my life, for the most part, boys have always surrounded me. My neighborhood was full of boys. My closest cousins were boys, and my brother and his friends were boys. I lived in a male dominated world and even at a very young age, it didn’t take me long to discover that men were going to disappoint me.
When I saw Cat Ballou in 1965, it was a revelation for me. Catherine Ballou was shy, demure, cultured and well behaved, but underneath all that was a little spark. When all the men in her life let her down, instead of falling apart, she pulls herself together, takes charge, and gets the job done. I was awe-struck.
Now, I’m not condoning murder, or robbing trains, but the sight of Cat Ballou riding hard, and shooting straight was really exciting for me. Gone were the tears; gone was the meek, repressed, frightened young woman. In her place emerged a smart, determined, force of nature, a leader, and no one was going to keep her down.
As a young girl who was teased, bullied and repressed by the older boys on my block, Cat gave me the courage to fight back. Cat gave me permission to be smart, and Cat empowered me to hold my own in my boy dominated world.
Out of all my beloved film heroines, Cat Ballou means the most to me. I knew what it was to feel restricted and repressed, and I also knew the danger and exhilaration of standing up for myself. You have to remember that Cat Ballou was released in 1965. I still had to face the 70’s and the era of Women’s Lib. Cat Ballou stood with me when I demanded to take Shop instead of Home Ec. She was with me when I was the first girl to join the Boy Scout’s Explorer Program and she was with me when I applied for a job that was traditionally held by a man. I still enjoy being the only woman surrounded by men. I call it my Susannah Of The Mounties Syndrome. But I don’t like being discounted, dismissed, or underestimated just because I’m a girl. Cat Ballou taught me, that I don’t have to.
True Grit (1969)
Mattie Ross, in True Grit, is a character very much like my beloved Cat Ballou, but with one major difference, she has a strong sense of ethics. Like Cat Ballou she is tenacious and determined, but unlike Cat Ballou she would never break the law, or use her feminine charms to manipulate. She simply stated what was right, and wrong, and expected you to do the right thing, too.
I love the character of Mattie Ross. She had the gumption to stand up to the men played by John Wayne, Robert Duvall, and Glen Campbell, and very ably held her own. She was shrewd with money, good with a bargain, and wouldn’t take no for an answer. She had the courage to ask for help, but if she couldn’t get the help she needed, she was perfectly willing to do it herself. She was a woman way ahead of her time.
In the beginning of the film, the men completely dismissed Mattie as a little girl. But every time they knocked her down, she got right back up, and for every argument they gave her, she had an answer. My favorite line in the movie is when the men trick her and leave her on the wrong side of the river while they stand comfortably on the only ferry. She refuses to accept defeat and rides her horse across the rushing water. As John Wayne watches her amazing feat he remarks, “I like that girl, she reminds me of me.” At that moment, I wanted to be just like Mattie Ross.
Once their adventure was over and justice was served, you knew Mattie was going to run that ranch and run it well. She had won the respect of Rooster Cogburn and had made a friend for life. You could easy imagine her moving on to bigger and better things. She had all the tools she needed, and most of all she had true grit.
To Kill A Mocking Bird (1962)
As I mentioned earlier, I grew up in a neighborhood surrounded by a lot of boys. Due to this factor, I was very much the tomboy. When To Kill A Mockingbird came out in December of 1962 I was getting ready to enter Kindergarten in the fall. I grew up in a small suburban town, so I had lots of freedom to run around with my brother, just like the children in the movie. I remember identifying very strongly with Scout.
Even though I was young, I understood the moral messages of this movie. This is what I believe makes the book it was based on so great. By displaying these moral issues through the eyes of a child, they were simplified so much, that even a child could understand them.
About this same time, the very first black family moved into my town. I was proud when my parents greeted them and invited them to our church. The mother in this family was a teacher and my own mother drove with her all the way to the state capital to help her get her teaching credential cleared for our state. I was actually in her first, First Grade class. To Kill A Mockingbird helped to give me sensitivity to people different from myself, whether it was by race, economic status, or mental capabilities. My teacher, Mrs. Ficklin, re-enforced these values and has become my friend for life. Between the values taught to me in this film, and the ones taught to me by my parents and Mrs. Ficklin, I grew up with a strong moral code and an acceptance of people from all walks of life. That’s a pretty good legacy for a movie.
Pollyanna (1960)
I don’t believe I saw Pollyanna when it first came out. I would have been too young. I probably saw it on television. What I liked about Pollyanna was her attitude. She was orphaned, being forced to leave her home and move in with a stern aunt that she didn’t know. Most children would pout, or draw into themselves, but Pollyanna chose to be glad. She was grieving, lonely, and unsure of her new surroundings, but she chose to be glad.
This is a lesson I’m still trying to learn. Happiness is a choice. I would love to be a cheerful person all the time, spreading joy wherever I went. But I can be moody. I’m very sensitive to my environment, and one little bump in the road can set me off. But when I find myself heading in that direction I try to remember that I’m in charge of my own attitude. Being miserable is a choice and it takes a lot of work to maintain. By choosing to be glad, you are forsaking your circumstances and taking control of your life. Pollyanna is not just a character; it’s a way of life. It has even become a word. If you look up Pollyannaish in the dictionary it is described as an adjective which means pleasantly optimistic. I’m not very Pollyannaish in real life, but it is something I aspire to be. I choose to be glad.
Sense And Sensibility (1995)
Some movies I like because I can identify with the characters, and some movies I like because the characters have a qualities that I aspire to have. Sense And Sensibility is one such movie. I admire the character of Elinor Dashwood immensely. She is entrusted with a secret, and even though it goes against her own interests and causes her much grief, she has the uncommon integrity to keep that promise until circumstances release her from that trust.
I’ve always been attracted to films that display a time when honor, manners, and etiquette prevailed. But, even in those times, personal integrity was rare. It was more common to put on a proper front, and then act contrary behind closed doors. That is the stuff of good drama. But Elinor is a classic heroine. She keeps her values, her integrity, and her common sense, until the very end, and when the film reaches its conclusion, and her true love is restored to her, it never fails to make me weep.
Elinor is not the only example of noble behavior in this story, Colonel Brandon and Edward Ferras also behave honorably. This is one tale where nice guys don’t finish last. They both behave like gentlemen, they honor their commitments, they put other’s feelings first, and they display great patience. In the end, their integrity is rewarded with the women they love. And the women they love truly appreciate them.
I really wish I could be more like Elinor. There are so many times when I should keep my mouth shut, and then I get to a point where I can’t hold it in any more, and I blow it. Whenever I do, I think of Elinor, and vow to do better next time. Thank goodness she is a fictional character, or my slip-ups would be even more painful. As it is, Elinor is an ideal, one that I strive to live up to.
Fried Green Tomatoes (1991)
Tawanda! I love Fried Green Tomatoes, the movie, not the food. Although I may like the food, I’ve just never tried them. I love this movie because the women are strong, independent, and full of self-determination. They all don’t start that way. It is a journey, a wonderful journey, a difficult one, but the end of the road is a life well lived, and a freedom to live as one chooses.
If you asked me which character I most identified with, that would be a hard thing to do. I identify easily with Idgie, the tomboy, more comfortable in pants than dresses, and more likely to be found hanging with the boys. But, I also identify with Ruth. Ruth, who values kindness, charity, friendship and faith, a woman who is repressed, but eventually breaks free without losing those precious qualities. On the other hand, I also identify with Evelyn, a woman who is trying to discover the best in her self. Evelyn is not happy with her weight, and she is not happy when people walk all over her. She is desperately trying to find that delicate balance of being assertive, but still being genteel. If you put all three of these characters together, somewhere in the middle will be me.
It is rare to have a movie with such strong female characters. The story is delightful, moving, empowering, and full of good feminine statements. I only wish it would have come out earlier in my life. As the daughter of a minister, I know what it is to be repressed, to be afraid to speak out for fear of offending, to be embarrassed because I prefer to dress in more manly fashions. If this film had come to me earlier in my life, maybe I could have evoked the power of Tawanda much sooner.
Philadelphia Story (1940)
I was very young when I saw Philadelphia Story for the first time. I can’t remember if it was on TV or at a revival movie house, but it doesn’t matter. What does matter, is that movie ruined me for life. In this story Katherine Hepburn as Tracy Lord, was so magnificent, that three men fall in love with her. First, there was Cary Grant, her ex-husband. Realizing that he has made a terrible mistake letting her go, he drops everything and rushes to the scene, when he hears that she has become engaged. Then, there is Jimmy Stewart, as the newspaper reporter sent to cover the event. He arrives cynical, judgmental, and sarcastic, but after spending some time with Miss Lord, he falls in love with her, too. The third man, George Kittredge, is rich, dependable, well spoken and respected within the community. All Tracy has to do is decide which man will make her happy.
The reason this movie has ruined me for life is that the men in this film were so eloquent in declaring their love for her, that I have no tolerance for bumbling men. Every once in awhile a young man would approach me, attempt to declare his admiration, and if he was inarticulate, or lacked confidence, I would lose all interest. Blame it on the movies. I wanted a man who could speak his mind, display confidence, and make me feel like Tracy Lord, up on a pedestal. Since those men are rare, unless you buy a movie ticket, very few men have gotten past my defenses. I don’t believe that I am a snob; I’m not looking for flowery words, or poetry. I’m looking for articulation. The ability to know your own mind, and state how you feel, with honest, sincere, emotions.
I felt very cruel as a teenager. If I saw a boy struggling to speak to me, I would stand there patiently and watch him squirm until he had enough composure to say what he wanted. I noticed that other girls would help these boys along, encourage them, and even put words in their mouth. But that wasn’t me. My man had to be eloquent. I wasn’t looking for a smooth talker; I was looking for sincerity and thoughtfulness, and most of all, a man in touch with his feelings. Since it has been awhile since I found one of those, I guess I’ll go back to the movies.
Since You Went Away (1944)
Since You Went Away is a World War II drama that doesn’t show you the war. It takes place on the Home Front, back in the USA. Three soldiers meet on a transport plane and discover that they are all from the same hometown. They come from completely different social circles, so they have never met before. But, now they are united by a common experience and vow to watch out for each other once they return home.
The reason this film spoke to me so much as a young lady is that it gave me a historical perspective. I grew up in the sixties and seventies during the height of the women’s movement. I had so many struggles growing up in my quest to become independent and taken seriously as a woman, that this movie really touched my heart. In this film, the women left behind, had to fend for themselves, while their men were off to war. They had to manage their own finances, home repairs, get jobs, and handle any legal issues that arose. At first it was scary, but with each successful task, it became empowering. Women were discovering that they were not helpless females; they learned that they could fend for themselves. Many women found, that in some ways, that they had skills superior to their husbands, they had just never been given the chance.
I was impressed by these strong, brave, women. I also felt their pain when they were asked to step back into their submissive roles. Imagine how frustrating it would have been to be asked to leave your job so a returning veteran could take your place. After doing a good job for years, you are now being kicked to the curb, only because you are a woman.
The women in this film were not politicos, nor were they women’s libbers. They quietly fell out of ranks and slipped in dutifully behind the men. But, like Eve eating the apple, knowledge had been obtained. Women had been let out of the box, and even if only for a while, they knew that independence was possible, that marriage was not the only solution. These women were the trailblazers and I was following in their path. For me, this movie was an inspiration.
Die Hard (1988)
You are probably wondering why Die Hard is own my list. It is an excellent action film with a mostly male cast. But, what I liked about this film is that Holly Gennaro McClane was not the typical woman in distress. When terrorist villains take over her office, she remains cool, keeps her head, and stands up to the bad guy, toe to toe. It is the men around her that snivel, bargain, and try to manipulate their way out of things, often with disastrous results. Holly, just watches, and waits. She never makes a false move. And, when John McClane does come to her rescue, she is ready to lend him a hand. When she punches that jerk in the nose, it was a very satisfying cinematic moment. For once, they let the woman be strong.
What’s Up Doc? (1972)
What’s Up Doc? is another movie that you may think strange that it is on my list. I loved this movie. Not only is it very funny, the women are funny too. Barbra Streisand plays an irrepressible young woman who keeps managing to get herself in trouble. But, what I like about her is that she doesn’t settle for anything. She is trying to find her place in the world and she refuses to let anyone tell her where that is. She is also assertive and aggressive. When she recognizes what she wants, look out. Nothing will get in her way.
I am a far cry from being anything like this character, but I did like the idea that you can be funny, and still be smart and beautiful. This character broke the mold. She wasn’t the sidekick, or the ugly sister, or the dumb blonde. She was a fully realized woman and the comedy came from her wit, not her physical attributes. This movie gave me hope that attitudes about women may be changing.
It’s A Wonderful Life (1946)
When I’m asked to chose my favorite movie I always find to hard to pick just one. But when I’m pressed, I always chose It’s A Wonderful Life. What this movie has taught me is that our lives are intertwined and that we never know exactly what impact and influence on other people we have. I’m sure that when Jane Fonda was making Cat Ballou that she had no idea that a little girl in Northern California would be impacted for life. I’m sure that in the beginning, when Walt Disney started making his movies, that he had no idea that millions of little girls would shape their personalities and form their self-image based on the characters in his films.
Today, Disney is so self-aware of their girl-power influence, that they have a entire princess product lines, and often feature films with strong female roles. But I wonder what Walt himself would think of all this. He was an old –fashion guy. Was he conscious of his legacy as he went along, or did his heirs figure it out later?
When a director, or a producer creates a film, if it’s a good one, they touch lives. Whether they inspire, correct, instruct or inform, the potential to change lives is there. I love it when I go to a movie and come out different. There are few things in life that truly inspire.
In college I wrote a paper where I interviewed a lot of veterans and asked them what movies had inspired them to join up. It was amazing to me how a patriotic movie could influence someone to enlist in the military and risk their life. I’ve also heard of people having religious experiences in films. I once heard a speaker at church who admitted that he became a Christian after seeing the movie The Exorcist. He saw it as a teenager and became so disturbed by it, that he wanted to make sure he was on God’s side. The power of film is undeniable.
So, when I look back at the films in my life that inspired me, I’m glad that there were so many good ones. There is something visceral about film that other mediums don’t have. Sometimes I get a little discouraged when I see a lot of mediocre movies in a row. You become disappointed and begin to think that you’ll never see a good movie again. But then one comes along and your faith is restored. I love it when that happens.
In conclusion, I owe a lot to movies. Whether they molded my character, provided an escape, or act as a cautionary tale, movies have always been a big part of my life. I love expanding my world by seeing films from other countries, and I also like taking risks by seeing independent films. The idea is to keep an open mind. I also like the fact that film is communal. You can easily share it with a friend, or repeat the experience later, or years from now. I once wrote a letter to Jimmy Stewart and thanked him for It’s A Wonderful Life. I told him that I loved his movie so much that I would get emotional just watching the opening credits. I also explained that I looked forward to the times when I could share his film with others, and that is the beauty of film.
Film is a very influential medium. If I looked back on all of the films I’ve seen in my life, there are certain ones that have made an impact on me. Whether they have influenced my character development, or they have resonated with me in some very personal way, there are some movies that have become very important to me. One remarkable teacher in my life once said to me that the things we find the most personal, are the things we have the most in common with others. In that spirit, I’m going to share my most favorite, personal films. Most of these have impacted me because I am a woman, that is why I entitling this Movies I Love Because I’m A Chick.
Gone With The Wind (1939)
I’m going to start with the film Gone With the Wind. Everyone is familiar with the character Scarlet O’Hara. Tough, determined, resilient, Scarlett is one of the great heroines of American Literature. But this film is on my list for another reason, Melanie Wilkes.
I was actually named after Melanie, in Gone With The Wind. My parents saw this film together and loved the qualities she represents. Unlike Scarlet, Melanie was selfless. Her character also displayed generosity, loyalty, bravery, steadfastness, as well as Christian charity. These are all qualities that my parents hoped their daughter would possess. It’s been a lot to live up to, but as a movie lover I think it’s kind of cool to be named after a movie character, and such a noble one as Melanie.
Snow White (1937)
Snow White is the first movie that I consciously remember going to. Snow White made an impression on me because she was a glass half-full kind of girl. No matter what tragedy befell her, she was stalwart, resourceful, cheerful and never full of self-pity. Never once did she sit down with Grumpy and complain about her stepmother. After all that housework, she never said a word to Doc about sore muscles, or being tired. She was always patient with Bashful, never teased Dopey, restrained herself from chiding Sleepy, and she was considerate of Sneezy, by keeping the house tidy. As far as Happy was concerned, they were kindred souls. She took a very bad situation and made the best of it. And even after all the abuse she took at the hands of the evil Queen, she was still kind, generous and trusting. Although I’m getting real tired waiting for my prince to come, I do recall the love and fidelity that the dwarfs had for Snow White. If I could just acquire and demonstrate some her qualities, perhaps I could command that level of loyalty too.
Mary Poppins (1964)
In 1964 my mother left my brother and me for the very first time to attend a weeklong retreat in the mountains. She felt so guilty about leaving us behind that every day in the mail we received a little gift. I got a Mary Poppins book, a Mary Poppins coloring book, a Mary Poppins Paper Doll, and I even received a Mary Poppins umbrella, which I subsequently ruined by jumping off a fence with it. Needless to say, I was in love with Mary Poppins.
I had no idea how strongly this movie impacted me until years later when I saw it again on DVD. This movie was so visually stunning that it influenced my whole sense of color and design. I was able to trace back my favorite color combinations to this very film and there are still fashion elements from it that I find very appealing. I had the entire soundtrack memorized and I wanted nothing more than to be “Practically Perfect In Every Way.”
When it came to Mary Poppins I was attracted to her self-assurance. She was able to stand up to the most dominant of males and hold her own, yet she was loved and appreciated by the working-glass guys. She was all for rules and order, but knew when it was time to cut loose and have fun. It was all about moderation.
Although I didn’t understand the concept at the time, Mary Poppins was a master manipulator. She knew just the right thing to say or do to get you on board and get with the program. As an adult, there have been many times I wished I could be a little more like her. Whenever I feel myself getting a little frustrated with life and want to catch the next updraft with my umbrella and float away, I remember that a spoon full of sugar helps the medicine go down. When you add a little bit of fun to any task in life it makes it more bearable. And for that piece of advice I must thank Mary Poppins.
Cat Ballou (1965)
I grew up with boys. Although I’ve had a few girlfriends in my life, for the most part, boys have always surrounded me. My neighborhood was full of boys. My closest cousins were boys, and my brother and his friends were boys. I lived in a male dominated world and even at a very young age, it didn’t take me long to discover that men were going to disappoint me.
When I saw Cat Ballou in 1965, it was a revelation for me. Catherine Ballou was shy, demure, cultured and well behaved, but underneath all that was a little spark. When all the men in her life let her down, instead of falling apart, she pulls herself together, takes charge, and gets the job done. I was awe-struck.
Now, I’m not condoning murder, or robbing trains, but the sight of Cat Ballou riding hard, and shooting straight was really exciting for me. Gone were the tears; gone was the meek, repressed, frightened young woman. In her place emerged a smart, determined, force of nature, a leader, and no one was going to keep her down.
As a young girl who was teased, bullied and repressed by the older boys on my block, Cat gave me the courage to fight back. Cat gave me permission to be smart, and Cat empowered me to hold my own in my boy dominated world.
Out of all my beloved film heroines, Cat Ballou means the most to me. I knew what it was to feel restricted and repressed, and I also knew the danger and exhilaration of standing up for myself. You have to remember that Cat Ballou was released in 1965. I still had to face the 70’s and the era of Women’s Lib. Cat Ballou stood with me when I demanded to take Shop instead of Home Ec. She was with me when I was the first girl to join the Boy Scout’s Explorer Program and she was with me when I applied for a job that was traditionally held by a man. I still enjoy being the only woman surrounded by men. I call it my Susannah Of The Mounties Syndrome. But I don’t like being discounted, dismissed, or underestimated just because I’m a girl. Cat Ballou taught me, that I don’t have to.
True Grit (1969)
Mattie Ross, in True Grit, is a character very much like my beloved Cat Ballou, but with one major difference, she has a strong sense of ethics. Like Cat Ballou she is tenacious and determined, but unlike Cat Ballou she would never break the law, or use her feminine charms to manipulate. She simply stated what was right, and wrong, and expected you to do the right thing, too.
I love the character of Mattie Ross. She had the gumption to stand up to the men played by John Wayne, Robert Duvall, and Glen Campbell, and very ably held her own. She was shrewd with money, good with a bargain, and wouldn’t take no for an answer. She had the courage to ask for help, but if she couldn’t get the help she needed, she was perfectly willing to do it herself. She was a woman way ahead of her time.
In the beginning of the film, the men completely dismissed Mattie as a little girl. But every time they knocked her down, she got right back up, and for every argument they gave her, she had an answer. My favorite line in the movie is when the men trick her and leave her on the wrong side of the river while they stand comfortably on the only ferry. She refuses to accept defeat and rides her horse across the rushing water. As John Wayne watches her amazing feat he remarks, “I like that girl, she reminds me of me.” At that moment, I wanted to be just like Mattie Ross.
Once their adventure was over and justice was served, you knew Mattie was going to run that ranch and run it well. She had won the respect of Rooster Cogburn and had made a friend for life. You could easy imagine her moving on to bigger and better things. She had all the tools she needed, and most of all she had true grit.
To Kill A Mocking Bird (1962)
As I mentioned earlier, I grew up in a neighborhood surrounded by a lot of boys. Due to this factor, I was very much the tomboy. When To Kill A Mockingbird came out in December of 1962 I was getting ready to enter Kindergarten in the fall. I grew up in a small suburban town, so I had lots of freedom to run around with my brother, just like the children in the movie. I remember identifying very strongly with Scout.
Even though I was young, I understood the moral messages of this movie. This is what I believe makes the book it was based on so great. By displaying these moral issues through the eyes of a child, they were simplified so much, that even a child could understand them.
About this same time, the very first black family moved into my town. I was proud when my parents greeted them and invited them to our church. The mother in this family was a teacher and my own mother drove with her all the way to the state capital to help her get her teaching credential cleared for our state. I was actually in her first, First Grade class. To Kill A Mockingbird helped to give me sensitivity to people different from myself, whether it was by race, economic status, or mental capabilities. My teacher, Mrs. Ficklin, re-enforced these values and has become my friend for life. Between the values taught to me in this film, and the ones taught to me by my parents and Mrs. Ficklin, I grew up with a strong moral code and an acceptance of people from all walks of life. That’s a pretty good legacy for a movie.
Pollyanna (1960)
I don’t believe I saw Pollyanna when it first came out. I would have been too young. I probably saw it on television. What I liked about Pollyanna was her attitude. She was orphaned, being forced to leave her home and move in with a stern aunt that she didn’t know. Most children would pout, or draw into themselves, but Pollyanna chose to be glad. She was grieving, lonely, and unsure of her new surroundings, but she chose to be glad.
This is a lesson I’m still trying to learn. Happiness is a choice. I would love to be a cheerful person all the time, spreading joy wherever I went. But I can be moody. I’m very sensitive to my environment, and one little bump in the road can set me off. But when I find myself heading in that direction I try to remember that I’m in charge of my own attitude. Being miserable is a choice and it takes a lot of work to maintain. By choosing to be glad, you are forsaking your circumstances and taking control of your life. Pollyanna is not just a character; it’s a way of life. It has even become a word. If you look up Pollyannaish in the dictionary it is described as an adjective which means pleasantly optimistic. I’m not very Pollyannaish in real life, but it is something I aspire to be. I choose to be glad.
Sense And Sensibility (1995)
Some movies I like because I can identify with the characters, and some movies I like because the characters have a qualities that I aspire to have. Sense And Sensibility is one such movie. I admire the character of Elinor Dashwood immensely. She is entrusted with a secret, and even though it goes against her own interests and causes her much grief, she has the uncommon integrity to keep that promise until circumstances release her from that trust.
I’ve always been attracted to films that display a time when honor, manners, and etiquette prevailed. But, even in those times, personal integrity was rare. It was more common to put on a proper front, and then act contrary behind closed doors. That is the stuff of good drama. But Elinor is a classic heroine. She keeps her values, her integrity, and her common sense, until the very end, and when the film reaches its conclusion, and her true love is restored to her, it never fails to make me weep.
Elinor is not the only example of noble behavior in this story, Colonel Brandon and Edward Ferras also behave honorably. This is one tale where nice guys don’t finish last. They both behave like gentlemen, they honor their commitments, they put other’s feelings first, and they display great patience. In the end, their integrity is rewarded with the women they love. And the women they love truly appreciate them.
I really wish I could be more like Elinor. There are so many times when I should keep my mouth shut, and then I get to a point where I can’t hold it in any more, and I blow it. Whenever I do, I think of Elinor, and vow to do better next time. Thank goodness she is a fictional character, or my slip-ups would be even more painful. As it is, Elinor is an ideal, one that I strive to live up to.
Fried Green Tomatoes (1991)
Tawanda! I love Fried Green Tomatoes, the movie, not the food. Although I may like the food, I’ve just never tried them. I love this movie because the women are strong, independent, and full of self-determination. They all don’t start that way. It is a journey, a wonderful journey, a difficult one, but the end of the road is a life well lived, and a freedom to live as one chooses.
If you asked me which character I most identified with, that would be a hard thing to do. I identify easily with Idgie, the tomboy, more comfortable in pants than dresses, and more likely to be found hanging with the boys. But, I also identify with Ruth. Ruth, who values kindness, charity, friendship and faith, a woman who is repressed, but eventually breaks free without losing those precious qualities. On the other hand, I also identify with Evelyn, a woman who is trying to discover the best in her self. Evelyn is not happy with her weight, and she is not happy when people walk all over her. She is desperately trying to find that delicate balance of being assertive, but still being genteel. If you put all three of these characters together, somewhere in the middle will be me.
It is rare to have a movie with such strong female characters. The story is delightful, moving, empowering, and full of good feminine statements. I only wish it would have come out earlier in my life. As the daughter of a minister, I know what it is to be repressed, to be afraid to speak out for fear of offending, to be embarrassed because I prefer to dress in more manly fashions. If this film had come to me earlier in my life, maybe I could have evoked the power of Tawanda much sooner.
Philadelphia Story (1940)
I was very young when I saw Philadelphia Story for the first time. I can’t remember if it was on TV or at a revival movie house, but it doesn’t matter. What does matter, is that movie ruined me for life. In this story Katherine Hepburn as Tracy Lord, was so magnificent, that three men fall in love with her. First, there was Cary Grant, her ex-husband. Realizing that he has made a terrible mistake letting her go, he drops everything and rushes to the scene, when he hears that she has become engaged. Then, there is Jimmy Stewart, as the newspaper reporter sent to cover the event. He arrives cynical, judgmental, and sarcastic, but after spending some time with Miss Lord, he falls in love with her, too. The third man, George Kittredge, is rich, dependable, well spoken and respected within the community. All Tracy has to do is decide which man will make her happy.
The reason this movie has ruined me for life is that the men in this film were so eloquent in declaring their love for her, that I have no tolerance for bumbling men. Every once in awhile a young man would approach me, attempt to declare his admiration, and if he was inarticulate, or lacked confidence, I would lose all interest. Blame it on the movies. I wanted a man who could speak his mind, display confidence, and make me feel like Tracy Lord, up on a pedestal. Since those men are rare, unless you buy a movie ticket, very few men have gotten past my defenses. I don’t believe that I am a snob; I’m not looking for flowery words, or poetry. I’m looking for articulation. The ability to know your own mind, and state how you feel, with honest, sincere, emotions.
I felt very cruel as a teenager. If I saw a boy struggling to speak to me, I would stand there patiently and watch him squirm until he had enough composure to say what he wanted. I noticed that other girls would help these boys along, encourage them, and even put words in their mouth. But that wasn’t me. My man had to be eloquent. I wasn’t looking for a smooth talker; I was looking for sincerity and thoughtfulness, and most of all, a man in touch with his feelings. Since it has been awhile since I found one of those, I guess I’ll go back to the movies.
Since You Went Away (1944)
Since You Went Away is a World War II drama that doesn’t show you the war. It takes place on the Home Front, back in the USA. Three soldiers meet on a transport plane and discover that they are all from the same hometown. They come from completely different social circles, so they have never met before. But, now they are united by a common experience and vow to watch out for each other once they return home.
The reason this film spoke to me so much as a young lady is that it gave me a historical perspective. I grew up in the sixties and seventies during the height of the women’s movement. I had so many struggles growing up in my quest to become independent and taken seriously as a woman, that this movie really touched my heart. In this film, the women left behind, had to fend for themselves, while their men were off to war. They had to manage their own finances, home repairs, get jobs, and handle any legal issues that arose. At first it was scary, but with each successful task, it became empowering. Women were discovering that they were not helpless females; they learned that they could fend for themselves. Many women found, that in some ways, that they had skills superior to their husbands, they had just never been given the chance.
I was impressed by these strong, brave, women. I also felt their pain when they were asked to step back into their submissive roles. Imagine how frustrating it would have been to be asked to leave your job so a returning veteran could take your place. After doing a good job for years, you are now being kicked to the curb, only because you are a woman.
The women in this film were not politicos, nor were they women’s libbers. They quietly fell out of ranks and slipped in dutifully behind the men. But, like Eve eating the apple, knowledge had been obtained. Women had been let out of the box, and even if only for a while, they knew that independence was possible, that marriage was not the only solution. These women were the trailblazers and I was following in their path. For me, this movie was an inspiration.
Die Hard (1988)
You are probably wondering why Die Hard is own my list. It is an excellent action film with a mostly male cast. But, what I liked about this film is that Holly Gennaro McClane was not the typical woman in distress. When terrorist villains take over her office, she remains cool, keeps her head, and stands up to the bad guy, toe to toe. It is the men around her that snivel, bargain, and try to manipulate their way out of things, often with disastrous results. Holly, just watches, and waits. She never makes a false move. And, when John McClane does come to her rescue, she is ready to lend him a hand. When she punches that jerk in the nose, it was a very satisfying cinematic moment. For once, they let the woman be strong.
What’s Up Doc? (1972)
What’s Up Doc? is another movie that you may think strange that it is on my list. I loved this movie. Not only is it very funny, the women are funny too. Barbra Streisand plays an irrepressible young woman who keeps managing to get herself in trouble. But, what I like about her is that she doesn’t settle for anything. She is trying to find her place in the world and she refuses to let anyone tell her where that is. She is also assertive and aggressive. When she recognizes what she wants, look out. Nothing will get in her way.
I am a far cry from being anything like this character, but I did like the idea that you can be funny, and still be smart and beautiful. This character broke the mold. She wasn’t the sidekick, or the ugly sister, or the dumb blonde. She was a fully realized woman and the comedy came from her wit, not her physical attributes. This movie gave me hope that attitudes about women may be changing.
It’s A Wonderful Life (1946)
When I’m asked to chose my favorite movie I always find to hard to pick just one. But when I’m pressed, I always chose It’s A Wonderful Life. What this movie has taught me is that our lives are intertwined and that we never know exactly what impact and influence on other people we have. I’m sure that when Jane Fonda was making Cat Ballou that she had no idea that a little girl in Northern California would be impacted for life. I’m sure that in the beginning, when Walt Disney started making his movies, that he had no idea that millions of little girls would shape their personalities and form their self-image based on the characters in his films.
Today, Disney is so self-aware of their girl-power influence, that they have a entire princess product lines, and often feature films with strong female roles. But I wonder what Walt himself would think of all this. He was an old –fashion guy. Was he conscious of his legacy as he went along, or did his heirs figure it out later?
When a director, or a producer creates a film, if it’s a good one, they touch lives. Whether they inspire, correct, instruct or inform, the potential to change lives is there. I love it when I go to a movie and come out different. There are few things in life that truly inspire.
In college I wrote a paper where I interviewed a lot of veterans and asked them what movies had inspired them to join up. It was amazing to me how a patriotic movie could influence someone to enlist in the military and risk their life. I’ve also heard of people having religious experiences in films. I once heard a speaker at church who admitted that he became a Christian after seeing the movie The Exorcist. He saw it as a teenager and became so disturbed by it, that he wanted to make sure he was on God’s side. The power of film is undeniable.
So, when I look back at the films in my life that inspired me, I’m glad that there were so many good ones. There is something visceral about film that other mediums don’t have. Sometimes I get a little discouraged when I see a lot of mediocre movies in a row. You become disappointed and begin to think that you’ll never see a good movie again. But then one comes along and your faith is restored. I love it when that happens.
In conclusion, I owe a lot to movies. Whether they molded my character, provided an escape, or act as a cautionary tale, movies have always been a big part of my life. I love expanding my world by seeing films from other countries, and I also like taking risks by seeing independent films. The idea is to keep an open mind. I also like the fact that film is communal. You can easily share it with a friend, or repeat the experience later, or years from now. I once wrote a letter to Jimmy Stewart and thanked him for It’s A Wonderful Life. I told him that I loved his movie so much that I would get emotional just watching the opening credits. I also explained that I looked forward to the times when I could share his film with others, and that is the beauty of film.
Thursday, July 9, 2009
Transformers: Revenge Of The Fallen
I waited a couple of weeks to see Transformers: Revenge Of The Fallen. I wasn’t a big fan of the first film and I don’t like it when CGI is the star of a movie. I prefer a film with a good story, first, and good acting, second. Good acting can elevate a mediocre script, but a good story can be told with sock puppets and still be a good story. It’s best when all the elements come together.
After watching Transformers, I have to say, that for the most part, I really liked it. I didn’t care about the robots fighting; I’ll leave that stuff for the boys. But I really enjoyed the human counterparts. I found Shia LaBeouf hysterical. His manic performance was so well done that part of the time you were concerned for his well being, and the other time you were laughing at his comic reactions. I felt that his timing was impeccable. He gave a well-crafted, finely nuanced, performance and I was really impressed.
Another favorite performance of mine was Julie White, as Shia LaBeouf’s mom. She took a clichéd character, the over-protective mom, and made it all her own. She was hilarious from the very first moment and every time she appeared on the screen, I sat up and paid attention. I couldn’t wait to see what ridiculous thing she would do. Kevin Dunn was also funny as the father, but he, all to often, had to play the straight man. What an excellent team they made.
Megan Fox was pretty much relegated to posing for pin-up posters. I’m not kidding! Her opening shot had her sprawled over a motorcycle with a wrench in her hand. It looked like the calendar in my mechanic’s garage. I swear! I’ve seen that picture before. When she wasn’t posing, she was running, or driving a car. Talk about a guy film. Megan did show some acting ability though, when she got a chance. It’s not her fault she’s gorgeous. Give the girl a break.
As far as the Transformers go, I found them to be overdone and too much. According to the butt-o-meter, this film was too long. A 7-year-old boy may be thrilled to see all the different bots, but I could care less. They dragged the story down. The back-story and exposition was just too lengthy. We didn’t need so many characters.
Other than being too long and having too many Transformers, I really enjoyed the film. I am however, going to recommend that you go to a matinee. If you go to a later show, you may fall asleep in-between action scenes. It is that long.
Rating: Bargain Matinee Don’t eat a heavy lunch beforehand, this movie is fun, but long
After watching Transformers, I have to say, that for the most part, I really liked it. I didn’t care about the robots fighting; I’ll leave that stuff for the boys. But I really enjoyed the human counterparts. I found Shia LaBeouf hysterical. His manic performance was so well done that part of the time you were concerned for his well being, and the other time you were laughing at his comic reactions. I felt that his timing was impeccable. He gave a well-crafted, finely nuanced, performance and I was really impressed.
Another favorite performance of mine was Julie White, as Shia LaBeouf’s mom. She took a clichéd character, the over-protective mom, and made it all her own. She was hilarious from the very first moment and every time she appeared on the screen, I sat up and paid attention. I couldn’t wait to see what ridiculous thing she would do. Kevin Dunn was also funny as the father, but he, all to often, had to play the straight man. What an excellent team they made.
Megan Fox was pretty much relegated to posing for pin-up posters. I’m not kidding! Her opening shot had her sprawled over a motorcycle with a wrench in her hand. It looked like the calendar in my mechanic’s garage. I swear! I’ve seen that picture before. When she wasn’t posing, she was running, or driving a car. Talk about a guy film. Megan did show some acting ability though, when she got a chance. It’s not her fault she’s gorgeous. Give the girl a break.
As far as the Transformers go, I found them to be overdone and too much. According to the butt-o-meter, this film was too long. A 7-year-old boy may be thrilled to see all the different bots, but I could care less. They dragged the story down. The back-story and exposition was just too lengthy. We didn’t need so many characters.
Other than being too long and having too many Transformers, I really enjoyed the film. I am however, going to recommend that you go to a matinee. If you go to a later show, you may fall asleep in-between action scenes. It is that long.
Rating: Bargain Matinee Don’t eat a heavy lunch beforehand, this movie is fun, but long
Wednesday, July 8, 2009
Cheri
Cheri is the nickname given to a young man. The son of a prostitute, he is handsome, rich, and the object of curiosity. His Royal parentage is clouded in secrecy. Michelle Pfeiffer portrays Lea de Lonval, the prostitute friend of his mother played by Kathy Bates, who gave him his name. Michelle’s character is becoming a woman of “that age” and is looking forward to her retirement.
Unlike Lea de Lonval’s other friends, she had the good fortune to remain childless, a liability in their trade. But without a child, she was facing old age alone, and that thought she found disconcerting.
While preparing a visit to her summer estate, she visits the home of her old friend and is reacquainted with Cheri. He is now a young man, bored, lazy and without ambition. On a lark Lea invites Cheri to accompany her on her journey. He accepts, and a love affair begins.
Following the story of the two books that inspired this film, we discover the ups and downs of their May-December romance. The film is visually stunning and Michelle Pfeffier is radiant, but I just didn’t like the content of the film. It was all just too melodramatic for me.
Rating: Rent It Visually stunning, but melodramatic
Unlike Lea de Lonval’s other friends, she had the good fortune to remain childless, a liability in their trade. But without a child, she was facing old age alone, and that thought she found disconcerting.
While preparing a visit to her summer estate, she visits the home of her old friend and is reacquainted with Cheri. He is now a young man, bored, lazy and without ambition. On a lark Lea invites Cheri to accompany her on her journey. He accepts, and a love affair begins.
Following the story of the two books that inspired this film, we discover the ups and downs of their May-December romance. The film is visually stunning and Michelle Pfeffier is radiant, but I just didn’t like the content of the film. It was all just too melodramatic for me.
Rating: Rent It Visually stunning, but melodramatic
Wednesday, July 1, 2009
My Sister's Keeper
Back before someone coined the term “Chick Flick”, they used to call dramas like My Sister’s Keeper, “weepies” or “tear-jerkers”. You even had some glib reviewers categorize them by the amount of tissues used. For example a three hankie film would be a real tear-jerker, guaranteed to turn on the water works. But what I admired the most about My Sister’s Keeper was the limited amount of tears, the absence of manipulation, and the lack of worn-out cliches. This was a family drama that just happened to revolve around a young girl dying from cancer.
Anyone who has had to deal with illness in a family knows that the family dynamic is seen at its best and its worse, and only the strongest of families survive. This film shows us a close-knit family with an iron-willed mother. But it also shows us how when one member of the family is ill and becomes the center of attention, that other family members can be ignored.
Cameron Diaz is outstanding as the fierce, determined mother in this film trying to keep her daughter alive. Jason Patric is quietly understated as the father who is just trying to keep everyone happy, and as normal as possible. Abigail Breslin is excellent as the younger sister who was genetically engineered to save the life of her bigger sister Kate. But the real surprise for me was the lovely Sofia Vassilieva who played Kate. I’ve watched her for years on the TV show Medium, but here she has had a chance to really shine. Her performance is remarkable and touching, especially at the end when she shows her true strength.
In the supporting roles, Joan Cusack is tremendous as the judge who must make a life and death decision coming so soon after a life and death situation of her own. And the always good Alec Baldwin gives a very heartfelt performance as one of those flashy TV commercial type lawyers. The scenes between him and Breslin are sensitive and well played. The entire supporting cast is outstanding.
I liked this film because the director Nick Cassavetes chose to play against the sentimentality and pathos of this story and concentrated on the character’s relationships. You’ll still get your weepie ending, but you’ll get some fine acting along the way. A nicely done film well worth seeing.
Rating: First Run A good family drama with fine performances
Anyone who has had to deal with illness in a family knows that the family dynamic is seen at its best and its worse, and only the strongest of families survive. This film shows us a close-knit family with an iron-willed mother. But it also shows us how when one member of the family is ill and becomes the center of attention, that other family members can be ignored.
Cameron Diaz is outstanding as the fierce, determined mother in this film trying to keep her daughter alive. Jason Patric is quietly understated as the father who is just trying to keep everyone happy, and as normal as possible. Abigail Breslin is excellent as the younger sister who was genetically engineered to save the life of her bigger sister Kate. But the real surprise for me was the lovely Sofia Vassilieva who played Kate. I’ve watched her for years on the TV show Medium, but here she has had a chance to really shine. Her performance is remarkable and touching, especially at the end when she shows her true strength.
In the supporting roles, Joan Cusack is tremendous as the judge who must make a life and death decision coming so soon after a life and death situation of her own. And the always good Alec Baldwin gives a very heartfelt performance as one of those flashy TV commercial type lawyers. The scenes between him and Breslin are sensitive and well played. The entire supporting cast is outstanding.
I liked this film because the director Nick Cassavetes chose to play against the sentimentality and pathos of this story and concentrated on the character’s relationships. You’ll still get your weepie ending, but you’ll get some fine acting along the way. A nicely done film well worth seeing.
Rating: First Run A good family drama with fine performances
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